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14 December 2024
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Sonya Clark
Lift Ev'ry Voice and Sing
, 2021
22.5 x 15 in. (57.2 x 38.1 cm.)
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Sonya Clark
Lift Ev'ry Voice and Sing
, 2021
22.5 x 15 in. (57.2 x 38.1 cm.)
close
Sonya Clark
Lift Ev'ry Voice and Sing
, 2021
22.5 x 15 in. (57.2 x 38.1 cm.)
close
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for more images
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Sonya Clark
American, born 1967
Lift Ev'ry Voice and Sing
,
2021
Sonya Clark
Lift Ev'ry Voice and Sing
, 2021
22.5 x 15 in. (57.2 x 38.1 cm.)
close
Sonya Clark
Lift Ev'ry Voice and Sing
, 2021
22.5 x 15 in. (57.2 x 38.1 cm.)
close
Sonya Clark
Lift Ev'ry Voice and Sing
, 2021
22.5 x 15 in. (57.2 x 38.1 cm.)
close
Contact the gallery
for more images
View to Scale
Zoom
Medium
Prints and multiples, Archival pigment print on perforated piano paper
Size
22.5 x 15 in. (57.2 x 38.1 cm.)
Markings
Signed SYSC 2021 lower right
Price
Price on Request
Contact Gallery About This Work
Goya Contemporary & Goya-Girl Press
Baltimore
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About this Artwork
Edition
Variable edition of 20
Size Notes
Diptych - each panel is 11.25 x 15 inches
Movement
Contemporary Art
Image Rights
Courtesy Goya Contemporary Gallery
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Description
"Lift Every Voice and Sing" – often referred to as “the Black national anthem” in the United States – is a hymn written in 1900 as a poem by James Weldon Johnson, and set to music by his brother, J. Rosamond Johnson, for the anniversary of President Abraham Lincoln's birthday. Within this diptych, Clark uses repurposed, perforated piano paper to present the first verse of the lyrics which reads:
“Lift every voice and sing; Till earth and heaven ring; Ring with the harmonies of Liberty; Let our rejoicing rise; High as the listening skies; Let it resound loud as the rolling sea; Sing a song full of the faith that the dark past has taught us; Sing a song full of the hope that the present has brought us; Facing the rising sun of our new day begun; Let us march on till victory is won.”
The second panel repeats the verse using Sonya Clark’s font, invented by the artist using her own hair to shape each letter. At the turn of the 20th century, Johnson's lyrics eloquently captured the solemn yet hopeful appeal for the liberty of Black Americans. Clarks work, like much of her work, redresses history while pointing to the inequalities of the present day.
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