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31 January 2025
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Jean-Michel Basquiat
Portrait of a Collector
, 1986
100 x 75 cm. (39.4 x 29.5 in.)
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Jean-Michel Basquiat
Portrait of a Collector
, 1986
100 x 75 cm. (39.4 x 29.5 in.)
close
Jean-Michel Basquiat
Portrait of a Collector
, 1986
100 x 75 cm. (39.4 x 29.5 in.)
close
Jean-Michel Basquiat
Portrait of a Collector
, 1986
100 x 75 cm. (39.4 x 29.5 in.)
close
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for more images
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Jean-Michel Basquiat
American, 1960–1988
Portrait of a Collector
,
1986
Jean-Michel Basquiat
Portrait of a Collector
, 1986
100 x 75 cm. (39.4 x 29.5 in.)
close
Jean-Michel Basquiat
Portrait of a Collector
, 1986
100 x 75 cm. (39.4 x 29.5 in.)
close
Jean-Michel Basquiat
Portrait of a Collector
, 1986
100 x 75 cm. (39.4 x 29.5 in.)
close
Jean-Michel Basquiat
Portrait of a Collector
, 1986
100 x 75 cm. (39.4 x 29.5 in.)
close
Contact the gallery
for more images
View to Scale
Zoom
Medium
Works on paper, Marker on offset lithograph
Size
100 x 75 cm. (39.4 x 29.5 in.)
Price
Price on Request
Contact Gallery About This Work
Skot Foreman Fine Art
San Miguel de Allende
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About this Artwork
Edition
UNIQUE
Size Notes
Framed dimensions: 50" x 35" or 127 x 89 cm
Movement
Contemporary Art
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Description
Hand-signed, and dated "Basquiat 86" in marker, lower right on recto Foundry/Publisher Louisiana Museum of Modern Art, Copenhagen, Denmark.
"Ironically, given his obsession with anatomy, Basquiat deconstructed himself. Perhaps his trademark erasures were his most heartfelt artistic gesture....."© 1998 Phoebe Hoban
This rare color offset lithograph features an original drawing done by Basquiat himself, on the entire bottom of quarter of the paper ~ 10 inches high by 30 inches wide. The drawing could be seen as further commentary on the 1986 exhibition title. It was sent by Basquiat to his friend the Swedish art dealer Jan Erik Löwenadler in 1986. Basquiat’s use of text (words, letters, text boxes) was a crucial element in his work and functioned as key compositional elements in his paintings. Basquiat often referred to his text as “brushstrokes,” indicating that he considered language to be vital on a formal level as well as conceptual.
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