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31 January 2025
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Jutta Naim
Inceptions No 2 - soft, contemplative abstraction, plaster & pigment on panel
, 2013
48 x 53 in. (121.9 x 134.6 cm.)
close
Jutta Naim
Inceptions No 2 - soft, contemplative abstraction, plaster & pigment on panel
, 2013
48 x 53 in. (121.9 x 134.6 cm.)
close
Jutta Naim
Inceptions No 2 - soft, contemplative abstraction, plaster & pigment on panel
, 2013
48 x 53 in. (121.9 x 134.6 cm.)
close
Jutta Naim
Inceptions No 2 - soft, contemplative abstraction, plaster & pigment on panel
, 2013
48 x 53 in. (121.9 x 134.6 cm.)
close
Jutta Naim
Inceptions No 2 - soft, contemplative abstraction, plaster & pigment on panel
, 2013
48 x 53 in. (121.9 x 134.6 cm.)
close
Contact the gallery
for more images
View to Scale
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Jutta Naim
Canadian/German, born 1942
Inceptions No 2 - soft, contemplative abstraction, plaster & pigment on panel
,
2013
Jutta Naim
Inceptions No 2 - soft, contemplative abstraction, plaster & pigment on panel
, 2013
48 x 53 in. (121.9 x 134.6 cm.)
close
Jutta Naim
Inceptions No 2 - soft, contemplative abstraction, plaster & pigment on panel
, 2013
48 x 53 in. (121.9 x 134.6 cm.)
close
Jutta Naim
Inceptions No 2 - soft, contemplative abstraction, plaster & pigment on panel
, 2013
48 x 53 in. (121.9 x 134.6 cm.)
close
Jutta Naim
Inceptions No 2 - soft, contemplative abstraction, plaster & pigment on panel
, 2013
48 x 53 in. (121.9 x 134.6 cm.)
close
Jutta Naim
Inceptions No 2 - soft, contemplative abstraction, plaster & pigment on panel
, 2013
48 x 53 in. (121.9 x 134.6 cm.)
close
Contact the gallery
for more images
View to Scale
Zoom
Medium
Paintings, Mixed Media on Panel
Size
48 x 53 in. (121.9 x 134.6 cm.)
Price
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Oeno Gallery
Toronto
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About this Artwork
Movement
Contemporary Art
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Description
Monochromatic, tactile, and highly personal in nature. Working with plaster on wood, Naim opts to use her hands to apply ink, chalk, charcoal, graphite and pigments to the ‘breathing body’ of the painting surface.
This painting is heavily textured plaster and pigment, with gold patina. The result is organic, both in temperament and process. Shapes and lines are continually buried and excavated in order to reveal the dark and light, the visible and invisible.
Born in 1942 and raised in Germany, Jutta Naim has lived most of her adult life in Canada and Israel. Her work has been exhibited in various galleries in Israel between 1995-2005 and in Canada since then.
Complimentary shipping in Canada and continental USA (restrictions based on size/weight/materials)
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