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13 December 2024
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Giorgio Morandi
Natura Morta
, 1930
23 x 30 cm. (9.1 x 11.8 in.)
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Giorgio Morandi
Italian, 1890–1964
Natura Morta
,
1930
Giorgio Morandi
Natura Morta
, 1930
23 x 30 cm. (9.1 x 11.8 in.)
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Medium
Pencil on paper
Size
23 x 30 cm. (9.1 x 11.8 in.)
Markings
Signed and dated “Morandi 1930” lower centre-right
Price
Price on Request
Contact Gallery About This Work
Robilant+Voena
London / Milan / Paris + 1 other location
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About this Artwork
Provenance
with Galleria Michaud, Florence,
with Galleria La Scaletta, San Polo d’Enza,
Private collection, Pavia.
Exhibitions
10/08/2020–10/16/2020 CREATION from DESTRUCTION
05/08/2020–06/30/2020 Giorgio Morandi
Literature
E. Tavoni and M. T. Morandi, Morandi disegni: catalogo generale, Milan, 1994, p. 46, no. 1930.5, illustrated.
Image Rights
Courtesy of Robilant+Voena
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Description
Giorgio Morandi approached his art with the concentration of a Zen master. Working in the small apartment he shared with his mother and three sisters in Bologna, Morandi’s carefully chosen collection of bottles, bowls, boxes, and jars served as his muse. He altered the objects’ exteriors, erasing their labels and reflections to expose their shape and volume, painstakingly creating still-life arrangements he rendered in numerous paintings, drawings, and etchings. Quietly mesmerizing and mysterious, Morandi’s works hover between physical and spiritual, traditional and modern. The present drawing is a brilliant early example of Morandi’s mastery of still life, and his gift for transforming a group of quotidian vessels into a composition that looks timeless. In this work, a rhythm is created from left to right by the gently undulating heights and depths of the bottles, boxes, vases, and jars placed in two rows. Morandi’s delicate pencil lines record the contours of these objects, as well as the negative spaces between them, turning a simple still life into a vehicle for exploring subtle relationships and expressive arrangements of form. Lit from the right-hand side, the object cast shadows which define their contours, as well as their relationships with each other; these, along with the suggestion of their being situated on a tabletop, would gradually disappear from his later graphic works. Please note that the price and availability of the above work are subject to change without prior notice. Where applicable ARR will be added.
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