New York
This exhibition traces over Cleve Gray's thirty years of production. These paintings on paper touch upon the rigors of French modernism, the ethos of Abstract Expressionism and the meditative restraint of Chinese and Japanese scroll painting.
Jerusalem Series, 1975
Not Available
Conjugations, 1975
7,500 USD
Ceres 1, 1966
Price on Request
Reverse Drawing 2 (orange), 1966
Reverse Drawing 1 (blue), 1966
Conjunction I, 1980
Loretta Howard Gallery in collaboration with Anders Wahlstedt Fine Art are pleased to announce an exhibition of Cleve Gray: Paintings on Paper from the Foundation. The works are on view at 521 West 26th Street in Chelsea and online from November 19th 2020 to January 16th 2021. They span from the Ceres Series in the 1960s to the Roman Walls of the 1970s and Calligraphic Abstractions of the 1980s. In this exhibition Cleve Gray’s dramatic body of works on paper trace over thirty years of production. These works touch upon the rigors of French modernism, the ethos of Abstract Expressionism and the meditative restraint of Chinese and Japanese scroll painting.
Cleve Gray (1918- 2004) grew up in New York City. He attended the Ethical Culture School, Phillips Academy Andover and Princeton University. At Princeton, he wrote his senior honor thesis on Yuan dynasty Chinese painting. Gray Served in World War II and remained in Paris after the war where he studied painting with Jacques Villon. After returning to New York he met and married Franccine du Plessix in 1952. The couple were at the center of intellectual life throughout their lives. In the 1960s Gray contributed regularly to Art in America and authored essays on Barnett Newman and David Smith whom he had also formed close friendships with. Francine, a renowned novelist and critic in her own right, was a staff reporter for The New Yorker.