Price Database
31 January 2025
Artists
Auctions
Artnet Auctions
Global Auction Houses
Galleries
Events
News
Price Database
Use the Artnet Price Database
Market Alerts
Artnet Analytics
Hidden
Buy
Browse Artists
Artnet Auctions
Browse Galleries
Global Auction Houses
Events & Exhibitions
Speak With a Specialist
Art Financing
How to Buy
Sell
Sell With Us
Become a Gallery Partner
Become an Auction Partner
Receive a Valuation
How to Sell
Search
Hidden
Helen Frankenthaler
Tout à Coup
, 1987
66.25 x 33.75 in. (168.3 x 85.7 cm.)
close
Helen Frankenthaler
Tout à Coup
, 1987
66.25 x 33.75 in. (168.3 x 85.7 cm.)
close
Helen Frankenthaler
Tout à Coup
, 1987
66.25 x 33.75 in. (168.3 x 85.7 cm.)
close
Contact the gallery
for more images
View to Scale
Zoom
Helen Frankenthaler
American, 1928–2011
Tout à Coup
,
1987
Helen Frankenthaler
Tout à Coup
, 1987
66.25 x 33.75 in. (168.3 x 85.7 cm.)
close
Helen Frankenthaler
Tout à Coup
, 1987
66.25 x 33.75 in. (168.3 x 85.7 cm.)
close
Helen Frankenthaler
Tout à Coup
, 1987
66.25 x 33.75 in. (168.3 x 85.7 cm.)
close
Contact the gallery
for more images
View to Scale
Zoom
Medium
Two-colour etching, aquatint, and drypoint on Magnani paper
Size
66.25 x 33.75 in. (168.3 x 85.7 cm.)
Markings
Signed and dated lower right, numbered lower left
Price
Price on Request
Contact Gallery About This Work
Nikola Rukaj Gallery
Toronto
Artworks
Artists
Exhibitions
Contact Gallery
Sell a similar work with Artnet Auctions
About this Artwork
Edition
46
Movement
Contemporary Art
Exhibitions
10/26/2021–10/31/2021 Large + Small Museum Works at the Gallery
Literature
Selected:
Ruth Fine, Helen Frankenthaler: Prints (Washington: National Gallery of Art, 1993), pp. 112-113.
Big Prints from Rome [Exhibit Catalogue from The Museum of Modern Art, Toyama] (Tokyo: Tokyo Shimbun, 1989), n°52.
See more
Description
Published by 2RC Edizioni d’arte, Rome, in collaboration with printer Raffaele d'Orsogna and the Vigna Antoniniana Stamperia (printing workshop), Rome in an edition of 46 with 8 APs
“The artist’s gestural handwriting is brilliantly alive, activating the vivid red and orange field as if with an electrical charge. Each stoke and shape has distinctive modifications within it, however, and their surfaces reveal the lushness and diversity aquatint etching can yield in the hands of a master. Tout à Coup is one of the prints… that was made in privacy, the artist having asked all of the workshop staff to leave her alone in the studio.”
-Ruth Fine, Helen Frankenthaler: Prints (Washington: National Gallery of Art, 1993), p. 32
See more
Helen Frankenthaler News
View all Helen Frankenthaler News
→
Law & Politics
Judge Dismisses Lawsuit Against Helen Frankenthaler Foundation
by Sarah Cascone
Art World
Eureka: What Was Helen Frankenthaler’s Soak-Stain Technique?
by Verity Babbs
Law & Politics
Frankenthaler Foundation Moves to Dismiss Lawsuit Amid Ongoing Family Feud
by Adam Schrader
Law & Politics
Helen Frankenthaler's Nephew Is Suing the Artist's Foundation for Allegedly ‘Destroying’ Her Legacy
by Sarah Cascone