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13 December 2024
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Charlotte Perriand
Vintage Modernist Table Lamp
, 1950–1959
26.75 x 7 x 7 in. (67.9 x 17.8 x 17.8 cm.)
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Charlotte Perriand
Vintage Modernist Table Lamp
, 1950–1959
26.75 x 7 x 7 in. (67.9 x 17.8 x 17.8 cm.)
close
Charlotte Perriand
Vintage Modernist Table Lamp
, 1950–1959
26.75 x 7 x 7 in. (67.9 x 17.8 x 17.8 cm.)
close
Charlotte Perriand
Vintage Modernist Table Lamp
, 1950–1959
26.75 x 7 x 7 in. (67.9 x 17.8 x 17.8 cm.)
close
Contact the gallery
for more images
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Charlotte Perriand
French, 1903–1999
Vintage Modernist Table Lamp
,
1950–1959
Charlotte Perriand
Vintage Modernist Table Lamp
, 1950–1959
26.75 x 7 x 7 in. (67.9 x 17.8 x 17.8 cm.)
close
Charlotte Perriand
Vintage Modernist Table Lamp
, 1950–1959
26.75 x 7 x 7 in. (67.9 x 17.8 x 17.8 cm.)
close
Charlotte Perriand
Vintage Modernist Table Lamp
, 1950–1959
26.75 x 7 x 7 in. (67.9 x 17.8 x 17.8 cm.)
close
Charlotte Perriand
Vintage Modernist Table Lamp
, 1950–1959
26.75 x 7 x 7 in. (67.9 x 17.8 x 17.8 cm.)
close
Contact the gallery
for more images
Zoom
Medium
Table lamps , Metal
Size
26.75 x 7 x 7 in. (67.9 x 17.8 x 17.8 cm.)
Price
Price on Request
Contact Gallery About This Work
Peter Blake Gallery
Laguna Beach
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About this Artwork
Movement
Mid-Century Modernism
Exhibitions
06/01/2018–06/01/2019 Collectible Design
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Description
Charlotte Perriand was a rare female voice among the avant-garde designers whose designs shaped modern living in the early 20th century. As a student, she rejected the popular Beaux-Arts style and found inspiration instead in machine-age technology. She joined the studio of Le Corbusier at 24, where she experimented with steel, aluminum, and glass, developing a series of tubular steel chairs that remain a modern icon. In 1940, she traveled to Japan to advise the government on how to export products to the West, and spent WWII exiled in Vietnam, where she discovered local woodwork and weaving techniques and embraced natural materials. “The most important thing to realize is that what drives the modern movement is a spirit of enquiry; it’s a process of analysis and not a style,” she said near the end of her life. “We worked with ideals.”
French, 1903-1999, Paris, France
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