Artworks by Jim Hodges at Anthony Meier on artnet

Jim Hodges

(American, born 1957)

Jim Hodges

moments of forever I, 2018

Price on Request

Jim Hodges

Lingering, 2018

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Jim Hodges

no title (nez perce upside down III), 2016

Price on Request

Jim Hodges

Small Variation - Scratched Sky XXXI, 2012

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Jim Hodges

no title (nez perce sideways I), 2016

Price on Request

Biography

Timeline

1957: Born in Spokane, WA
1980: BFA, Fort Wright College, Spokane, WA
1986: MFA, Pratt Institute, Brooklyn, NY
1992: Mid-Atlantic Arts Foundation, NEA; Paintings and Works on paper Regional Fellowshi-
1994: Penny McCall Foundation Grant
1995: The Louis Comfort Tiffany Foundation
1999: Washington State Arts Commission
2000: California College of Arts and Crafts, Capp Street Project Artist-in-Residence
2001: Albert Ucross Prize
2006: AICA, Association Internationale des Critiques d’art
: Lives and works in New York, NY

Exhibitions

2015: A Secret Affair: Selections from the Fuhrman Family Collection, The FLAG Art Foundation, New York, NY
2014: Jim Hodges, Anthony Meier Fine Arts, San Francisco, CA (solo)
With Liberty and Justice for All (A Work in Progress), Aspen Art Museum, CO (solo)Room by Room: Monographic Presentations from the Faulconer and Rachofsky Collections, The Warehouse, Dallas, TX
Pace Gems: Selections from the Linda Pace Foundation’s Permanent Collection, SPACE Gallery, San Antonio, TX
Great Escapes, Barry Whistler Gallery, Dallas, TX
2013: Jim Hodges: Give More Than You Take, Retrospective, Dallas Museum of Art, Dallas, TX; touring to Walker Art Center, Minneapolis, MN; Institute of Contemporary Art, Boston, MA; Hammer Museum, Los Angeles, CA (solo)
Para-Real, 601 Artspace, New York, NY
Personal, Political, Mysterious, The FLAG Art Foundation, New York, NY
Fruits of Captiva, Rauschenberg Project Space, New York, NY
Nur Skulptur!, Kunsthalle Mannheim, Manhheim
Over, Under, Next: Experiments in Mixed Media, 1913-Present, Hirschhorn Museum and Sculpture Garden, Washington, D.C.
Converge, Deutsche Bank, New York, NY
Drawing Line into Form: Works on Paper by Sculptors from the Collection of BNY Mellon, Tacoma Art Museum, Washington, D.C.
More Love: Art, Politics, and Sharing since the 1990s, Ackland Art Museum, North Carolina
2012: Jim Hodges: Drawings, Baldwin Gallery, Aspen, CO (solo)
Shapeshift with Sarah Braman, Iran do Espirito Santo, Jim Hodges and Erin Shirreff, Stephen Friedman Gallery, London, UK
San Antonio Collects: Contemporary, San Antonio Museum of Art, San Antonio, TX
2011: Gladstone Gallery, New York, NY (solo)
All that Glisters, Stephen Friedman Gallery, London, UK
One, Another, FLAG Art Foundation, New York, NY
Collecting for the Future: The Safeco Gift and New Acquisitions, Tacoma Art Museum, Tacoma, WA
Contemporary Collection, Centre Pompidou, Paris, France
I Am Still Alive: Politics and Everyday Life in Contemporary Drawing, The Museum of Modern Art, New York, NY
Making a Mark: Drawings from the Contemporary Collection, High Museum of Art, Atlanta, GA
Compass: Drawings of the Museum of Modern Art, New York, The Judith Rothschild Foundation Contemporary Drawings Collection, Berliner Festspiele, Berlin, Germany
2010: Jim Hodges: Love, Etc., Bevilacqua La Masa, Venice, Italy (solo)
Jim Hodges: Love, Etc., Camden Arts Centre, London, UK (solo)
Jim Hodges: New Work, Dieu Donné, New York, NY (solo)
Gladstone Gallery, Brussels, Belgium (solo)
Grass Grows By Itself, Marlborough Gallery, New York, NY
The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY
2009: Collection: MOCA’s First Thirty Years, Museum of Contemporary Art, Los Angeles
A Tribute to Ron Warren, Mary Boone Gallery, New York, NY
Floating a Boulder: Works by Felix Gonzales-Torrez and Jim Hodges, Flag Art Foundation, New York
Wall Rockets: Contemporary Artists and Ed Ruscha, The Flag Art Foundation, New York, NY
