I am My Ancestor's Essence

I am My Ancestor's Essence

35 Great Jones Street New York, NY 10012, USA Thursday, July 21, 2022–Saturday, August 27, 2022 Opening Reception: Thursday, July 21, 2022, 6 p.m.–8 p.m.


ibibio girl by victor ekpuk

Victor Ekpuk

Ibibio Girl, 2022

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head by victor ekpuk

Victor Ekpuk

Head, 2022

Price on Request

afternoon with lorenzo by victor ekpuk

Victor Ekpuk

Afternoon with Lorenzo, 2017

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lady in sunday dress by victor ekpuk

Victor Ekpuk

Lady in Sunday Dress, 2022

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life in hand by victor ekpuk

Victor Ekpuk

Life in Hand, 2017

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scape goat by victor ekpuk

Victor Ekpuk

Scape Goat, 2007

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oracle by victor ekpuk

Victor Ekpuk

Oracle, 2022

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this american by victor ekpuk

Victor Ekpuk

This American, 2022

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the voice in matanzas 2 by victor ekpuk

Victor Ekpuk

The Voice in Matanzas 2, 2021

Price on Request

she said, he said by victor ekpuk

Victor Ekpuk

She said, He said, 2022

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liberian girl by victor ekpuk

Victor Ekpuk

Liberian Girl, 2022

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tête à tête 2 by victor ekpuk

Victor Ekpuk

Tête à Tête 2, 2022

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Aicon is proud to present I am My Ancestor’s Essence, the gallery’s second solo exhibition of Nigerian-American artist Victor Ekpuk. The show, a series of portraits in contemporary dialogue with African ancestral objects, comprises three distinct bodies of work: canvases that incorporate thick impasto paint layering, a suite of drawings that offer early examples of the artist’s mark-making, and ambitious large-scale totemic sculptures. Through I am My Ancestor’s Essence, the artist locates the past in the present by contemporizing sacred objects. In his own words: 

“I chose these objects based on my cultural affiliation to them, the spiritual essence they exude, and the aesthetics of their forms. I believe our identities are the sum of our past and present memories informed by traditions and genetics. As I study the aesthetics of these objects, these portraits are perhaps a search for the essence of ourselves.”  

Ekpuk is known for work that engages a diverse spectrum of meaning, often mining historical narratives, the contemporary African diaspora, and humanity’s connection to the sacred. With I am My Ancestor’s Essence, the artist looks to artifacts and colonial-era photographs to guide his reimagined figures layered over intricate backdrops of symbols. These images as text draw the viewer into a participatory relationship with the works, demanding a close look to parse out clues to a more profound meaning.