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20 January 2025
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Natvar Bhavsar
Untitled mid 1960s abstraction
, 1967
7 x 7 in. (17.8 x 17.8 cm.)
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Natvar Bhavsar
Untitled mid 1960s abstraction
, 1967
7 x 7 in. (17.8 x 17.8 cm.)
close
Natvar Bhavsar
Untitled mid 1960s abstraction
, 1967
7 x 7 in. (17.8 x 17.8 cm.)
close
Natvar Bhavsar
Untitled mid 1960s abstraction
, 1967
7 x 7 in. (17.8 x 17.8 cm.)
close
Natvar Bhavsar
Untitled mid 1960s abstraction
, 1967
7 x 7 in. (17.8 x 17.8 cm.)
close
Contact the gallery
for more images
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Zoom
Natvar Bhavsar
Indian, born 1934
Untitled mid 1960s abstraction
,
1967
Natvar Bhavsar
Untitled mid 1960s abstraction
, 1967
7 x 7 in. (17.8 x 17.8 cm.)
close
Natvar Bhavsar
Untitled mid 1960s abstraction
, 1967
7 x 7 in. (17.8 x 17.8 cm.)
close
Natvar Bhavsar
Untitled mid 1960s abstraction
, 1967
7 x 7 in. (17.8 x 17.8 cm.)
close
Natvar Bhavsar
Untitled mid 1960s abstraction
, 1967
7 x 7 in. (17.8 x 17.8 cm.)
close
Natvar Bhavsar
Untitled mid 1960s abstraction
, 1967
7 x 7 in. (17.8 x 17.8 cm.)
close
Contact the gallery
for more images
View to Scale
Zoom
Medium
Prints and multiples, Silkscreen
Size
7 x 7 in. (17.8 x 17.8 cm.)
Markings
Pencil signed, dated and numbered 10/30 by Natvar Bhavsar on the front
Price
Price on Request
Contact Gallery About This Work
Alpha 137 Gallery
New York
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About this Artwork
Edition
30
Movement
Post-War
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Description
Pencil signed, dated and numbered 10/30 by Natvar Bhavsar on the front.
This poignant early 1960s silkscreen is a rare gem. Bhavsar is called the "Mark Rothko" of India.
Elegantly framed in a museum quality contemporary wood frame with UV plexiglass
Measurements:
Frame:
15.5 x 15.5 x 1.5 inches
Artwork:
7 x 7 inches
More about Natvar Bhavsar:
Born 1934 in Gothaya, India.
Lives and works in New York City.
Claiming ‘color’ as his medium, Natvar Bhavsar has explored the sensual, emotional, and intellectual resonance of color for over 50 years. Bhavsar has exhibited widely in New York, where he has been a longtime resident and central figure in the art world – one of the few remaining original artists from the SoHo school – and with a variety of international galleries and museums. His paintings evoke influences from his childhood in India – surrounded by vivid textiles, practicing rangoli, witnessing the Holi Festival – and his adulthood in 1970s New York City.
The immediacy of Bhavsar’s art results from the controlled spontaneity of his process. The works are constructed using dry pigment that is often sifted, poured, or otherwise dispersed onto prepared surfaces. The dry pigment is a direct physical and spiritual link to the artist’s connection with India. Each gesture marks a specific distance from the work’s surface, a particular density of color, and a measured movement of the body. The resultant surface is grainy and made up of a density of color in varying tones. For Bhavsar, the goal of his paintings is “to release the energies that colors have locked within them, and to produce a continuum of energies that expands beyond the pictures limit.”
Courtesy of Aicon Gallery
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