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14 January 2025
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Peter Hoffer
Deacon
, 2018
16 x 60 in. (40.6 x 152.4 cm.)
close
Peter Hoffer
Deacon
, 2018
16 x 60 in. (40.6 x 152.4 cm.)
close
Peter Hoffer
Deacon
, 2018
16 x 60 in. (40.6 x 152.4 cm.)
close
Peter Hoffer
Deacon
, 2018
16 x 60 in. (40.6 x 152.4 cm.)
close
Peter Hoffer
Deacon
, 2018
16 x 60 in. (40.6 x 152.4 cm.)
close
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for more images
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Peter Hoffer
Canadian, born 1965
Deacon
,
2018
Peter Hoffer
Deacon
, 2018
16 x 60 in. (40.6 x 152.4 cm.)
close
Peter Hoffer
Deacon
, 2018
16 x 60 in. (40.6 x 152.4 cm.)
close
Peter Hoffer
Deacon
, 2018
16 x 60 in. (40.6 x 152.4 cm.)
close
Peter Hoffer
Deacon
, 2018
16 x 60 in. (40.6 x 152.4 cm.)
close
Peter Hoffer
Deacon
, 2018
16 x 60 in. (40.6 x 152.4 cm.)
close
Contact the gallery
for more images
View to Scale
Zoom
Medium
Paintings, Acrylic, oil and epoxy on panel
Size
16 x 60 in. (40.6 x 152.4 cm.)
Price
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Contact Gallery About This Work
Oeno Gallery
Toronto
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About this Artwork
Movement
Contemporary Art
Exhibitions
10/09/2020–11/01/2020 Portraits of Re-semblance: Works by Peter Hoffer and Shani Mootoo
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Description
Turquoise, pink and mauve are washed over a classical forested landscape in this horizonal composition by Canadian painter Peter Hoffer. The painting is 'varnished' in resin evoking nostalgia for the forms and techniques of the Romantic tradition.
Peter Hoffer (b. 1965, Brantford, ON) holds an MFA. from Concordia University and degrees from the University of Guelph and OCAD University. He has lived and worked in Toronto, New York City, Paris, Montreal and Berlin.
Hoffer's paintings can evoke nostalgia for romantic forms and periods. In his new work, he explores fashion and still life using trompe l'oeil imagery and vintage collage. These works are housed in plexiglass boxes. Hoffer has exhibited widely at art fairs in Basel, Toronto, New York, Stockholm, London, Milan, Amsterdam and Hong Kong. His paintings are held in many private, corporate and public collections including the Musée des Beaux Arts, the Musée du Quèbec and the Kitchener-Waterloo Art Gallery.
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