Marina Abramović

(Serbian, born 1946)

sun and the moon (signed) by marina abramovic

Marina Abramovic

Sun and the Moon (Signed), 1987

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homage to frida kahlo (portrait with scorpion) by marina abramovic

Marina Abramovic

Homage to Frida Kahlo (Portrait with Scorpion), 2014

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the lovers by marina abramovic

Marina Abramovic

The Lovers, 1990

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the artist is present (hand signed) by marina abramovic

Marina Abramovic

The Artist is Present (Hand Signed), 2012

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512 hours by marina abramovic

Marina Abramovic

512 Hours, 2014

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walk through walls : a memoir (official hand signed copy) by marina abramovic

Marina Abramovic

Walk Through Walls : A Memoir (Official Hand Signed copy), 2016

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untitled hourglass drawing by marina abramovic

Marina Abramovic

Untitled hourglass drawing, 1992

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original self-portrait drawing, hand signed and inscribed to her bodyguard at her famous serpentine performance by marina abramovic

Marina Abramovic

Original self-portrait drawing, hand signed and inscribed to her bodyguard at her famous Serpentine performance, 2014

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exhibition invitation card (hand signed and inscribed by marina abramovic) by marina abramovic

Marina Abramovic

Exhibition invitation card (Hand Signed and inscribed by Marina Abramovic), 2014

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portraits in the presence of marina abramovic (hand signed by both marina abramovic and photographer marco anelli) by marina abramovic

Marina Abramovic

Portraits in the Presence of Marina Abramovic (Hand signed by BOTH Marina Abramovic and photographer Marco Anelli), 2021

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a visual biography (hand signed by both marina abramovic and katya tylevich) by marina abramovic

Marina Abramovic

A Visual Biography (Hand signed by BOTH Marina Abramovic and Katya Tylevich), 2023

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Biography

Timeline

1946
Born on November 30 in Belgrade, Serbia
1965 - 1970
Academy of Fine Arts, Belgrade, Serbia
1973 - 1975
Teaches at the Academy of Fine Arts, Novi Sad, Serbia
1973
Wins Sekretar Skoja Prize for Rhythm 5, Galleria Nova, Zagreb, Croatia
1983
Visiting professor at the Académie des Beaux-Arts, Paris, France
1988
The Great Wall Walk (April 30–June 27)
1990 - 1991
Visiting professor at the Hochschule der Kunst
Visiting professor at the Académie des Beaux-Arts, Paris, France
1992 - 1996
Professor at the Hochschule für Bildende Kunst in Braunschweig, Germany
1997 - 2004
Professor at the Hochschule Bildende Künste, Braunschweig, Germany