Centre Pompidou, Paris, France touring to the Irish Museum of Modern Art, Dublin Ireland and Camden Art Centre, London, UK (solo)
Jim Hodges: you will see these things, Aspen Art Museum, Aspen, CO (solo)
2008: Anthony Meier Fine Arts, San Francisco, CA (solo)
CRG Gallery, NY (solo)
Stephen Friedman Gallery, London, UK (solo)
New Prints 2008/Spring, International Print Center, NY
New Prints 2008/Spring, New York School of Interior Design Gallery, NY
2007: Ensemble, curated by Christian Marclay, ICA, University of Pennsylvania, Philidelphia, PA
Sparkle Then Fade, Tacoma Art Museum, Tacoma, WA
New Prints 2007, IPCNY, New york, NY
PURE, Sean Kelly Gallery, New York, NY
Like color in pictures, Aspen Art Museum, Aspen, CO
I Remember Heaven: Jim Hodges and Andy Warhol, Contemporary Art Museum St. Louis, St. Louis, MO
2006: Out of Line: Drawings from the Collection of Sherry and Joel Mallin, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY
SHINY, Wexner Center for the arts, Columbus, OH
The Missing Peace: Artists Consider the Dalai Lama, UCLA Fowler Museum, Los Angeles, CA
GAY ART NOW, Curated by Jack Pierson, Paul Kasmin Gallery, New York, NY
The Last Time They Met, Stephen Friedman Gallery, London
The Fluidity of Time: Selections from the MCA Collection, Museum of Contemporary Art, Chicago, IL
Artpeace at the Schoolhouse: For Rosa Parks and Martin Luther King, Schoolhouse Gallery, Provincetown, MA
2005: Art inside the Park, curated by Atelier CMS Inc., Memorial Park, Jefferson City, MO
Suspended Narratives, Lora Reynolds Gallery (curated by Maureen Mahony), Austin, TX
Landscape Confection, Wexner Center for the Arts, Columbus, OH (publication)
Universal Experience: Art, Life , and the Tourists’ Eye, Chicago Museum of Contemporary Art, Chicago, IL
Visual Music: 1905-2005, Museum of Contemporary Art, Los Angeles, CA
Jim Hodges: this line to you, Santiago de Compostella, Spain (solo)
Universal Experience: Art, Life and the Tourist’s Eye, Museum of Contemporary Art Chicago, IL, continues at Hayward Gallery, London, UK (solo)
2004: Don’t Be Afraid, Worcester Art Museum, Worcester, MA (solo)
Shelly Hirsch & Jim Hodges, Roulette at Location One, New York, NY
The Whitney Biennial, Whitney Museum of American Art, New York, NY
Treble, SculptureCenter, Long Island City, New York
Drawing Modern: Works from the Agnes Gund Collection, The Cleveland Museum of Art, Cleveland, OH
Off the Wall: Works from the JPMorgan Chase Collection, Bruce Museum of Arts and Sciences, Greenwich, CT
Off the Wall: Works from the JPMorgan Chase Collection, Bruce Museum of Arts and Sciences, Greenwich, CT
Mad About the Boy, The New Gallery, Walsall, England
: In the Making: Contemporary Drawings from a Private Collection, University Gallery, Fine Arts Center, University of Massachusetts, Amherst
: De Kooning to Today: Highlights from the Permanent Collection, Whitney Museum of American Art, New York, NY
: Site and Insight: an Assemblage of Artists, P.S. 1 Contemporary Art Center, Long Island City, NY
: Jim Hodges, Henry Art Gallery in Seattle, WA (solo)
: Colorsound, Addison Gallery of American Art, Phillips Academy, Andover, MA (solo)
: Returning, Art Pace, San Antonio, TX (solo)
: Legacy: A Benefit Exhibition of Works by Capp Street Project Alumnae, Anthony Meier Fine Arts, San Francisco, CA
: Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY; Weatherspoon Art Museum, Greensboro Art, Cleveland, NC; Museum of Contemporary, Cleveland, OH (solo)
: Tracing the Sublime, Addison Gallery of American Art, Phillips Academy, Andover, MA
: In Full View, Andrea Rosen Gallery, New York, NY
2003: Fast Forward: 20 Years of White Rooms, White Columns, New York, NY
: Stephen Friedman Gallery, London (solo)
: like this, Dieu Donné Papermill, New York, NY (solo)
: Pretty, ATM Gallery, New York, NY
: Summer Group Exhibition, Marc Foxx Gallery, Los Angeles, CA
: Linger, Artimes, Greenberg, Van Doren Gallery, New York, NY
