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Zhang Daqian
原作约绘于1950年代初期,1972年由美国旧金山亚洲艺术文化中心签名展售 尺寸:107.7×51.5cm.题识:张大千英文签名。描述:整幅粉本虽寥寥数笔,然法相庄严。画面在仅有的5平方尺内,布局丰满。是作观音结跏趺坐于莲花宝座之上,手持禅定印,身披璎珞,背光和项光环绕,以手钏、臂钏装饰,繁复精巧却不失细腻,注重肌体的美感,整体的比例与线条的流畅生动,一气
107.7 x 51.5 cm. (42.4 x 20.3 in.)
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Zhang Daqian
Chinese, 1899–1983
Chinese
1899
1983
原作约绘于1950年代初期,1972年由美国旧金山亚洲艺术文化中心签名展售 尺寸:107.7×51.5cm.题识:张大千英文签名。描述:整幅粉本虽寥寥数笔,然法相庄严。画面在仅有的5平方尺内,布局丰满。是作观音结跏趺坐于莲花宝座之上,手持禅定印,身披璎珞,背光和项光环绕,以手钏、臂钏装饰,繁复精巧却不失细腻,注重肌体的美感,整体的比例与线条的流畅生动,一气
Zhang Daqian
原作约绘于1950年代初期,1972年由美国旧金山亚洲艺术文化中心签名展售 尺寸:107.7×51.5cm.题识:张大千英文签名。描述:整幅粉本虽寥寥数笔,然法相庄严。画面在仅有的5平方尺内,布局丰满。是作观音结跏趺坐于莲花宝座之上,手持禅定印,身披璎珞,背光和项光环绕,以手钏、臂钏装饰,繁复精巧却不失细腻,注重肌体的美感,整体的比例与线条的流畅生动,一气
107.7 x 51.5 cm. (42.4 x 20.3 in.)
close
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ink and color on paper
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107.7 x 51.5 cm. (42.4 x 20.3 in.)
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