Published by Gruener Janura AG, Glarus, 1979

Developed and executed from 1973 to 1979
Technical research, development and coordination: Alberto della Vecchia, Venice
Acrylic plates: Rimpla, Treviso
Silkscreen printing: Guiseppe Barbato, Venice
Metal embossing: Guiseppe Barbato, Venice
A total of 61 printing runs, comprising 29 with silk screen using 13 colours, and 32 metal embossings in 7 colours

Hundertwasser's comment on the work:

I worked for a long time with Alberto Della Vecchia on this Plexiglas seethrough project, based on painting 659 Zwolle. The painting was dismembered in layers, printed individually in silk screen and metallic-stamping technique on several Plexiglas plates, and then re-assembled. It was once again a new technique I had worked out by myself in order to penetrate deeper into paintings. (Hundertwasser 1928-2000, Catalogue Raisonné, Vol. 2, Taschen, Cologne, 2002, p. 1019)