Exhibitions

2018
Marina Abramović Selected Exhibitions in 2018:
Marina Abramovic Early Works, Sean Kelly, New York (solo exhibition)
The Cleaner, Bundeskunsthalle, Bonn, Germany (solo exhibition)
Two Hearts, Galerie Krinzinger, Vienna, Austria (solo exhibition)
Pelléas et Mélisande, Opera Vlaanderen, Ghent, Belgium
RESISTÊNCIAS, Luciana Brito Galeria, São Paulo, Brazil
SuperSet, fused, San Francisco, California
Travelers: Stepping into the Unknown, National Museum of Art Osaka, Osaka, Japan
2017
Marina Abramović Selected Exhibitions in 2017:
Abramović Method for Treasures, The Royal Danish Library, Copenhagen, Denmark (solo exhibition)
Dozing Conciousness, Gallery Brandstrup, Oslo, Norway (solo exhibition)
The Kitchen, Zuecca Project Space, Venice Biennale, Venice, Italy (solo exhibition)
The Cleaner, Moderna Museet, Stockholm, Sweden; Louisiana Museum of Modern Art, Humlebæk, Denmark; Henie Onstad, Sandvika, Norway (solo exhibition)
Never Ending Stories, Kunstmuseum Wolfsburg, Wolfsburg, Germany
11 artists through time, Lisson Gallery, London, United Kingdom
And What, For Example, Am I Now Seeing?, Galleria Continua, Les Moulins, France
Fragile State, PinchukArtCentre, Kiev, Ukraine
Intuition, Palazzo Fortuny, Venice, Italy
Person in the Crowd: The Contemporary Art of Flanerie, Barnes Foundation, Philadelphia, Pennsylvania
Photography Reinvented: The Collection of Robert E. Meyerhoff and Rheda Becker, National Gallery of Art, Washington, D.C.
Reenacting History – Collective Actions and Everyday Gestures, National Museum of Modern and Contemporary Art, Gwacheon, Korea
Selected, Sean Kelly Gallery, New York
Terrains of the Body: Photography from the National Museum of Women in the Arts, Whitechapel Gallery, London, United Kingdom
2016
Marina Abramović Selected Exhibitions in 2016:
As One, Neon + Mai, Benaki Museum, Athens, Greece (solo exhibition)
The Space Between Marina Abramovic and Brasil, SXSW, Austin, Texas (solo exhibition)
Performer/Audience/Mirror, Lisson Gallery, London, United Kingdom
Royal Academy Summer Exhibition, Royal Academy of Arts, London, United Kingdom
It’s Me to the World, Modern Art Oxford, Oxford, United Kingdom
Facing the World: Self-Portraits from Rembrandt to Ai Weiwei, National Portrait Gallery, Edinburgh, United Kingdom
Exposure, Sonoma County Museum, Santa Rosa, California
George Grosz: Politics and His Influence, David Nolan, New York
Non-Aligned Modernity, FM Centre for Contemporary Art, Milan, Italy
Flying over the Abyss, NEON, Athens, Greece
2015
Marina Abramović Selected Exhibitions in 2015:
Marina Abramović: Places of Power, Luciana Brito Galeria, São Paulo, Brazil (solo exhibition)
Marina Abramović: Terra Comunal / Communal Land, SESC Pompeia, São Paulo, Brazil (solo exhibition)
Marina Abramović: Private Archaeology, MONA, Tasmania, Australia (solo exhibition)
Marina Abramović: In Residence, Kaldor Public Art Projects, Pier 2/3, Walsh Bay, Sydney, Australia (solo exhibition)
Proportio, Palazzo Fortuny, Venice, Italy
Words and Images: Books Beyond Artists, Ivory Press, Spain
Flying over the Abyss, Museum of Contemporary Art of Crete, Rethymnon, Greece
Risk, Turner Contemporary, Kent, United Kingdom
15 Rooms, Long Museum, Shanghai, China
Climats artificiels, Espace Fondation EDF, Paris, France
What We Call Love: From Surrealism to Now, Irish Museum of Modern Art, Dublin, Ireland
Moving Time: Video Art At 50, 1965-2015, Broad Museum Michigan State University, East Lansing, Michigan
Goldberg Variations with Igor Levit, Park Avenue Armory, New York
Silence Out Loud, Kranenburgh, Bergen, Netherlands
Monuments Should Not Be Trusted, Nottingham Contemporary, Nottingham, United Kingdom
NEON-MAI Lab, NEON, Athens, Greece
2014
Marina Abramović Selected Exhibitions in 2014:
Marina Abramovic: Generator, Sean Kelly Gallery, New York (solo exhibition)
Marina Abramovic: Holding Emptiness, Contemporary Art Center, Malaga, Spain (solo exhibition)
Marina Abramovic: 512 Hours, Serpentine Gallery, London, United Kingdom (solo exhibition)
Marina Abramovic: Entering the Other Side, Kistefos Museet, Jevnaker, Norway (solo exhibition)
Marina Abramovic: White Space, Lisson Gallery, London, United Kingdom (solo exhibition)
Decades of Revolt, Kulturhuset, Stockholm, Gallery 5, Stockholm Sweden
14 Rooms, Art 45 Basel, Basel, Switzerland
"TRA. EDGE OF BECOMING," Palazzo Fortuny, Venice, Italy
"10 Dialogues: Richard Demarco, Scotland, and the European Avant Garde," Royal Scottish Academy of Art and Architecture, Edinburgh, Scotland
"Personal Structures," Palazzo Bembo, Venice, Italy
"L’Insoutenablle Légérete de l’Être," Yvon Lambert, Paris, France
"Heroinas," Museo Thyssen-Bornemisza y Fundacion Caja, Madrid, Spain

Public Collections

Kunstmuseum Bern, Switzerland
Musée d'Art Contemporain Lyon, France
Museum Ludwig, Cologne, Germany
Museum of Modern Art, New York, NY
San Francisco Museum of Modern Art, CA
Solomon R. Guggenheim Museum, New York, NY
Stedelijk Van Abbemuseum, Eindhoven, Netherlands
Walker Art Center, Minneapolis, MN

Literature

2005
Abramović, Marina et. al. “ MoMA: How to Look at Modern Art,” The Brooklyn Rail, February 2005, pp. 20-21.
“Le Guide Culturelle: Vidéo du Corps à l’Ouvrage,” Elle, June 27 2005, p. 24.
Hopkins, Randi, “I know what girls like,” The Boston Phoenix, Wednesday, January 12th, 2005.
“Everybody at Art 36 Basel,” Artnet, June 20, 2005.
Edgers, Geoff, “Perchance To Dream,” The Boston Globe, Friday, February4th, 2005, C1, C16.
Edgers, Geoff, “Trying out sleep sculpture gives him pause,” The Boston Globe,Friday, February 4th, 2005, C1, C16.
“Dreaming Now,” Sculpture, April 2005.
De Baecque, Antoine, “Une vie de performances,” Libération Online, Wednesday, July 13, 2005.
“Death and the maiden,” The Art Newspaper: Art Basel Edition, June 14, 2005, p. 1.
Dailey, Meghan. “Feel Like Italian,” Art + Auction, Volume XXVII, No. 9, May 2005, p. 179.