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31 January 2025
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Susan Valyi
Big Blue Bull - charming, figurative, re-purposed blue enamel sculpture
, 2017
23 x 27 x 12 in. (58.4 x 68.6 x 30.5 cm.)
close
Susan Valyi
Big Blue Bull - charming, figurative, re-purposed blue enamel sculpture
, 2017
23 x 27 x 12 in. (58.4 x 68.6 x 30.5 cm.)
close
Susan Valyi
Big Blue Bull - charming, figurative, re-purposed blue enamel sculpture
, 2017
23 x 27 x 12 in. (58.4 x 68.6 x 30.5 cm.)
close
Susan Valyi
Big Blue Bull - charming, figurative, re-purposed blue enamel sculpture
, 2017
23 x 27 x 12 in. (58.4 x 68.6 x 30.5 cm.)
close
Susan Valyi
Big Blue Bull - charming, figurative, re-purposed blue enamel sculpture
, 2017
23 x 27 x 12 in. (58.4 x 68.6 x 30.5 cm.)
close
Contact the gallery
for more images
Zoom
Susan Valyi
Canadian
Big Blue Bull - charming, figurative, re-purposed blue enamel sculpture
,
2017
Susan Valyi
Big Blue Bull - charming, figurative, re-purposed blue enamel sculpture
, 2017
23 x 27 x 12 in. (58.4 x 68.6 x 30.5 cm.)
close
Susan Valyi
Big Blue Bull - charming, figurative, re-purposed blue enamel sculpture
, 2017
23 x 27 x 12 in. (58.4 x 68.6 x 30.5 cm.)
close
Susan Valyi
Big Blue Bull - charming, figurative, re-purposed blue enamel sculpture
, 2017
23 x 27 x 12 in. (58.4 x 68.6 x 30.5 cm.)
close
Susan Valyi
Big Blue Bull - charming, figurative, re-purposed blue enamel sculpture
, 2017
23 x 27 x 12 in. (58.4 x 68.6 x 30.5 cm.)
close
Susan Valyi
Big Blue Bull - charming, figurative, re-purposed blue enamel sculpture
, 2017
23 x 27 x 12 in. (58.4 x 68.6 x 30.5 cm.)
close
Contact the gallery
for more images
Zoom
Medium
Sculpture, Mixed media, metal, enamel
Size
23 x 27 x 12 in. (58.4 x 68.6 x 30.5 cm.)
Price
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Oeno Gallery
Toronto
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About this Artwork
Movement
Contemporary Art
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Description
Re-purposed fragments from antique classic blue enameled teapots are shaped over a wooden form into a charming bull. Two spouts become the horns, metal rollers are used for two hoofs and a curved pitch fork tine represents the tail. The work is imbued with humor but because it has been made from discarded materials found in her community, it documents a place and time.
"Sometimes a friend will put a piece of something in my hand and express the hope that I can use it. Not only is my community embedded in my sculptures but my work also signifies time for me by recording particular experiences and stories. It does satisfy me to some small extent that instead of using more of our planet’s resources I’m trying to use up an infinitesimally small amount of what we already have." - Susan Valyi
Susan Valyi studied at the Nova Scotia College of Art and Design. Her outdoor and indoor sculptures are held in many private collections.
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