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23 January 2025
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Keith Sonnier
Untitled sculptural image
, 1981
29.8 x 21.75 in. (75.7 x 55.2 cm.)
close
Keith Sonnier
Untitled sculptural image
, 1981
29.8 x 21.75 in. (75.7 x 55.2 cm.)
close
Keith Sonnier
Untitled sculptural image
, 1981
29.8 x 21.75 in. (75.7 x 55.2 cm.)
close
Keith Sonnier
Untitled sculptural image
, 1981
29.8 x 21.75 in. (75.7 x 55.2 cm.)
close
Keith Sonnier
Untitled sculptural image
, 1981
29.8 x 21.75 in. (75.7 x 55.2 cm.)
close
Contact the gallery
for more images
View to Scale
Zoom
Keith Sonnier
American, 1941–2020
Untitled sculptural image
,
1981
Keith Sonnier
Untitled sculptural image
, 1981
29.8 x 21.75 in. (75.7 x 55.2 cm.)
close
Keith Sonnier
Untitled sculptural image
, 1981
29.8 x 21.75 in. (75.7 x 55.2 cm.)
close
Keith Sonnier
Untitled sculptural image
, 1981
29.8 x 21.75 in. (75.7 x 55.2 cm.)
close
Keith Sonnier
Untitled sculptural image
, 1981
29.8 x 21.75 in. (75.7 x 55.2 cm.)
close
Keith Sonnier
Untitled sculptural image
, 1981
29.8 x 21.75 in. (75.7 x 55.2 cm.)
close
Contact the gallery
for more images
View to Scale
Zoom
Medium
Prints and multiples, Lithograph on wove paper
Size
29.8 x 21.75 in. (75.7 x 55.2 cm.)
Markings
Signed, numbered and dated in graphite pencil on the front
Price
Price on Request
Contact Gallery About This Work
Alpha 137 Gallery
New York
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About this Artwork
Edition
200
Movement
Contemporary Art
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Description
Signed, numbered and dated in graphite pencil on the front
Published by Waterstreet Press
This uncommon pencil signed and numbered lithograph by post-Minimalist master Keith Sonnier is unframed and in fine condition. It has deckled edges so it will look terrific when floated and framed.
More about Keith Sonnier
Keith Sonnier radically reinvented sculpture in the late 1960s.
Employing unusual materials that had never before been used, Sonnier, along with his contemporaries, Bruce Nauman, Richard Tuttle, Eva Hesse, Richard Serra, and Barry Le Va, called all previous conceptions of sculpture into question. Sonnier has experimented with materials as varied as latex, satin, bamboo, found objects, satellite transmitters, and video. In 1968, the artist began working with neon, which quickly became a defining element of his work. The linear quality of neon allows Sonnier to draw in space with light and color, while the diffuseness of the light enables his work to interact on various architectural planes.
-Courtesy PACE Gallery
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