Hiroshi Sugimoto
(Japanese, born 1948)
Biography
Hiroshi Sugimoto is a contemporary Japanese photographer whose esoteric practice explores memory and time. Using the intrinsic quality of long exposure photography, the artist provides insight into how the medium can both obscure and alter reality. Influenced by Dadaist and Surrealist theory, Sugimoto’s Seascapes, Dioramas, and Theaters, craft mysterious scenes from vernacular subject matter. “Photography is like a found object. A photographer never makes an actual subject; they just steal the image from the world,” the artist said. “Photography is a system of saving memories. It's a time machine, in a way, to preserve the memory, to preserve time.” Born on February 23, 1948, in Tokyo, Japan, he graduated with a degree in sociology and politics from Rikkyo University in 1970. The artist went on to receive his BFA in photography from the Art Center College of Design in Los Angeles, before moving to New York in the mid-1970s. He was the recipient of the Hasselblad Award in 2001, and the subject of a mid-career retrospective in 2006 organized by the Hirshhorn Museum and Sculpture Garden in Washington D.C. and the Mori Art Museum in Tokyo. The artist currently lives and works between New York, NY and Tokyo, Japan. Sugimoto’s works are presently held in the collections of the Art Institute of Chicago, The Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., and the Center for Contemporary Art in Kitakyushu, Japan.
Hiroshi Sugimoto Artworks
Hiroshi Sugimoto
North Pacific Ocean, Mt. Tamalpais, 1994
Sale Date: November 15, 2006
Auction Closed
Hiroshi Sugimoto
North Atlantic Ocean, cliff of Moher, 1989
Sale Date: October 29, 2006
Auction Closed
.jpg "End of time (group of 3), 2005")
.jpg "U.A. Walker, New York (incl. book Theaters), 1978")
Hiroshi Sugimoto
U.A. Walker, New York (incl. book Theaters), 1978
Sale Date: October 25, 2006
Auction Closed
.jpg "Time exposed (portfolio of 50), 1991")
©2024 Artnet Worldwide Corporation. All rights reserved.