Projection is based on video recordings of intensive psychoanalytic consultations in which Fraser
participated as a patient. Fraser transcribed these video recordings, separated the two sides of the dialog and edited the transcripts down into two individual scripts, each composed of six short monologs in the form of one-sided dialogs. This process also involved adapting the dialog to the gallery space by substituting the present for the past tense and second for third person pronouns, as well as replacing specific nouns and proper names with shifting indexical and demonstrative terms. Fraser then performed these scripts for video, addressing the camera directly. These recordings are projected life-size in an alternating sequence on opposite sides of the gallery, placing the viewer in the position of the addressee and object—or, perhaps, the screen—of each projection. Through this experience, Fraser aims to make explicit some of the latent psychological projections that inevitably structure the relations between artists and art works and their viewers.