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31 January 2025
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Jennifer Bartlett
Air: 24 Hours
, 1994
11 x 9.25 x 1 in. (27.9 x 23.5 x 2.5 cm.)
close
Jennifer Bartlett
Air: 24 Hours
, 1994
11 x 9.25 x 1 in. (27.9 x 23.5 x 2.5 cm.)
close
Jennifer Bartlett
Air: 24 Hours
, 1994
11 x 9.25 x 1 in. (27.9 x 23.5 x 2.5 cm.)
close
Jennifer Bartlett
Air: 24 Hours
, 1994
11 x 9.25 x 1 in. (27.9 x 23.5 x 2.5 cm.)
close
Jennifer Bartlett
Air: 24 Hours
, 1994
11 x 9.25 x 1 in. (27.9 x 23.5 x 2.5 cm.)
close
Contact the gallery
for more images
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Jennifer Bartlett
American, 1941–2022
Air: 24 Hours
,
1994
Jennifer Bartlett
Air: 24 Hours
, 1994
11 x 9.25 x 1 in. (27.9 x 23.5 x 2.5 cm.)
close
Jennifer Bartlett
Air: 24 Hours
, 1994
11 x 9.25 x 1 in. (27.9 x 23.5 x 2.5 cm.)
close
Jennifer Bartlett
Air: 24 Hours
, 1994
11 x 9.25 x 1 in. (27.9 x 23.5 x 2.5 cm.)
close
Jennifer Bartlett
Air: 24 Hours
, 1994
11 x 9.25 x 1 in. (27.9 x 23.5 x 2.5 cm.)
close
Jennifer Bartlett
Air: 24 Hours
, 1994
11 x 9.25 x 1 in. (27.9 x 23.5 x 2.5 cm.)
close
Contact the gallery
for more images
View to Scale
Zoom
Medium
Prints and multiples, Books and Ephemera, Hardback monograph bound in the publisher's original pink satin cloth with the covers and spine stamped in black. In publisher's original acetate dust jacket.
Size
11 x 9.25 x 1 in. (27.9 x 23.5 x 2.5 cm.)
Markings
Hand signed and inscribed by the artist on the half title page to Nadine (Witkin)
Price
Price on Request
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Alpha 137 Gallery
New York
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About this Artwork
Provenance
Signed to Nadine at the exhibition "Jennifer Bartlett Hospital" at the Drawing Center on January 21, 2016.
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Description
Hand signed and inscribed to Nadine on the title page
Hardback monograph bound in the publisher's original pink satin cloth with the covers and spine stamped in black. In publisher's original acetate dust jacket.
Publisher's Blurb:
In Air: 24 Hours, Jennifer Bartlett creates her most personal paintings, all made between 1991 and 1992. Here, in each work, the unflinching presence of time is carefully, conspicuously monitored by a clock - light gray for day, dark gray for night. But motifs, color combinations, even certain images variously recur throughout the 24 paintings, shaking us up, causing us to realize that even the most seemingly casual, intimate scenes (a child's bedroom, a bathroom, the garden fish pond) are the trappings of much larger concerns. Familiar hallmarks of Jennifer Bartlett's earlier work - the relationship between parts and the whole, geometric structures and mathematically precise grids, a painterly sensuality and an almost obsessive fascination with repetition - take on new meaning in the 24 Hour series. Now they are employed to tell a story, to drive the narrative on, to take us deeper and deeper into some dark place.
Fiction writer and playwright Deborah Eisenberg situates these paintings in the most unexpected and provocative ways. Commentaries on each of the plates become the springboard for an extensive conversation with the artist. A visual reference guide to each of the paintings further expands their discussion.
Book information:
Publisher : Harry N Abrams Inc; 1994
Hardcover : 168 pages; With 50 illustrations, including 24 plates in full color. Bound in the publisher's original pink satin cloth with the covers and spine stamped in black. In publisher's original acetate dust jacket.
Publisher:
Harry N. Abrams, Inc., Publishers
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