Price Database
22 January 2025
Artists
Auctions
Artnet Auctions
Global Auction Houses
Galleries
Events
News
Price Database
Use the Artnet Price Database
Market Alerts
Artnet Analytics
Hidden
Buy
Browse Artists
Artnet Auctions
Browse Galleries
Global Auction Houses
Events & Exhibitions
Speak With a Specialist
Art Financing
How to Buy
Sell
Sell With Us
Become a Gallery Partner
Become an Auction Partner
Receive a Valuation
How to Sell
Search
Hidden
Marinella Senatore
Remember the first time you saw your name
, 2020
195 in. (495.3 cm.)
close
Contact the gallery
for more images
Zoom
Marinella Senatore
Italian, born 1977
Remember the first time you saw your name
,
2020
Marinella Senatore
Remember the first time you saw your name
, 2020
195 in. (495.3 cm.)
close
Contact the gallery
for more images
Zoom
Medium
Sculpture, LED lights on wooden support
Size
195 in. (495.3 cm.)
Price
Price on Request
Contact Gallery About This Work
Richard Saltoun Gallery
London / Rome / New York
Artworks
Artists
Exhibitions
Contact Gallery
Sell a similar work with Artnet Auctions
About this Artwork
Movement
Art of the 21st Century, Contemporary Art
See more
Description
Marinella Senatore’s 'Luminarie' is a series of light installations conceived as part of the ongoing project ‘Protest Forms: Memory and Celebration’. These sculptures owned their name to the Latin 'lumen per aeria (light through the air)' because they are made from petrol lamps that at night give the impression of being suspended in mid-air. Reminiscent of the artisanal traditions of Southern Italy in which elaborate light structures adorn the cities with ephemeral architecture, Senatore’s light installations completely subverts the meaning of the tradition, transforming the luminaria from a purely ephemeral element of festivity into an instrument of aggregation with deep political meaning.
Addressing the connections between language, culture and identity, 'Remember the first time you saw your name' (2020) is above all a reference to the colonial practices of re-naming African names—those of both person and place—to make them easier to pronounce. Senatore’s most signal and powerful rallying cry here appears to illuminate the space as a reminder of the deep link between one’s name and identity alongside the role it plays in asserting a life’s difference and specificity.
Works from the same series have previously been exhibited at the Queens Museum, New York, NY (2017); High Line, New York, NY (2018); and, most recently, as part of Dior’s Cruise Collection 2021, presented live audience-free in Lecce, Italy (summer 2020).
See more