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14 December 2024
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Geer Van Velde
Grande Composition ca.1951
134 x 146 cm. (52.8 x 57.5 in.)
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Geer Van Velde
Grande Composition ca.1951
134 x 146 cm. (52.8 x 57.5 in.)
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Geer Van Velde
Dutch, 1898–1977
Grande Composition ca.1951
Geer Van Velde
Grande Composition ca.1951
134 x 146 cm. (52.8 x 57.5 in.)
close
Geer Van Velde
Grande Composition ca.1951
134 x 146 cm. (52.8 x 57.5 in.)
close
Contact the gallery
for more images
View to Scale
Zoom
Medium
Paintings, Oil on canvas / Huile sur toile
Size
134 x 146 cm. (52.8 x 57.5 in.)
Markings
- Signed with the initials “GvV” lower right, and signed on the reverse too.
-Signée des initiales « GvV » en bas à droite, et signée au dos « G van Velde »
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Galerie de la Présidence
Paris
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About this Artwork
Size Notes
Frame size / taille du cadre 143 x 155 cm.
Movement
Modern Art
Catalogue Raisonné
- This work will be included in the “Catalogue Raisonné” of Geer van Velde Painted Work currently in preparation by Pierre François Moget.
Provenance
- Piet Moget collection, France (By estate of the artist)
- Private collection, The Netherlands
- Private collection, Paris
Exhibitions
- Sao Paulo Biennale, 1963, n°4
- « Geer van Velde 1898-1977, schilderijen en tekeningen », Haags Gemeentemuseum, The Hague, December 1981, n°38, fig. 45, p.61
- « Geer van Velde 1898-1977. Peintures et œuvres sur papier », Musée d’Art Moderne de la Ville de Paris, April – July 1982, n°37, fig.45, p.61
- « Bram van Velde – Geer van Velde”, Museum Belvédère, Heerenveen-Oranjewoud, November 2010 – February 2011, p.69
Literature
- “Geer van velde”, K. Broos, The Hague, 1981, n°45, p. 61
- Certificate of Pierre François Moget.
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Description
Geer van Velde painted this large canvas (52.76 x 57.48 in.) in 1951. This is the period when “the Studio” is the essential theme of his work. As an incredible place of intimacy for the artist with his creation, the studio is for him a new source of inspiration.
Previously, Geer van Velde had painted a canvas of a smaller format (61x61 cm) with a similar composition. But starting from this first canvas, the painter refines his work to give us the work that we present, more controlled and more accomplished. Without ever being represented, the Studio remains always perceptible. The artist, through his personal geometry, his own perspective and his soft light, invites us into his inner world and his imagination.
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