: Mask or Mirror? A Play of Portraits, Worcester Museum of Art, Worcester, MA
: All the Way with Jim + Shel, Jim Hodges and Shelley Hirsch, Portland Institute for Contemporary Art, Portland, OR
: Subway Music Box, The CCAC Institute, Capp Street Project, Oakland, CA (solo)
: this and this, CRG Gallery, New York, NY (solo)
: Subway Music Box, Eastern Washington State Historical Society / Cheney Cowle Museum, Spokane, WA (solo)
: Chapter V, Art Resources Transfer, New York, NY
2002: Sugar and Cream, Triple Candie, Harlem, New York, NY
: Mirror Mirror, Mass MoCA, North Adams, MA
: Contemporary American Paper Artists: An Invitational Exhibition, Columbia College Chicago Center for Book and Paper Arts, Chicago, IL
: Jim Hodges: Constellation of an Ordinary Day, Jundt Art Museum, Gonzaga University, Spokane, WA (solo)
: Life Death Love Hate Pleasure Pain, Museum of Contemporary Art, Chicago, IL
: Miami Currents: Linking Collection and Community, Miami Art Museum, Miami, FL
: Arte Povera American Style: Funk, Play, Poetry & Labor, Reinberger Galleries, The Cleveland Institute of Art, Cleveland, OH
: CAMERA WORKS: The Photographic Impulse in Contemporary Art, Boesky Gallery, New York, NY
: Patterns: Between Object and Arabesque, Kunsthallen Brandts Klædefabrik, Odense, Denmark
: Camargo Vilaca, Sao Paulo, Brazil (solo)
2001: Uncommon threads, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY
: Of the Moment: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, CA
: Outbound:Passages from the 90's, Contemporary Arts Musuem, Houston, TX
: Vanitas: Meditations on Life and Death in Contemporary Art, Virginia Museum of Fine Arts, Richmond,VA
: The Trunk Show, Zoller Gallery, Penn State University, University Park, PA
: ZONE F; An approach to the spaces inhabited by the feminist discourses in contemporary art, EACC, Espai d'Art Contemporani de Castelló, Spain
: Age of Influence:Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago, IL
: et comme l'esperance est violente.., Frac des Pays de la Loire, Carquefou, France
: Gardens of Pleasure, John Michael Kohler Arts Center, Sheboygan, WI
: Subway Music Box, Tecoah Bruce Gallery of the Oliver Art Center, California College of Arts and Crafts, Oakland, CA (solo)
2000: Anthony Meier Fine Arts, San Francisco, CA (solo)
: Projects 70 - Jim Hodges, Beatriz Milhazes, Faith Ringgold, Museum of Modern Art, New York, NY
: Fresh Flowers, Bellevue Art Museum, Bellevue, WA
: Collectors Collect Contemporary: 1990-1999, The Institute of Contemporary Art, Boston, MA
: Matter of Time, curated by Andrew Perchuk, Dorsky Gallery, New York, NY
: Natural Dependency, Jerwood Gallery, London, England
: every way, Museum of Contemporary Art, Chicago, IL, continues to Institute of Contemporary Art, Boston, MA (solo)
: Miami Art Museum, Miami, FL (solo)
: The American Century: Art and Culture, 1900-2000, Part II, The Whitney Museum of American Art, New York, NY
: Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C.
1999: 1999 Drawings, Alexander and Bonin, New York, NY
: Marc Foxx Gallery, Los Angeles, CA (solo)
: CRG Art, Inc., New York, NY (solo)
: Jim Hodges: Welcome, The Kempner Museum of Contemporary Art, Kansas City, MO (solo)
: AIDS WORLDS-Between Resignation and Hope, Centre d'Art Contemporain, Geneva, Switzerland
: Robert Hull Fleming Museum, University of Vermont, Burlington, VT (publication)
: Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, Burlington, VT
: Abstract Painting Once Removed, Contemporary Arts Museum, Houston, TX, continues to Kempner Museum of Contemporary Art, Kansas City, MO
1998: Let Freedom Ring, ICA/VITA BREVIS, Boston, MA
1997: Galerie Ghislaine Hussenot, Paris, France (solo)
: SITE Santa Fe, Santa Fe, NM (solo)
: Present Tense: Nine Artists in the Nineties, San Francisco Museum of Modern Art, San Francisco, CA
: Hanging by a Thread, Hudson River Museum, Westchester, NY
: 7th Bienal Internacional de Esculturae Desenho des Caldas da Rainha Bienal, Portugal
