In Midst of the Worst, the Best of Times

In Midst of the Worst, the Best of Times

Vlkova 23, 130, litost gallery Prague, Czech Republic Friday, September 4, 2020–Friday, October 16, 2020


damussi in panteleria by iulian bisericaru

Iulian Bisericaru

Damussi in Panteleria, 2020

Price on Request

physical space by irina botea bucan

Irina Botea Bucan

Physical Space, 2020

Price on Request

anxiety has many faces by megan dominescu

Megan Dominescu

Anxiety has many faces, 2020

Price on Request

yes, this is the manager speaking by megan dominescu

Megan Dominescu

Yes, this is the manager speaking, 2020

Price on Request

player ii by  sebastian hosu

Sebastian Hosu

Player II, 2020

Price on Request

subconscious narratives, warrior pose by aurora  király

Aurora Király

Subconscious Narratives, Warrior Pose, 2020

Price on Request

subconscious narratives, contour by aurora  király

Aurora Király

Subconscious Narratives, Contour, 2020

Price on Request

soft drawings, subconscious narratives, self-portrait as pierrot  by aurora  király

Aurora Király

Soft Drawings, Subconscious Narratives, Self-Portrait as Pierrot , 2020

Price on Request

unisex underwear mask, one size fits all by  olivia  mihaltianu

Olivia Mihaltianu

Unisex Underwear Mask, One Size Fits All, 2020

Price on Request

Anca Poterasu Gallery at lítost Gallery, Prague 

Artists: Dragoș Bădiță, Irina Botea Bucan, Iulian Bisericaru, Matei Bejenaru, Megan Dominescu, Sebastian Hosu, Adelina Ivan, Aurora Király, Olivia Mihălțianu, Alexandru Solomon 

“…we had everything before us, we had nothing before us…” – Charles Dickens, ‘The Tale of Two Cities’, (1859) 

Anxiety, isolation, botox, inside – outside home economics, masks, postponed gestures, limits, outside limitations, horrendous times, physical spaces and digital seclusion. In Midst of the Worst, the Best of Times brings together a number of works that primarily reflect on the shifting limitations of our spaces and the bending of our perception of time caused by the unaccustomed realities brought forth due to the COVID-19 pandemic. 

The show revolves around the domestic and familiar, around the artists’ studios and their homes. With all the works made during the lockdown period, the presentation is systematized as a journal of changes, adaptations and reactions through which the artistic processes reveal intimate exchanges with the world at large