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20 January 2025
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Henry Moret
L'Ile de Ouessant, Le Soir
, 1908
21.38 x 28.75 in. (54.3 x 73 cm.)
close
Henry Moret
L'Ile de Ouessant, Le Soir
, 1908
21.38 x 28.75 in. (54.3 x 73 cm.)
close
Henry Moret
L'Ile de Ouessant, Le Soir
, 1908
21.38 x 28.75 in. (54.3 x 73 cm.)
close
Henry Moret
L'Ile de Ouessant, Le Soir
, 1908
21.38 x 28.75 in. (54.3 x 73 cm.)
close
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Henry Moret
French, 1856–1913
L'Ile de Ouessant, Le Soir
,
1908
Henry Moret
L'Ile de Ouessant, Le Soir
, 1908
21.38 x 28.75 in. (54.3 x 73 cm.)
close
Henry Moret
L'Ile de Ouessant, Le Soir
, 1908
21.38 x 28.75 in. (54.3 x 73 cm.)
close
Henry Moret
L'Ile de Ouessant, Le Soir
, 1908
21.38 x 28.75 in. (54.3 x 73 cm.)
close
Henry Moret
L'Ile de Ouessant, Le Soir
, 1908
21.38 x 28.75 in. (54.3 x 73 cm.)
close
Contact the gallery
for more images
View to Scale
Zoom
Medium
Oil on canvas
Size
21.38 x 28.75 in. (54.3 x 73 cm.)
Markings
Signed and dated "Henry Moret 08" (lower right)
Price
Sold
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M.S. Rau
New Orleans / Aspen
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About this Artwork
Size Notes
Canvas: 21 3/8" high x 28 3/4" wide
Frame: 30" high x 37 1/2" wide
Movement
Modern Art
Catalogue Raisonné
This important work will be included in the forthcoming Henry Moret catalogue raisonné currently being prepared by Jean-Yves Rolland.
Provenance
Provenance:
Galerie Durand-Ruel, Paris
Arthur Tooth & Sons, Ltd., London
Private Collection, U.S. c. 1950
Sold: Christie's New York, 15 May 15 1997, Impressionist and Modern Paintings, Drawings and Sculpture, Part II, Lot 261
R.S. Johnson Fine Art, Chicago
Private collection, Chicago
M.S. Rau, New Orleans, 2019
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Description
The French island of Ushant in Brittany is captured in a brilliant palette of jewel tones in this exceptional oil on canvas by the French Impressionist Henry Moret. The artist's rich impasto poetically conveys the lush and rugged coastline of northern France in a profusion of green, blue and purple hues. Masterfully composed, L'Ile de Ouessant, Le Soir embodies Moret's highly unique and much beloved style, reflecting his genius for recreating natural phenomena on canvas.
Moret was one of the most celebrated painters of the Pont-Aven School, a group of artists who worked closely with the great Paul Gauguin in the northwestern region of France. Moret's works clearly betray Gauguin's influence in their bold application of pure color, though Moret never completely adopted the Symbolist subjects or flattened forms of his predecessor. Instead, he renders his landscapes faithfully, beautifully capturing the play of light and atmosphere on the lush greenery and tranquil seascape. Simultaneously naturalistic and emotive, this remarkable oil on canvas betrays Moret’s intense devotion and love for the region.
It was as a young man in military service in 1875 that Moret first discovered the beauty of France’s northern coasts, particularly those of Normandy and Brittany. After his tour ended, he embarked on his artistic career, completing his formal education at the École Nationale des Beaux-Arts under Jean-Paul Laurens and Jean-Leon Gérôme. In 1881, he returned to the North and became greatly influenced by the artists of Pont-Aven, particularly Gauguin. Though his early canvases hinted towards Symbolism, he primarily painted in the Impressionist style throughout his career.
In 1895, he formed a fruitful relationship with the famed dealer Durand-Ruel, and his career was officially launched. He began to exhibit extensively around the world, particularly in Paris and New York, where he enjoyed a growing clientele for his work. Today, his paintings can be found in important museums including the Manchester Art Gallery, the State Hermitage Museum (St. Petersburg), the National Gallery of Art (Washington DC) and others.
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