Artworks by Tony Feher at Anthony Meier on artnet

Tony Feher

(American, 1956–2016)

Tony Feher

(Chanting One), 2008

Price on Request

Tony Feher

Mockingbird, 2014

Price on Request

Tony Feher

Untitled (Blue 1), 2011

Price on Request

Tony Feher

honey jar, 1988

Price on Request

Tony Feher

Untitled, 2011

Price on Request

Biography

Timeline

1956: Born in Albuquerque, NM
1978: BA The University of Texas, Austin, TX
2006: Aspen Award for Art, Aspen Art Museum, Aspen, CO
: Lives and works in New York, NY

Exhibitions

2015: Flames on the Side of My Face, Klaus Von Nichtssagend Gallery, New York, NY
Tony Feher/Tom Fairs, Kerry Schuss, New York, NY
2014: Tony Feher: Super Special Happy Group, Hiram Butler Gallery, Houston, TX (solo)
Tony Feher, Utah Museum of Fine Arts, Salt Lake City, UT (solo)
Tony Feher, The Lumber Room, Portland, OR (solo)
Tony Feher, Akron Art Museum, Akron, OH (solo)
Tony Feher: Two Works, James Harris Gallery, Seattle, WA (solo)
2013: Encore, Sikkema Jenkins & Co., New York, NY (solo)
GrandMa’sPussy, ACME., Los Angeles, CA (solo)
Tony Feher, DeCordova Sculpture Park and Museum, Lincoln, MA (solo)
Free Fall, Diverse Works, Houston, TX (solo)
Ecce Homo: Nayland Blake, Arch Connelly, Tony Feher, Oliver Herring, Christian Holstad, Geer Lankton, Hunter Reynolds, Christopher Tanner, Pavel Zoubok Gallery, New York, NY
Gravity of Sculpture: Part II, Dorsky Gallery, Long Island City, NY
2012: Tony Feher – A Work in Four Parts, Hiram Butler Gallery, Houston, TX (solo)
Tony Feher, Anthony Meier Fine Arts, San Francisco, CA (solo)
Tony Feher, Des Moines Art Center, Des Moines, IA; travels to Blaffer Art Museum at the University of Houston, Houston, TX; deCordova Sculpture Park and Museum, Lincoln, MA; and the Bronx Museum, New York, NY (solo)
Tony Feher: Extraordinary Ordinary, Ulrich Museum of Art, Wichita State University, Wichita, KS (solo)
ArtPace, San Antonio, TX (solo)
Anthony Meier Fine Arts, San Francisco, CA (solo)
Everyday Abstract – Abstract Everyday, curated by Matthew Higgs, James Cohan Gallery, New York, NY
Everyday Things: Contemporary Works from the Collection, Museum of Art at Rhode Island School of Design, Providence, RI
Economy of Means: Toward Humility in Contemporary Sculpture, Scottsdale Museum of Contemporary Art, Scottsdale, AZ
2011: Ball Game, Dunn and Brown Contemporary, Dallas, TX
Works of Paper, ACME., Los Angeles, CA
Next On Line, Pace Gallery, New York, NY (solo)
Streams of Consciousness: The Histories, Mythologies, and Ecologies of Water, Salina Art Center, Salina, KS
Me gusta el plastico, MUPO, Oaxaca, Mexico
Towards the Third Dimension, David Floria Gallery, Inc., Aspen, CO
2010: On the Square, PaceWildenstein, New York, NY
Look Again, Marlborough Gallery, New York, NY, curated by Casey Fremont and Karline Moeller
Movement Schmoovement, La Mama La Galleria, New York, NY
Reflection, Nathan A. Bernstein & Co., Ltd., New York, NY, curated by Nicole Berry
At Home / Not at Home: Works from the Collection of Martin and Rebecca Eisenberg, Center for Curatorial Studies, Bard College, Annadale-on-Hudson, New York, NY
50 Years at Pace, The Pace Gallery, New York, NY
Vortexexhibition Polyphonica, Henry Art Gallery, University of Washington, Seattle, WA
What Matters, Worcester Museum of Art, Worcester, MA
Arthouse at the Jones Center, Austin, TX (solo)
Lora Reynolds Gallery, Austin, TX (solo)
2009: Don’t Perish, Leo Koenig Inc. Projekte, New York, NY
Slough, David Nolan Gallery, New York, NY
Tony Feher: Wall Show, D’Amelio Terras, New York, NY (solo)
