Marc Chagall
Le Cirque (M. 527)
colour lithograph on arches wove paper
signed lower right and numbered 18/24 lower left
20.25 x 14.75 in ( 51.4 x 37.5 cm ) ( sight )
Reflecting Marc Chagall’s bold palette and joyous subject matter, this lithograph is taken from his Circus series commissioned by the French art dealer Ambroise Vollard. Two great themes run throughout his entire oeuvre: the circus and the Bible. The French artist described his ability to turn easily from one to the other: “I have always thought of clowns, acrobats and actors as tragically human beings who, to me, seem closely linked with the characters of some religious pictures.” A colourful clown playing the horn dominates the composition. Overlapping swirls of colour and various patches of pattern decorate his costume, creating a vibrant visual effect that draws the viewer’s eye. A towering female figure at left and performing acrobats in the distance at right are simply outlined in shades of orange and purple, covering the pared-down background. As a circus admirer, Chagall’s childlike pleasure at watching the performers is undeniable: “These clowns, these riders and these acrobats dwell in my visions. Why am I so moved by their make-up and their grimaces? In their company I draw near to other horizons. All the colour and the make-up lead me on towards other psychic variations which I long to paint.”
Marc Chagall was a a painter, lithographer, etcher and designer, born on July 7, 1887, in Vitebsk, Russia. He studied in Saint Petersburg and later with Léon Bakst. He moved to Paris in 1910, where he was introduced to Fauvism and Cubism while associating with Guillaume Apollinaire, Robert Delaunay, Fernand Léger, Amedeo Modigliani and André Lhote. In 1912 he participated in the Salon des Indépendants and the Salon d’Automne. His first solo exhibition was held in 1914 at Der Sturm gallery in Berlin.
Chagall visited Russia in the same year and, due to the outbreak of war, was prevented from returning to Paris. He settled in the province of Vitebsk, where he was appointed Commissar for Art in 1918 and founded the Vitebsk Popular Art School. After moving to Moscow, he executed his first murals for the State Jewish Chamber Theater. Following a brief stay in Berlin, he returned to Paris in 1923, where he met the French art dealer Ambroise Vollard. Chagall had his first retrospective in 1924 at the Galerie Barbazanges-Hodebert.
Along with other artists, such as Max Ernst and André Breton, Chagall fled France for the United States during World War II. The Museum of Modern Art in New York held a retrospective of his paintings and graphic works in 1946. Despite settling permanently in France in 1948, the large-scale commissions he received led him to travel extensively across Europe in the following years. Among these were windows for the synagogue of the Hadassah University Medical Center in Jerusalem, a ceiling for the Paris Opéra, a memorial window for the United Nations headquarters in New York and windows for the cathedral in Metz, France.
In 1973 the Musée Chagall was opened in Nice to house his Message Biblique (Biblical Message, 1956–1966), consisting of seventeen canvases on biblical themes. A major retrospective of his work was held at the Philadelphia Museum of Art in 1985, the same year that Chagall died in Saint-Paul-de-Vence, France.