Allen Jones’ style reflects a preoccupation with exploring the representation of the figure in the context of 1960s Minimalism and the decline of figurative representation in art. His disembodied Self, one of his best known prints, is a classic example of Jones' early works before he turned to sculpture. In the 1970s, he returned to painting, producing works inspired by mail-order fetish-wear catalogues. Other impressions of Self are in the permanent collections of major museums and public collections around the world, including the Museum of Modern Art, New York; Metropolitan Museum of Art, New York; Whitney Museum of American Art, New York; and Smithsonian Institution, Washington, D.C. It has become quite scarce thus. This work is in fine condition and has never been framed.

Publisher: Tanglewood Press, Los Angeles

Printer: Chiron Press, New York

Catalogue Raisonné: 28, Lloyd