Tony Feher, Allison Miller and Mitzi Pederson ACME., Santa Monica, LA
Material Intelligence, Kettle’s Yard, Cambridge, UK
A Work in Progress, Usdan Gallery, Bennington College, Bennington, VT
ACME, Los Angeles, CA
Paper Trail v. 5: Intimate Gestures, Judi Rotenberg Gallery, Boston, MA
Vortexhibition Polyphonica, Henry Art Gallery, University of Washington, Seattle, WA
Selections – Carl Andre, Massimo Bartolini, Tony Feher, Christian Holstad, Cornelia Parker, D’Amelio Terras, New York, NY
Blossom, D’Amelio Terras, New York, NY (solo)
2008: Anthony Meier Fine Arts, San Francisco, CA (solo)
Pace Wildenstein, New York, NY (solo)
D’Amelio Terras, New York, NY (solo)
Intimacy, The Fireplace Project, East Hampton, NY
Re: Place, Contemporary Arts Center, New Orleans, LA
Waste Not, Want Not, Socrates Social Park, Long Island City, NY
Styrofoam, RISD Museum of Art, Providence, RI
2007: Tony Feher: Some Time Soon, Art Museum of South Texas, Corpus Christi, TX
Tony Feher: Western Edition, ACME, Los Angeles, CA
Tony Feher: A Single Act of Carelessness Will Result in the Eternal Loss of Beauty, Efroymson Entrance Pavilion, Indianapolis Museum of Art, Indiana
Everyday Eden, a Public Art Fund Project, Brooklyn, NY
Extra-Ordinary: The Everyday Object In American Art, Austin Museum of Art, Austin, TX
Salvaged, Pace Wildenstein, New York, NY
Like color in pictures, Aspen Art Museum, Aspen, CO
2006: Tony Feher, The Suburban, Oak Park, IL (solo)
New York, Interrupted, PKM Gallery, Beijing, China
Aisle Five, Des Moines Art Center, Des Moines, IA
Water, Water, Everywhere, Contemporary Art Center of Virginia, Virginia Beach, VA
The Last Picture Show, Numark Gallery, Washington, DC
181st Annual: An Invitational Exhibition of Contemporary American Art, National Academy Museum, New York, NY
Transitional Objects, Neuberger Museum of Art, Purchase College, Purchase, NY
Contemporary Masterworks: St. Louis Collects, Contemporary Art Museum St. Louis, St. Louis, MO
Tony Feher, Chinati Foundation, Marfa, TX
2005: Anthony Meier Fine Arts, San Francisco, CA (solo)
The Chinati Foundation, Marfa, TX (solo)
Atomica: making the invisible visible, Esso Gallery and Lombard-Freid Fine Arts, New York, NY,
Spectrum, Galerie Lelong, New York, NY
Frontiers: Collecting the Art of Our Time, Worcester Art Museum, Worcester, MA
Decelerate, Kemper Museum of Contemporary Art, Kansas City, MO
Material Matters , Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY
Water, Water Everywhere…, Marilu Knode, Scottsdale Museum of Contemporary Art, Scottsdale, AZ
One-Armed Bandit, D'Amelio Terras, New York, NY
2004: The Wart on the Bosom of Mother Nature, D’Amelio Terras, New York, NY (solo)
Transport to Summer, Foundación La Caixa, Lleida, Spain (solo)
Bottle: Contemporary Art and Vernacular Tradition, Aldrich Contemporary Art Museum, Ridgefield, CT
How Sculptors See, Worcester Art Museum, Worcester, MA
Carl Berg Gallery, Los Angeles, CA
The Making of Things, Triple Candle, New York, NY
Disturbing the Peace, Danese Gallery, New York, NY
Atomica: Making the Invisible Visible, Esso Gallery and Lombard-Freid Fine Arts, New York, NY
Centraal Museum, Utrecht, the Netherlands, 'Vis Vitalis,' curated by Siebe Tettero (February 7 May 9)
Serpentine Gallery, London, UK, 'State of Play,' curated by Rochelle Steiner (February 3 March 28)
La Fundación La Caixa, Lleida, Spain, curated by Cira Pasqual Marquina (January 22 February)
2003: Tony Feher, Arturo Herrera, Nancy Shaver, and Richard Tuttle, Brent Sikkema, New York, NY
Beside, ACME, Los Angeles, CA
