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13 December 2024
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Philip Reisman
Frolic Club IV, New York City 1960's - Barmaid, Gritty Social Realism
19.75 x 17.5 in. (50.2 x 44.4 cm.)
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Philip Reisman
Frolic Club IV, New York City 1960's - Barmaid, Gritty Social Realism
19.75 x 17.5 in. (50.2 x 44.4 cm.)
close
Philip Reisman
Frolic Club IV, New York City 1960's - Barmaid, Gritty Social Realism
19.75 x 17.5 in. (50.2 x 44.4 cm.)
close
Philip Reisman
Frolic Club IV, New York City 1960's - Barmaid, Gritty Social Realism
19.75 x 17.5 in. (50.2 x 44.4 cm.)
close
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Philip Reisman
American, 1904–1992
Frolic Club IV, New York City 1960's - Barmaid, Gritty Social Realism
Philip Reisman
Frolic Club IV, New York City 1960's - Barmaid, Gritty Social Realism
19.75 x 17.5 in. (50.2 x 44.4 cm.)
close
Philip Reisman
Frolic Club IV, New York City 1960's - Barmaid, Gritty Social Realism
19.75 x 17.5 in. (50.2 x 44.4 cm.)
close
Philip Reisman
Frolic Club IV, New York City 1960's - Barmaid, Gritty Social Realism
19.75 x 17.5 in. (50.2 x 44.4 cm.)
close
Philip Reisman
Frolic Club IV, New York City 1960's - Barmaid, Gritty Social Realism
19.75 x 17.5 in. (50.2 x 44.4 cm.)
close
Contact the gallery
for more images
View to Scale
Zoom
Medium
Watercolor
Size
19.75 x 17.5 in. (50.2 x 44.4 cm.)
Price
Price on Request
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Robert Funk Fine Art
Miami
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Description
Philip Reisman paints the raw street life of New York City. Whether he's painting a barmaid or a street hobo, Reisman is a people painter. He studied at the Art Students League with George B. Bridgeman. By working at odd jobs he was able to take classes there for six years. His early paintings were candid, crowded scenes of the life he saw around him on the Lower East Side of New York: butchers, carters, peddlers, and homeless men in the Bowery. His first one-man show in 1932 was a critical success. His work is in the Smithsonian Museum, Museum of Modern Art, New York City Museum among others. - Matted and framed under glass. Frame and matte are a big shabby.
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