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22 January 2025
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Johnnie Winona Ross
Deep Creek Seeps 10
, 2007
11.5 x 10.5 in. (29.2 x 26.7 cm.)
close
Johnnie Winona Ross
Deep Creek Seeps 10
, 2007
11.5 x 10.5 in. (29.2 x 26.7 cm.)
close
Johnnie Winona Ross
Deep Creek Seeps 10
, 2007
11.5 x 10.5 in. (29.2 x 26.7 cm.)
close
Johnnie Winona Ross
Deep Creek Seeps 10
, 2007
11.5 x 10.5 in. (29.2 x 26.7 cm.)
close
Johnnie Winona Ross
Deep Creek Seeps 10
, 2007
11.5 x 10.5 in. (29.2 x 26.7 cm.)
close
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for more images
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Johnnie Winona Ross
American, born 1949
Deep Creek Seeps 10
,
2007
Johnnie Winona Ross
Deep Creek Seeps 10
, 2007
11.5 x 10.5 in. (29.2 x 26.7 cm.)
close
Johnnie Winona Ross
Deep Creek Seeps 10
, 2007
11.5 x 10.5 in. (29.2 x 26.7 cm.)
close
Johnnie Winona Ross
Deep Creek Seeps 10
, 2007
11.5 x 10.5 in. (29.2 x 26.7 cm.)
close
Johnnie Winona Ross
Deep Creek Seeps 10
, 2007
11.5 x 10.5 in. (29.2 x 26.7 cm.)
close
Johnnie Winona Ross
Deep Creek Seeps 10
, 2007
11.5 x 10.5 in. (29.2 x 26.7 cm.)
close
Contact the gallery
for more images
View to Scale
Zoom
Medium
Oil paint on acrylic base burnished on Belgian linen
Size
11.5 x 10.5 in. (29.2 x 26.7 cm.)
Markings
Signed twice, dated and titled on the verso; also bears the original Stephen Haller Gallery label.
Price
Price on Request
Contact Gallery About This Work
Alpha 137 Gallery
New York
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About this Artwork
Edition
Unique
Size Notes
canvas stretched on wood;
Movement
Contemporary Art
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Description
his work was originally sold by the Stephen Haller Gallery which hosted several critically acclaimed, sell-out shows of New Mexico resident Johniie Winona Ross, whose exquisite Minimalist aesthetic really took hold with collectors. The debt to famous New Mexico resident and Minimalist goddess Agnes Martin is obvious, but Winona Ross has a disctinctive style and technique of his own. The process of creating this work was laborious: Ross typically applies as many as 90-100 layers of paint to each canvas, then scrapes the surface with a straight-edged razor to reveal the many layers (and their chronology), and finally burnishing the surface with a Pueblo pottery stone to achieve a soft gloss.
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