: Longing and Memory, Los Angeles County Museum of Art, Los Angeles, CA
: Des Fleurs en Mai, FRAC, Nantes, France
: Gothic, The Institute of Contemporary Art, Boston, MA
: Poetics of Obsession, Linda Kirkland Gallery, New York, NY
: Galerie Ghislaine Hussenot, Paris, France
: Swag & Puddle, The Work Space, New York, NY
: yes, Marc Foxx, Santa Monica, CA (solo)
: States, The Fabric Workshop & Museum, Philadelphia, PA (solo)
: Material Matters, A.O.I. Gallery, Santa Fe, NM
: UNIVERSALIS, The 23rd International Sao Paulo Bienale, Brazil
1996: Just Past: The Contemporary in MOCA’s Permanent Collection 1975-1996, Museum of Contemporary Art, Los Angeles, CA
: Masculine Measures, John Michael Kohler Arts Center, Sheboygan, WI
: Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY (solo)
: CRG Art, Inc., New York, NY (solo)
: Sex Sells, Benefit for The University Art Museum and Pacific Film Archive, Rena Bransten Gallery, San Francisco, CA
: In a Different Light, University Art Museum, University of California at Berkeley, Berkeley, CA
: Material Dreams, Gallery Takashimaya, New York, NY
: Mon Voyage ‡ New York, Galerie Elizabeth Valleix, Paris, France
: Avant-Garde Walk a Venezia, curated by Marc Pottier in conjunction with the Venice Biennale, Venice, Italy
: Late Spring, Marc Foxx, Los Angeles, CA
1995: New Works, Feigen Gallery, Chicago, IL
: soucis de pensées, Art: Concept/Olivier Antoine, Nice, France
: Desire, benefit for DIFFA, Charles Cowles Gallery, New York, NY
: A Garden, Barbara Krakow Gallery, Boston, MA
: Who Chooses Who, Benefit Auction, The New Museum of Contemporary Art, New York, NY
: A Bouquet for Juan (An exhibition in honor of Juan Gonzales), Nancy Hoffman Gallery, New York, NY
: Les fleurs de mon jardin, Galerie Alain Gutharc, Paris, France
: DYAD, curated by Annie Heron, Williamsburg, Brooklyn, NY
: Ethereal Materialism, curated by Susan Harris, Apex Art, New York, NY
: It's how you play the game, Exit Art/The First World, New York, NY
: A Diary Of Flowers, CRG Art, Inc., New York, NY (solo)
1994: Everything For You, Interim Art, London, England (solo)
: Sculpture & Multiples, Brooke Alexander, New York, NY
: Outside Possibilities, The Rushmore Festival, Woodbury, NY
: Jim Hodges, Brooke Alexander, New York, NY
: It's Really Hard, Momenta Art, New York, NY
: Museo Statale d'Arte Mediovale e Moderna, Arezzo, Italy
: The Eidetic Image: Contemporary Works on Paper, Krannert Art Museum, University of Illinois at Urbana-Champain, Urbana-Champain, IL
: Selections/Spring '93, The Drawing Center, New York, NY
: Arachnosphere, Ramnarine Gallery, Long Island City, NY
: The Animal in Me, Amy Lipton, New York, NY
: Opening Exhibition, Rowles Studio, Hudson, NY
: Our Perfect World, Grey Art Gallery, New York, NY
1993: Jim Hodges and Bill Jacobson, Paul Morris Fine Art, New York, NY
: Beyond Attrition: Art in the Era of Aids, Washington Project for the Arts, Washington, D.C.
: Update 1992, White Columns, New York, NY
: The Temporary Image, S.S. White Building, Philadelphia, PA
: New Aids Drug, Het Apollohuis, Eindhoven, Holland (solo)
: Healing, Rena Bransten Gallery, San Francisco, CA
1992: Collector's Show, Arkansas Arts Center, Little Rock, AK
: An Ode to Gardens and Flowers, Nassau County Museum of Art, Roslyn Harbor, NY
1991: White Room, White Columns, New York, NY (solo)
: Black and White, Nancy Hoffman Gallery, New York, NY
: Lyric, Uses of Beauty at the End of the Century, White Columns, New York, NY
1990: Auction for Action, Act-Up Benefit, New York, NY
: Jim Hodges, David Nyzio, Vincent Shine, Postmasters, New York, NY
: Partnership for the Homeless with Aids, Christie's, New York, NY
: Reclamation, Momenta Art Alternatives, Philadelphia, PA
1989: Selections, Artist's Space, New York, NY
: Historia Abscondita, Gonzaga University Gallery, Spokane, WA (solo)
1988: Installation, Momenta Art Alternatives, Philadelphia, PA
1986: Master of Fine Arts Thesis Exhibition, Pratt Institute, New York, NY (solo)

