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31 January 2025
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Otto Donald Rogers
Yellow Bird Motion - warm, bright, cubist landscape, acrylic on canvas
, 2018
52 x 39 in. (132.1 x 99.1 cm.)
close
Otto Donald Rogers
Yellow Bird Motion - warm, bright, cubist landscape, acrylic on canvas
, 2018
52 x 39 in. (132.1 x 99.1 cm.)
close
Otto Donald Rogers
Yellow Bird Motion - warm, bright, cubist landscape, acrylic on canvas
, 2018
52 x 39 in. (132.1 x 99.1 cm.)
close
Otto Donald Rogers
Yellow Bird Motion - warm, bright, cubist landscape, acrylic on canvas
, 2018
52 x 39 in. (132.1 x 99.1 cm.)
close
Otto Donald Rogers
Yellow Bird Motion - warm, bright, cubist landscape, acrylic on canvas
, 2018
52 x 39 in. (132.1 x 99.1 cm.)
close
Contact the gallery
for more images
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Otto Donald Rogers
Canadian, born 1935
Yellow Bird Motion - warm, bright, cubist landscape, acrylic on canvas
,
2018
Otto Donald Rogers
Yellow Bird Motion - warm, bright, cubist landscape, acrylic on canvas
, 2018
52 x 39 in. (132.1 x 99.1 cm.)
close
Otto Donald Rogers
Yellow Bird Motion - warm, bright, cubist landscape, acrylic on canvas
, 2018
52 x 39 in. (132.1 x 99.1 cm.)
close
Otto Donald Rogers
Yellow Bird Motion - warm, bright, cubist landscape, acrylic on canvas
, 2018
52 x 39 in. (132.1 x 99.1 cm.)
close
Otto Donald Rogers
Yellow Bird Motion - warm, bright, cubist landscape, acrylic on canvas
, 2018
52 x 39 in. (132.1 x 99.1 cm.)
close
Otto Donald Rogers
Yellow Bird Motion - warm, bright, cubist landscape, acrylic on canvas
, 2018
52 x 39 in. (132.1 x 99.1 cm.)
close
Contact the gallery
for more images
View to Scale
Zoom
Medium
Acrylic on canvas
Size
52 x 39 in. (132.1 x 99.1 cm.)
Price
Price on Request
Contact Gallery About This Work
Oeno Gallery
Toronto
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Description
Two birds cross a sun yellow sky in this inspired composition by Otto Donald Rogers. Rogers work, rooted in a cubist-constructivist tradition, explores themes of motion in stillness, unity in diversity.
Otto Donald Rogers (1935-2019) taught at the University of Saskatchewan (1959-1988) after receiving his MA in Fine Art from the University of Wisconsin. In 1963, critic Clement Greenberg recognized Rogers as a “big attack” painter and his artwork, rooted in the traditions of cubism and constructivism, as having a “fullness of inspiration.” Rogers helped sustain the Emma Lake Workshops, a meeting place for some of North America’s leading artists including Barnett Newman, Jules Olitski and Rogers himself. Rogers’ work is held in more than 30 public collections including: the Art Gallery of Ontario, the National Gallery of Canada, and the Museum of Fine Arts in Boston.
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