Alexander Liberman was a Russian-American artist known for his signature red steel sculptures and geometric paintings, in addition to his 30-year tenure at the helm of
Condé Nast as its editorial director. Initially hired as an art director for
Vogue upon moving to the United States in 1941, his keen, exacting eye for visuals combined fashion shoots with Modern Art—a memorable spread used
Jackson Pollock’s paintings as a backdrop for
Cecil Beaton’s photographs a decade later. Born September 4, 1912 in Kiev, Russia (now Ukraine), Liberman studied in Paris at the Sorbonne and the École des Beaux-Arts, focusing on philosophy and architecture. His work at the magazine
VU in the 1930s introduced him to celebrated photographers, such as
Brassaï,
Man Ray, and
Henri Cartier-Bresson, and started his career in publishing. The painter and sculptor died on November 19, 1999 in Miami, FL after a career spent shaping periodicals in tandem with a robust artistic practice. “It’s tradition and at the same time a revolt against it that [still] governs my creative thinking,” the artist had said.