Literature

2007: Hackett, Regina, Solo artists' works come together in harmony in Tacoma Art Museum exhibit, Seattle Post Intelligencer, June 8, 2007
: Bonetti, David, I Remember Heaven: Jim Hodges and Andy Warhol, St. Louis Post-Dispatch, February 2, 2007
2006: Knight, Christopher, “Adventurers enticed by the landscape”, Reviews, Los Angeles Times, February 28, 2006
: Spears, Dorothy, "Evidence of a Life Lived", Art on Paper, Jan. 2006
2005: Art Now, Volume 2, Edited by Uta Grosenick, Taschen GmbH, 2005
: Morris, Bob, "On Jim Hodges", Converge 2, Miami Art Museum, 2005
: Carrier, David, "Jim Hodges: Museum of Contemporary Art, Cleveland", Artforum, April issue, p. 192-193
: Molesworth, Helen, Landscape Confection: Wexner Center for the Arts and The Ohio State University, p.34-37
2004: Zaza, Tony. “No More Super-Sizing: Sizing the Biennial,” New York Arts, Vol. 9, No. 5/6, May- June 2004, p. 17.
: Smith, Roberta. “At Shows Painted With Sound, Be Prepared to See With Your Ears,” The New York Times, May 21, p. E29.
: Hoban, Phoebe. “Open Houses, Miami Style: 7BRs, Ocn Vu, WrldClassArt,” New York Times Magazine, March 14, 2004.
: Kimmelman, Michael. “Touching All Bases at the Biennial,” The New York Times, Art Review, March 12, 2004, p. E27.
: Buskirk, Martha, "The Contingent Object of Contemporary Art," MIT Press, p. 152
: Boyce, Roger, “Neither Here Nor There, Mirror Mirror at MASS MoCA: Manipulations of reflective surfaces reveal ourselves over and again,” Art New England, February/March 2003, p. 16-17, 74.
: Camper, Fred. "On Exhibit: first glimpses of Art Chicago 2003, Chicago Reader, May 9, 2003. Section 1, p.35
: Harris, Susan. “Jim Hodges at CRG,” Art in America, January 2003, p. 107.
: Johnson, Ken. "Gathering a Flock of Quirky Grown-Ups," Jul. 18, 2003
: Baker, Kenneth, "Capp Street Benefit Show," San Francisco Chronicle, Aug. 16, 2003
2003: Johnson, Ken. “Alumni Return, Juxtapsing Past and Present,” The New York Times, November 28, 2004, p. E46.
: Temin, Christine. "His sound art echoes in the mind," The Boston Globe, July 9, 2003. p. D1, D6
: Horodner, Stuart. “Jim Hodges,” Bomb Magazine, Spring Issue No. 79, p. 100-101
: Demarest, Marty. “Subterranean Sounds,” The Inlander Online
: Johnson, Ken. “Jim Hodges,” The New York Times, May 31, p. E39
: Art On Paper, July - August Issue, p.44-45
: Johnson, Ken. “Linger,” The New York Times, June 28, p. E34
: Hughes, Robert J. “All the Way with Jim and Shell,” The Wallstreet Journal, August 2, 2002, p. w2
: Mahoney, Robert. Time Out NY, August 15, 2002, Issue 359.
: Crane, Julianne. “Eye-Catcher,” Spokesman Review, August 22, 2002
2002: Jowitt, Deborah. “Slow Down!,” The Village Voice, November 6 – 12, 2002.
: Crane, Julianne. “Craftiness comes in many shades,” Spokesman Review, August 1, 2002
2001: Mahoney, Robert. ‘Jim Hodges,’ Time Out New York, August 9, 2001. Issue 307.
: Levin, Kim. ‘Short List,’ The Village Voice, August 7, 2001.
: Smith, Roberta. ‘Quick as a Shutter, Group Shows Shatter Conventional Wisdom,’ The New York Times, July 6, 2001.
: Schmerler, Sarah. ‘James Graham and Sons, through August 3rd,’ Time Out New York, Issue 304.
: Keats, Jonathon. "Letters to a young Artist," San Francisco Magazine, Feb., 2006, p. 56-57
