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01 February 2025
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David Hockney
Bowl of Fruit
, 1986
27.9 x 21.6 cm. (11 x 8.5 in.)
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David Hockney
Bowl of Fruit
, 1986
27.9 x 21.6 cm. (11 x 8.5 in.)
close
David Hockney
Bowl of Fruit
, 1986
27.9 x 21.6 cm. (11 x 8.5 in.)
close
David Hockney
Bowl of Fruit
, 1986
27.9 x 21.6 cm. (11 x 8.5 in.)
close
David Hockney
Bowl of Fruit
, 1986
27.9 x 21.6 cm. (11 x 8.5 in.)
close
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for more images
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David Hockney
British, born 1937
Bowl of Fruit
,
1986
David Hockney
Bowl of Fruit
, 1986
27.9 x 21.6 cm. (11 x 8.5 in.)
close
David Hockney
Bowl of Fruit
, 1986
27.9 x 21.6 cm. (11 x 8.5 in.)
close
David Hockney
Bowl of Fruit
, 1986
27.9 x 21.6 cm. (11 x 8.5 in.)
close
David Hockney
Bowl of Fruit
, 1986
27.9 x 21.6 cm. (11 x 8.5 in.)
close
David Hockney
Bowl of Fruit
, 1986
27.9 x 21.6 cm. (11 x 8.5 in.)
close
Contact the gallery
for more images
View to Scale
Zoom
Medium
Home made print on 120g Arches rag paper executed on an office colour copy machine
Size
27.9 x 21.6 cm. (11 x 8.5 in.)
Markings
Signed, numbered and dated by the artist
Price
Price on Request
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ARCHEUS / POST-MODERN
London
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About this Artwork
Edition
Edition of 46
Size Notes
Size given is sheet size. Framed size is 15 ½ x 13 in : 39.5 x 33.0 cm.
Catalogue Raisonné
Tokyo 299
Provenance
Acquired directly from the Hockney Studio by the previous owner
Exhibitions
David Hockney, Home Made Prints, Andre Emmerich, New York, 1986, no.12
Literature
Tokyo 299; Hockney, David, Home Made Prints, Self-published catalogue to accompany the exhibition at Andre Emmerich's New York gallery, Zurich, 1986, no.12 (illus.)
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Description
A PRISTINE example of this rare print. Never before framed, the print has been kept in a print drawer for the entirety of its life, having fresh and bright colours precisely as printed.
David Hockney's investigation into the newly invented technology of colour photocopying in 1986, which resulted in the series Home Made Prints, typifies the artist's restless drive and skill in invention over 6 decades. Hockney, fascinated by the new devices, deconstructed the multi-colour printing capability of these office "cameras", and created a series of works, each made by the artist himself with no proofs. Puzzled by the flatness of colour photocopies generated by the early xerox machines, he set out to see if they could be improved upon and soon realised that the colours sharpened if printed one coloured layer at a time. He demonstrated that prints made from these machines with care, attention and an enquiring skill are vastly superior to their products when used as intended, i.e. to make a coloured copy in one single pass. This demonstration, and this typical mode of enquiry, defines completely what makes Hockney one of the greatest artists working today.
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