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19 January 2025
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Jason Martin
Inside Out (Dark grey)
, 2023
200 x 166 x 15 cm. (78.7 x 65.4 x 5.9 in.)
close
Jason Martin
Inside Out (Dark grey)
, 2023
200 x 166 x 15 cm. (78.7 x 65.4 x 5.9 in.)
close
Jason Martin
Inside Out (Dark grey)
, 2023
200 x 166 x 15 cm. (78.7 x 65.4 x 5.9 in.)
close
Jason Martin
Inside Out (Dark grey)
, 2023
200 x 166 x 15 cm. (78.7 x 65.4 x 5.9 in.)
close
Jason Martin
Inside Out (Dark grey)
, 2023
200 x 166 x 15 cm. (78.7 x 65.4 x 5.9 in.)
close
Contact the gallery
for more images
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Jason Martin
British, born 1970
Inside Out (Dark grey)
,
2023
Jason Martin
Inside Out (Dark grey)
, 2023
200 x 166 x 15 cm. (78.7 x 65.4 x 5.9 in.)
close
Jason Martin
Inside Out (Dark grey)
, 2023
200 x 166 x 15 cm. (78.7 x 65.4 x 5.9 in.)
close
Jason Martin
Inside Out (Dark grey)
, 2023
200 x 166 x 15 cm. (78.7 x 65.4 x 5.9 in.)
close
Jason Martin
Inside Out (Dark grey)
, 2023
200 x 166 x 15 cm. (78.7 x 65.4 x 5.9 in.)
close
Jason Martin
Inside Out (Dark grey)
, 2023
200 x 166 x 15 cm. (78.7 x 65.4 x 5.9 in.)
close
Contact the gallery
for more images
Zoom
Medium
Mixed media on aluminium
Size
200 x 166 x 15 cm. (78.7 x 65.4 x 5.9 in.)
Price
Price on Request
Contact Gallery About This Work
Buchmann Galerie
Berlin / Lugano
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About this Artwork
Provenance
The work is in perfect condition. Provenance is directly from the artist.
Exhibitions
04/28/2023–07/29/2023 Jason Martin: New Titles
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Description
Jason Martin is a painter who employs manifold methods of structuring paint to address the essential question of illusion and the rhetoric of space and plane in painting. Painting is also a performative act for him, leaving room for chance to create works that are lush, attractive and full of vigour.
The recent paintings by the artist are characterised by a rhythm of constructive strokes that create a narrative of previous traces and an erasure of hidden, buried layers. As the artist elaborates on these works:
“A process of contingency, performance and necessity demonstrates through any given work here, that each is considered in its totality and asks to be afforded a faith in abandon commiserate to a marathon of false starts.” He continues: “These paintings are all by virtue, if evident by the viewer, moments of blind painted doubts. To see is to recognise and to possess meaning by default is to proclaim truth of consciousness step by qualified step.”
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