Eileen Quinlan explores the material boundaries of the photographic process by producing abstract images that are deeply grounded in feminist history, and the mechanics of presentation and consumption. For Art Basel, Campoli Presti is pleased to present "I Can See It, But I Can't Feel It" which is currently exhibited at Mumok, Vienna. The work is part of a new series focusing on the process of digitisation itself. Quinlan placed mirrored plates on a scanner bed normally used for the scanning of photo negatives. The reflections interfere with the sensor of the scanner, corrupting its colour rendering. The resulting images are eerie colour motifs, reflecting on the relation between the analogue and the digital in photography. Quinlan's work is in the permanent collections of MoMA, New York; Whitney Museum of American Art, New York; The Metropolitan Museum of Art, New York; The Museum of Contemporary Art, Los Angeles; Hammer Museum, Los Angeles; Los Angeles County Museum of Art, California and CCS Bard Hessel Museum of Art, Annandale-on-Hudson. Her work was shown in the 57th Venice Biennale in 2017, as well as international institutions such as MoMA, New York; Whitney Museum, New York; ICA Boston; Mumok, Vienna; Kunstverein Düsseldorf, Germany and Bergen Kunsthall, Norway.