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09 January 2025
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Nate Lowman
Human Traffic, South America A.K.A The Last Supper For Art & Language
, 2004
142.5 x 239 cm. (56.1 x 94.1 in.)
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Nate Lowman
Human Traffic, South America A.K.A The Last Supper For Art & Language
, 2004
142.5 x 239 cm. (56.1 x 94.1 in.)
close
Nate Lowman
Human Traffic, South America A.K.A The Last Supper For Art & Language
, 2004
142.5 x 239 cm. (56.1 x 94.1 in.)
close
Contact the gallery
for more images
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Nate Lowman
American, born 1979
Human Traffic, South America A.K.A The Last Supper For Art & Language
,
2004
Nate Lowman
Human Traffic, South America A.K.A The Last Supper For Art & Language
, 2004
142.5 x 239 cm. (56.1 x 94.1 in.)
close
Nate Lowman
Human Traffic, South America A.K.A The Last Supper For Art & Language
, 2004
142.5 x 239 cm. (56.1 x 94.1 in.)
close
Nate Lowman
Human Traffic, South America A.K.A The Last Supper For Art & Language
, 2004
142.5 x 239 cm. (56.1 x 94.1 in.)
close
Contact the gallery
for more images
Zoom
Medium
Screenprint on satin banner
Size
142.5 x 239 cm. (56.1 x 94.1 in.)
Price
Price on Request
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Weng Contemporary
Zug
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About this Artwork
Edition
Edition of 3, plus 1AP
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Description
American artist Nate Lowman (b. 1979) is mostly known for hist art that appropriates, paints, and photographs existing imagery, mining the detritus of pop culture in mixed-media works that critique celebrity as well as deterioration and violence in American culture.
“A lot of the images I use are already out there in the public or in the news. I just steal them or photograph them or repaint them, so they’ve already been talked about, already been consumed. I’m just reopening them to get at their second, third, or fourth meanings. It really comes down to language. I feel like the biggest failure of humans is miscommunication. We can’t communicate with each other – we can fight, we can kill, we can do those things well. Language is the most beautiful and destructive thing because it allows you to express yourself, but it totally confuses everything.” – Nate Lowman
Lowman’s works have mainly political intentions, also criticizing the typical behaviours of a modern age American.
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