Nicholas Krushenick

American, 1929–1999

Son of King Kong, 1966

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Medium: Paintings, Acrylic on canvas
Size: 84 x 72 in. (213.4 x 182.9 cm.)
Markings: Signed and dated, verso

Price on Request

Garth Greenan Gallery

New York

About this Artwork

Provenance: Estate of Nicholas Krushenick
Garth Greenan Gallery, New York
Exhibitions: Nicholas Krushenick, Galerie Sonnabend, Paris, January 1967

Summertime, Galerie Beyler, Basel, July–September 1970

Nicholas Krushenick, Galerie Beyeler, Basel, May–June 15, 1971

Nicholas Krushenick, Kestner-Gesellschaft, Hannover, Germany, June 26–September 24, 1972

Another Aspect of Pop Art, Institute for Art and Urban Resources, P.S. 1 Contemporary Art Center, Queens, New York, October 1–November 19, 1978

Nicholas Krushenick: Color and Design Revisited, Stamford Museum & Nature Center, Stamford, Connecticut, May 24–September 13, 1992

Nicholas Krushenick, Mattatuck Museum, Westbury, Connecticut, December 12, 1996–March 16, 1997

Nicholas Krushenick: A Survey, Garth Greenan Gallery, New York, September 22–October 29, 2011

Nicholas Krushenick: Electric Soup, Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, New York, February 7–August 16, 2015
Literature: Berry, Ian, ed., Harry Cooper, and Barry Schwabsky. Nicholas Krushenick: Electric Soup. Saratoga Springs, NY: Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, 2016: 114–117, 253, 266.

Cyr, Don. Nicholas Krushenick. Basel: Galerie Beyeler, 1971: 23.

Dienst, Rolf-Gunter. “Austellungen in New York: Nicholas Krushenick (Pace Gallery).” Das Kunstwerk 20, nos. 7–8 (1967): 44.

Gary Snyder Gallery. Nicholas Krushenick: A Survey. New York: Gary Snyder Gallery, 2011: 37.

Griffin, Amy. "Overlooked pioneer gets his due at last." Times Union, March 11, 2015.

Johnson, Ken. "Art in Review: Nicholas Krushenick." New York Times, October 14, 2011.

Perreault, John. “Krushenick’s Blazing Blazons.” Art News 66, no. 1 (1967): 35.

Schmied, Wieland. Nicholas Krushenick. Hannover, Germany: Kestner-Gesellschaft, 1972: 34.

Schwabsky, Barry. "Reviews: Nicholas Krushenick." Artforum 50, no. 4 (2011): 254.

Stamford Museum & Nature Center. Nicholas Krushenick: Color and Design Revisited. Stamford, CT: Stamford Museum & Nature Center, 1992: cat. no. 5.

Westfall, Stephen. “Inventing Pop Abstraction.” Art in America 103, no. 2 (2015): 76–77.

Zimmer, William. “A Two-Fisted Vocabulary in Two Time Zones.” New York Times, January 26, 1997: 18.
Image Rights: Courtesy the Estate of Nicholas Krushenick and Garth Greenan Gallery, New York

Garth Greenan Gallery

About this Artwork

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