Paper Chase, müller dechiara, Berlin, Germany
Plastic, Weatherspoon Art Museum, Greensboro, NC
Today’s Man, John Connelly Presents, New York, NY, travels to Hiromi Yoshii Gallery, Tokyo, Japan
Transparent, Numark Gallery, Washington, DC
Vessels: Fragments from the Lexicon, Jane Hartsook Gallery at Greenwich House Pottery, New York, NY
Stacked, D’Amelio Terras, New York, NY
Addison Gallery of American Art, Andover, MA, 'Tracing the Sublime' (December 16 March 21, 2004)
Various venues, Istanbul, Turkey, 'Poetic Justice: 8th International Istanbul Biennial,' curated by Dan Cameron (September 20 November 16)
Museum of Contemporary Art, Chicago, IL, 'Basic Instinct: Minimalism Past, Present, and Future,' curated by Dominic Molon (May 31 September 14)
2002: Devin Borden Hiram Butler Gallery, Houston, TX (solo)
Cheryl Numark Gallery, Washington, D. C. (solo)
Miami Device 2002, Art Basel Miami Beach, curated by James Rondeau
Interstate, Texas Fine Arts Association / The Jones Center for Contemporary Art, Austin, TX
Aspects of Color, Anthony Meier Fine Arts, San Francisco, CA
New York, New Work, Now, The Currier Gallery, Manchester, NH
Systems Order Nature, Devin Borden Hiram Butler Gallery, Houston, TX
Strolling Through an Ancient Shrine and Garden, ACME, Los Angeles
5 Sculptures, D’Amelio Terras, New York, NY
Art Gallery of Ontario, Toronto, ON, Canada, 'Provisional Worlds,' curated by Jessica Bradley (November 20 March 31, 2003)
Colección Jumex, Mexico City, 'Leisure Theory,' curated by Dan Cameron (Feb 1 June)
University of California, Berkeley Art Museum, Berkeley, CA, Matrix 201a: 'I'm Tired of Toast,' curated by Adrienne Gagnon (September 22 October 27)
Worcester Art Museum, Worcester, MA, 'Maybe/Enjoy' (April 25 August 11)
2001: Group Show, ACME, Los Angeles, CA
D'Amelio Terras, New York, NY, 'Maybe' (November 17 - December 22)
UCLA Hammer Museum, Los Angeles, CA, 'Red Room and More' (November 13 - January 27, 2002)
Center for Curatorial Studies, Bard College, Annandale-on-Hudson, 'Red Room and More' curated by Amada Cruz (June 24 - September 9)
Center for Curatorial Studies, Bard College, Annandale-on-Hudson, 'Red Room and More' curated by Amada Cruz (June 24 - September 9)
Plant Life, curated by Patrick Callery, K.S. Art, New York, NY
Waterworks: U.S.Akvarell 2001, curated by Kim Levin, Nordiska Akvarellmeseet, Skarhamm, Sweden
New Work: Recent Additions to the Collection, Addison Gallery of American Art, Andover, MA
Re-Hacer: Selected Works from the Jumex Collection, Ex Teresa Art Actual, Mexico City, Mexico
Locating Drawing, curated by Maureen Mahoney, Lawing Gallery, Houston, TX
Highlights from the Permanent Collection: Pollock to today, (on continuous view) Whitney Museum of American Art, New York, NY
2000: Anthony Meier Fine Arts, San Francisco, CA (solo)
Acme Los Angeles, CA
ASISWAS, Storefront for Art and Architecture New York, NY
Summer Group Exhibition, Paula Cooper Gallery New York, NY
Vanitas in Cantemporary Art: Meditation on Life and Death, Virginia Museum of Fine Arts Richmond, VA
Drawings and Photographs, Matthew Marks Gallery, New York, NY
Balls, James Cohan Gallery, New York, NY
Summer Group Show, D’Amelio Terras, New York, NY
Déjà vu, curated by Amada Cruz, Art Miami 2000, Miami, FL
1999: Mercer Union, Toronto, Ontario, Canada (solo)
Probably best seen in the dark with the T.V. on, Addison Gallery of American Art, Phillips Academy, Andover, MA (solo)
D'Amelio Terras New York, NY
Numark Gallery Washington, DC
Works on Paper, D'Amelio Terras New York, NY
Neither/Nor, Grand Arts Kansas City, MO