: Musgrave, David. Natural Dependency, Art Monthly, Nov. - Dec. 2000 p. 232
: Jowitt, Deborah. "Amour, Sex, and All That Jazz", The Village Voice. Feb. 29, 2006, p. 61-62
: Baker, Kenneth. San Francisco Chronicle. April 22, 2006. p. E1 & E1
: Moreno, Gean. "Interview: Jim Hodges," New Art Examiner. June, 2006. pp.13-15
: The New Yorker, "Museum of Modern Art", Sept. 11, 2006, p. 18
2000: Labelle, Charles. Review. Frieze, Sept. - Oct., p. 119-120
: Kastner, Jeffrey. “Review – Jim Hodges,” art/text, February.April 1999.
: Dobrzynski, Judith H. “Taking the Ordinary and Finding the Beautiful,” The New York Times, March 24, 1999, page E1.
: Temin, Christine. "Thurber, Hodges limn a landscape of loss," The Boston Globe, September 10, p. F1 & F10
: Temin, Christine. “Collectors’ Best of the ‘90’s,” Boston Globe, April 2, 1999.
: Rugoff, Ralph. "beauty bites back," Harper’s Bazaar, October, pp. 234-235
: Benjamin, Marina. "One sensation after another," Evening Standard, London, Friday Nov. 5, p.62
1999: "He’s not Here: Terry Myers visits Jim Hodges studio in New York," TRANS>, No.6, p.174
: Cotter, Holland. "Art in Review," The New York Times, Sept. 10, p.E36
1998: Perchuk, Andrew. “Review – Jim Hodges,” ARTFORUM, December 1998.
: Heartney, Eleanor. “Review – Jim Hodges,” Art in America, November 1998.
: Arning, Bill. "Jim Hodges: An Artist’s Mirror Image," OUT, Issue 58, p. 38, Sept., 1998
: Cotter, Holland. “Review – Jim Hodges,” The New York Times, September 25, 1998.
: Levin, Kim. “Short List,” Village Voice, September 23-29, 1998.
: Grundberg, Andy. “Review – Present Tense: Nine Artists in the Nineties,” ARTFORUM, February 1998.
: McClure, Lissa. “Review,” Review, February 1, 1997.
: Hart, Jane. “Review,” ZINGMAGAZINE, Autumn/Winter 96/97.
: Knight, Christopher. “Review – Longing and Memory,” The Los Angeles Times, June 7, 1997.
1997: Darling, Michael. “Review – Longing and Memory,” LA Weekly, June 20-26, 1997.
: McKenna, Kristine. “Review – Longing and Memory,” The Los Angeles Times, June 7, 1997.
1996: Decter, Joshua. “Review,” ARTFORUM, November 1996.
: Killam, Brad. “Review,” New Art Examiner, September 1996.
: Spector, Nancy. "Peripheral Visions: Jim Hodges and Siobhan Liddell," The Guggenheim Magazine, Fall Isuue, p. 33
: Deitcher, David. “Death in the Marketplace,” Frieze, June/July/August 1996.
: Kandel, Susan. “Review,” Los Angeles Times, June 6, 1996.
: Darling, Michael. “Review,” Los Angeles Times, May 31, 1996.
1995: Smith, Roberta. "Critic's Choice," The New York Times, November 24, 1995.
: Levin, Kim. "Choices" The Village Voice, November 28, 1995.
: Canning, Susan. "Review-Ethereal Materialsm, New Art Examiner, (February 1995)
: Cameron, Dan. “Seven Up,” Art&Auction, June 1995.
: Harris, Susan. "Review," ARTnews, April 1994.
: Upshaw, Reagan. "Review," Art In America, May 1994.
1994: Smith, Roberta. "Art Reviews," The New York Times, February 11, 1995.
: Edelman, Robert G. "Review," artpress, March 1994.
: Weinstein, Mathew. "Review," Artforum, May 1994.

Jim Hodges

(American, born 1957)

Jim Hodges

Jim Hodges

Jim Hodges

Jim Hodges

Jim Hodges

Biography

Timeline

Exhibitions

Literature

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