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15 December 2024
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Antonio Joli
Interior of the Temple of Poseidon at Paestum
, 1756–1760
76 x 101.5 cm. (29.9 x 40 in.)
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Antonio Joli
Italian, lived circa 1700–1777
Interior of the Temple of Poseidon at Paestum
,
1756–1760
Antonio Joli
Interior of the Temple of Poseidon at Paestum
, 1756–1760
76 x 101.5 cm. (29.9 x 40 in.)
close
Contact the gallery
for more images
View to Scale
Zoom
Medium
Oil on canvas
Size
76 x 101.5 cm. (29.9 x 40 in.)
Price
Price on Request
Contact Gallery About This Work
Robilant+Voena
London / Milan / Paris + 1 other location
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About this Artwork
Provenance
Christie’s, London, 28 February 1992, lot 14.
Christie’s, New York, 26 May 2000, lot 18.
Rafael Valls, London;
Private collection.
Exhibitions
10/08/2020–10/16/2020 CREATION from DESTRUCTION
Literature
Mario Manzelli, Antonio Joli: opera pittorica, Venice, 1999, p. 118.
Charles Beddington, “Book Review: Manzelli, Mario: Antonio Joli: opera pittorica. Venice: Studio LT2: 1999” Burlington Magazine 142 (2000), p.640.
Ralph Toledano, Antonio Joli, Turin, 2006, p. 397.
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Description
Established as a Greek colony under the name of Poseidonia, Paestum in in southern Italy was eventually conquered by the local Lucanians and later the Romans. The Lucanians renamed it to Paistos and the Romans gave the city its current name. As Paestum, the town became a bishopric, but it was abandoned in the early Middle Ages, when the progressive silting up of the River Salso rendered the area swampy and insalubrious. There is no more information about Paestum until the sixteenth century, when the works of painters and writers such as Pietro Summonte rekindled interest in the city by portraying the state of the ruins. Nevertheless, the true “rediscovery” of the city did not take place until the eighteenth century when Paestum became a significant destination on the Grand Tour. From then on, illustrious visitors, including Goethe, Piranesi, Dos Passos, Shelley, Canova, and others, were attracted by its renowned beauty and spread news of it throughout Europe.
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