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07 January 2025
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Howard Hodgkin
Springtime (from "After All")
, 2015–2016
14.25 x 16.5 in. (36.2 x 41.9 cm.)
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Howard Hodgkin
Springtime (from "After All")
, 2015–2016
14.25 x 16.5 in. (36.2 x 41.9 cm.)
close
Howard Hodgkin
Springtime (from "After All")
, 2015–2016
14.25 x 16.5 in. (36.2 x 41.9 cm.)
close
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for more images
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Howard Hodgkin
British, 1932–2017
Springtime (from "After All")
,
2015–2016
Howard Hodgkin
Springtime (from "After All")
, 2015–2016
14.25 x 16.5 in. (36.2 x 41.9 cm.)
close
Howard Hodgkin
Springtime (from "After All")
, 2015–2016
14.25 x 16.5 in. (36.2 x 41.9 cm.)
close
Howard Hodgkin
Springtime (from "After All")
, 2015–2016
14.25 x 16.5 in. (36.2 x 41.9 cm.)
close
Contact the gallery
for more images
View to Scale
Zoom
Medium
Prints and multiples, Hand-painted sugar lift aquatint from 1 plate, printed in Vine Black, then hand-painted in Carbon Black, Spring Green and Ultramarine/Cyan/Zinc White mix on Velin Cuve BFK Rives Tan 280 gsm paper
Size
14.25 x 16.5 in. (36.2 x 41.9 cm.)
Markings
Hand signed (HH), dated (2016), and numbered lower left
From the edition of 30; fifteen of the thirty works were hand signed
Price
Price on Request
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Long-Sharp Gallery
Indianapolis / New York
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About this Artwork
Size Notes
Frame size: 24.75 x 27.25 in (63 x 29 cm)
Movement
Contemporary Art
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Description
Howard Hodgkin first began making original prints in the 1950s. In later decades, he came to prefer the use of etching, aquatint, and carborundum combined with hand-painting; this suite, his final body of editioned graphics, is a portfolio of eighteen hand-painted etchings utilizing this printing technique.
With titles like "Late Autumn," "Raspberry Crumble," and "Outspoken," each of the unique prints in this suite speaks to a particular time, place, or memory. Each features elements from what the artist refers to as his language or vocabulary – incorporating his signature spots, stripes, “waves and wriggles.”
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