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01 February 2025
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Heinrich Siepmann
B 20 1997
, 1997
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Heinrich Siepmann
German, 1904–2002
B 20 1997
,
1997
Heinrich Siepmann
B 20 1997
, 1997
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Medium
Oil on canvas / Öl auf Leinwand
Markings
titled, dated, signed on the back on the middle brace of the stretcher frame: “B 20 / 1997 Siepmann”
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unten rechts monogrammiert, datiert: "S 97", rückseitig auf der Mittelstrebe des Keilrahmens datiert, betitelt, signiert: "B 20 / 1997 Siepmann"
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About this Artwork
Size Notes
100 x 40 cm / framed 110 x 49 cm, 39 x 15 inch / framed 43 x 19 inch
Catalogue Raisonné
Ferdinand Ullrich, Heinrich Siepmann Monografie, Werkverzeichnis der Gemälde, Kerber Verlag 1999, Nr 1196 mit Abbildung
Provenance
Artist's estate / Nachlass des Künstlers
Exhibitions
09/01/2023–02/29/2024 Herbst 2023 / Frühjahr 2024. Gemälde, Aquarelle und Plastiken aus dem 20. und 21. Jahrhundert.
Lüdenscheid, Städtische Galerie, 6. Isa-Gerhardi-Preis, 1997/1998
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Description
- Studio frame -
The unusually narrow picture format comprises the special charm of this painting. Colourfulness and repertoire of form are, like so often with Heinrich Siepmann, characterised by aesthetic reduction and asceticism. The actual richness of his sensitive compositions not seldom reveals itself only at second glance, but it is precisely from this that the fascination his works exert on viewers originates.
Here it is the light-yellow square in the lower third of the painting, with a horizontal axis tending to the left, that provides the compositional centre of the construction and draws attention to itself first. Slender, geometric forms in black and different shades of grey are the companions of the yellow protagonist. They develop a reserved dynamic toward the top right corner of the painting, which provides a counterpoint to the skew of the small square – an eminently successful composition in the unusual pictorial space.
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Atelierrahmen
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