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12 December 2024
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Francis Bacon
Triptych (left panel)
, 1983
86 x 60.5 cm. (33.9 x 23.8 in.)
close
Francis Bacon
Triptych (left panel)
, 1983
86 x 60.5 cm. (33.9 x 23.8 in.)
close
Francis Bacon
Triptych (left panel)
, 1983
86 x 60.5 cm. (33.9 x 23.8 in.)
close
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Francis Bacon
British, 1909–1992
Triptych (left panel)
,
1983
Francis Bacon
Triptych (left panel)
, 1983
86 x 60.5 cm. (33.9 x 23.8 in.)
close
Francis Bacon
Triptych (left panel)
, 1983
86 x 60.5 cm. (33.9 x 23.8 in.)
close
Francis Bacon
Triptych (left panel)
, 1983
86 x 60.5 cm. (33.9 x 23.8 in.)
close
Contact the gallery
for more images
View to Scale
Zoom
Medium
Original Lithograph in colours, on Arches paper, with full margins
Size
86 x 60.5 cm. (33.9 x 23.8 in.)
Markings
signed by the artist in pencil and dedicated “For John” in flat tip
Price
14,000 GBP
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Contact Gallery About This Work
Fairhead Fine Art
London
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About this Artwork
Edition
121/180
Size Notes
Image: 679 x 500 mms
Catalogue Raisonné
Bruno Sabatier, Francis Bacon: The Graphic Work, no. 17.
Provenance
John Edwards (1949 - 2003) - The dedicatee - see biographical note above
Private Collection, London
21/3/2019 Christies, London - Lot 40
Spanish Art Dealer
Literature
Francis Bacon: Estampes - collection Alexandre Tacou Number 18
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Description
There were also some HC and artist's proofs made.
Published by Galerie Lelong, Paris
The prototype for this was a diptych in oil, pastel and dry transfer lettering, on canvas made in 1982. The work is now in Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. Since his death Bacon’s reputation and market value have grown steadily, and his work is among the most acclaimed, expensive and sought-after.
This work is dedicated to John Edwards (as per Christie's cataloguing.) John Edwards was Francis Bacon's closest friend for 18 years, and inherited the artist's £11 million estate. There were those who considered it a curious friendship. Although both men were homosexuals, Edwards maintained that they were never lovers. Furthermore, Edwards had never learned to read or write, and knew nothing of art or books. None of this, however, appeared to matter to Bacon. "I think he felt very free with me, because I was a bit different from most people he knew," Edwards once said. "I wasn't asking him about his painting or anything like that . . . I asked him once, 'what do you see in me?' And he laughed and said, 'You're not boring like most people'."
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