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13 December 2024
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Jens-Christian Wittig
Maze Runners Quattro
, 2017
40 x 71 in. (101.6 x 180.3 cm.)
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Jens-Christian Wittig
Maze Runners Quattro
, 2017
40 x 71 in. (101.6 x 180.3 cm.)
close
Jens-Christian Wittig
Maze Runners Quattro
, 2017
40 x 71 in. (101.6 x 180.3 cm.)
close
Jens-Christian Wittig
Maze Runners Quattro
, 2017
40 x 71 in. (101.6 x 180.3 cm.)
close
Jens-Christian Wittig
Maze Runners Quattro
, 2017
40 x 71 in. (101.6 x 180.3 cm.)
close
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for more images
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Jens-Christian Wittig
German, born 1962
Maze Runners Quattro
,
2017
Jens-Christian Wittig
Maze Runners Quattro
, 2017
40 x 71 in. (101.6 x 180.3 cm.)
close
Jens-Christian Wittig
Maze Runners Quattro
, 2017
40 x 71 in. (101.6 x 180.3 cm.)
close
Jens-Christian Wittig
Maze Runners Quattro
, 2017
40 x 71 in. (101.6 x 180.3 cm.)
close
Jens-Christian Wittig
Maze Runners Quattro
, 2017
40 x 71 in. (101.6 x 180.3 cm.)
close
Jens-Christian Wittig
Maze Runners Quattro
, 2017
40 x 71 in. (101.6 x 180.3 cm.)
close
Contact the gallery
for more images
View to Scale
Zoom
Medium
Photographs, Abstracted Digital Painting, Lambda Print
Size
40 x 71 in. (101.6 x 180.3 cm.)
Price
Price on Request
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AiBo Gallery
Rye
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About this Artwork
Movement
Contemporary Art
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Description
"Painted by a Lens"
In his images of digital transformation, (JCW) Jens-Christian Wittig works with this new medium to create his specific and unique artistic world, taking learned classical techniques of composition and perspective and bringing them into the digital age.
Maze Runners Quattro is a Digital Painting, Lambda Print on fuji crystal archival paper mounted on aluminum dibond, acrylic front.
Runners in a labyrinth. The image is reminiscent of a palace – open to interpretation and complex. The space is beautiful, with dimensional depth and fascination. – This work is a composite of motifs taken at an abandoned industrial center on the Huangpu River in Shanghai. The original buildings were coal chutes. Today at this site, the Long Museum and modern housing units can be found. - Shanghai’s society is experiencing a transformation, is looking for orientation and possibilities, often losing itself in the facets of emerging realms. Or perhaps, it is charmed with itself: indifferent and full of bewitching, unfathomable layers.
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