LOT 45
DARIO PEREZ-FLORES (VENEZUELAN 1936-2022) §
DYNAMIC CHROMATIQUE #No.11-B, 1993
Estimate: £5,000 - £8,000
Buyer's Premium Applies
MODERN MADE: Modern, Post-War & Contemporary Art, Design, Craft and Studio Ceramics | 767
Auction: Evening Sale (Lots 1 to 51) - 25 April at 6pm
Description
signed, titled and dated in felt-tip (to reverse of larger element), also titled (to reverse of the smaller elements),
acrylic on canvas mounted on wood relief
Dimensions
overall 90cm x 120cm (35 ½in x 49in)
Provenance
Galeria Espaço Arte, São Paulo, Brazil, from whom acquired by Steve Allison, June 2014.
The Steve Allison Collection.
Footnote
Venezuelan artist Darío Pérez-Flores was an Op Art pioneer. Over a long and prolific career, he led sustained research into colours and the optical effects of their combination, in strict abstract compositions, earning him a reputation as one of the pre-eminent Latin American Constructivists of the later 20th century.
Pérez-Flores began his artistic studies in the 1960s in his native Venezuela and then in Valencia, Spain. In 1970 a scholarship enabled him to attend the University of Paris at Vincennes-Saint-Denis, where he studied Bauhaus and De Stijl colour theory. By this time the Optical Art (or ‘Op Art’) movement was flourishing in response to the commercial imagery, popular culture and mass-consumerism that had proliferated over the 1950s and ‘60s. Op Art proponents sought to interrogate our response to this imagery by creating affecting visuals of their own. In Paris Pérez-Flores joined the ranks of other Op Art practitioners including Victor Vasarely and fellow South Americans Jesús Rafael Soto and Carlos Cruz-Diez.
Pérez-Flores’ early artworks were generally sculptural, but from the 1980s he began to create paintings and assemblages referred to as Chromatiques and Prochromatiques. Bright and boldly contrasting pigment was applied in thin vertical lines across the composition, each slice of colour either applied in gradient or as a solid hue. Pérez-Flores’ polychromatic stripes were arranged in such a way that they appear to shimmer and vibrate or to catalyse new shapes and colours in response to the viewer’s gaze.
Later in his career, Pérez-Flores embellished his paintings with three-dimensional vertical metal rods to
add a physical kineticism to enhance the optical sense of movement.
Pérez-Flores’ work is represented in several significant public collections including the Museo de Bellas Artes in Caracas, the Musée d’Art Moderne de la Ville de Paris, Centre Apollo in Lausanne, and the Künzeslau and Waldenbuch Museums in Germany.