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31 January 2025
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Charles Camoin
Nu couché au miroir
, 1904
65 x 81 cm. (25.6 x 31.9 in.)
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Charles Camoin
French, 1879–1965
Nu couché au miroir
,
1904
Charles Camoin
Nu couché au miroir
, 1904
65 x 81 cm. (25.6 x 31.9 in.)
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for more images
View to Scale
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Medium
Paintings, Oil on canvas
Size
65 x 81 cm. (25.6 x 31.9 in.)
Markings
Signed lower right: Camoin
Price
Price on Request
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HELENE BAILLY
Paris
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About this Artwork
Movement
Fauvism, Modern Art
Provenance
Franz Edouard Lüthy collection, Le Havre, probably acquired directly from the artist.
Exhibitions
03/05/2024–05/25/2024 LACHEZ LES FAUVES !
01/09/2024–03/02/2024 150 D'IMPRESSIONNISMES
11/05/2022–01/15/2023 L’Art Moderne SEX(E)pose
Le Havre 1907, Exposition Cercle de l'Art Moderne, Le Havre, May-June 1907, no. 7 (titled "Étude de nu").
Paris 2012/13, Le Cercle de l'Art Moderne. Collectionneurs d'avant-garde au Havre, Musée Luxembourg, 19.9.2012–6.1.2013, no. 70 (with ill. cat. p. 179).
Literature
Danièle Giraudy, Camoin: sa vie son œuvre, Marseille 1972, p. 179, no. 26.
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Description
Certificate of authenticity issued by Anne-Marie Grammont-Camoin on August 21, 2022
This female nude was painted while Charles Camoin was staying with Albert Marquet in Saint Tropez. During this trip, the two artists focused on the female model whom they represented in a series of particularly erotic nudes. Inspired by Manet's scandalous "Olympia", they sought to appeal to the viewer through an assumed nudity. Painted in early 1904, the present painting is one of Camoin's earliest nudes, heralding the "free Fauvism" to which he would devote his entire career. Like his contemporaries of the Fauvist movement, Camoin paints here with a lively and rapid brushstroke, the movement is free and the drawing is composed from flat areas of color. However, even if Camoin favors expression through color in her work, she always remains attached to the transcription of the motif and its luminous variations.
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