Tim Rollins was an American artist best known for his collaborative works made with teenage students from the South Bronx. Often presented as allegorical critiques of society, he made riffs on canonical literature such as George Orwell’s
Animal Farm (1945), as well as legal documents and comic books. As much as educator as an artist, Rollins challenged the elitism inherent to the contemporary art world through his work. “Once we get going and we make a lot of junk, we always have one of those ‘eureka’ days,” the artist once explained. “And then, boom, we get the idea, and we all adapt it for ourselves. So it’s quite beautiful. And it takes patience, patience, patience. You need to make tons of trash to get to your treasure.” Born in 1955 in Pittsfield, ME, he moved to New York in 1975 where he worked as
Joseph Kosuth’s assistant, going on to receive his BFA from the School of Visual Arts and later his MA from the New York University in 1979. It was his experience working with students at an Intermediate School in the Bronx that led him to found
K.O.S. (Kids of Survival) during the early 1980s. Rollins and K.O.S. went on to participate in the 1985 and 1991 Whitney Biennials, the 1988 Venice Biennale, and the 1988 Carnegie International. He died on December 26, 2017 in New York, NY. Today, the artist’s works are held in the collections of the Smithsonian Museum of American Art in Washington, D.C., the Art Institute of Chicago, and the Bronx Museum of Arts, among others.