1999 Drawings, Alexander and Bonin, New York, NY
Hubcap Star Solo, curated by Christopher Miles, The Claremont Graduate University, Claremont, CA
1998: Richard Telles Fine Art Los Angeles, CA (solo)
Polly Apfelbaum & Tony Feher, Koyanagi Gallery, Tokyo, Japan
Simple Matter, Numark Gallery, Washington, D.C.
Humble County, D'Amelio Terras, New York, NY
Aids Worlds: Between Resignation and Hope, curated by Frank Wagner, Center for Contemporary Art, Geneva, Austria
After Eden: Garden Varieties in Contemporary Art, Middlebury College Museum of Art, Middlebury, VT
Alternative Measures, curated by Susan Canning, Castle Gallery College of New Rochelle, New Rochelle, NY
1997: Siempre Contigo, Ezra and Cecile Zikha Gallery, Wesleyan University, Middletown, CT
Sculpture, D'Amelio Terras New York, NY
Sculpture, James Graham and Sons, New York, NY
Summer Exhibition, Wooster Gardens, New York, NY
1996: Project Room: Tony Feher, Boesky and Callery Fine Arts, New York, NY (solo)
Broadway Window Project, New Museum of Contemporary Art, New York, NY (solo)
Group Exhibition, Paula Cooper Gallery New York, NY
Thin Air: Examining the Ethereal, curated by Jane Dickson, Elsa Mott Ives Gallery, YWCA, New York, NY
no show, St. Marks Church-in-the-Bowery, New York,
Water, James Graham and Sons, New York, NY
Arts' Communities - AIDS Communities: Realizing the Archive Project, Center for the Arts, Boston, MA
1995: Richard Anderson Fine Arts New York, NY
Acme Los Angeles, CA
Thresholds: 10 American Sculptures, Serralves Foundation Porto, Portugal
Fresh Air/Tony Feher - Reading Room, Schmidt Contemporary Art, St. Louis, MO
Inaugural Exhibition, Paul Morris Gallery, New York, NY
In a Different Light, University Art Museum, University of California at Berkeley, Berkeley, CA
1994: Installation for Poetry and Performance, organized by Simon Watson, The Contemporary, New York, NY (solo)
Tony Feher at Wooster Gardens, The Gramercy International, New York, NY (solo)
Tony Feher and Michael Jenkins, Wooster Gardens, New York, NY
The Gramercy International, New York, with Paula Cooper Gallery, New York, NY
A Garden, Barbara Krakow Gallery, Boston, MA
Polly Apfelbaum, Tony Feher, and Claudia Matzko, Patrick Callery, New York, NY
Exhibition of Invited Artists, Paula Cooper Gallery New York, NY
Spring 1994 Exhibitions with Thomas Busch, P.S.1 Museum Long Island City, NY
1993: Tony Feher Sculpture, Wooster Gardens New York, NY
The Return of the Cadavre Exquis, The Drawing Center, New York, NY
Guest Room with Andrew Ong, Akim Kubinski, New York, NY
Futura Book Collection, Air de Paris, Nice, France
Wilhelmi-Holland Gallery, Corpus Christi, TX
Outside Possibilities '93, curated by Bill Arning, The Rushmore Festival, Woodbury, NY
Art Around the Park, Tompkins Square Park, New York, NY
The Art of Self-Defense and Revenge ... It's Really Hard, Momenta Art, New York, NY
Blur, curated by d.d. Chapin, 15 Renwick Street, New York, NY
Yours, organized by Michael Jenkins, Wooster Gardens, New York, NY
1992: The Auto-Erotic Object, curated by Julie Carson, Hunter College Gallery, New York, NY
The Anti-Masculine (Overlapping, but not corresponding to the feminine), Kim Light Gallery Los Angeles, CA
1991: Queer Show, Minor Injury, Brooklyn, NY
New Era Space, New York, NY
Tony Feher, Paula Hayes, Curtis Mitchell, Andrea Rosen Gallery, New York, NY
Gulliver's Travels, Sopgia Ungers, Koln, Germany
1990: Looking at a Revolution: Documenting the AIDS Activist Movement, Simon Watson Gallery, New York, NY
Andrea Rosen Gallery, New York, NY
Tony Feher - Nancy Brooks Brody, 134 Charles Street, New York, NY
AIDS/SIDA, Real Art Ways Hartford, CT
1989: Atomic Art, Max Fish New York, NY
1987: 179 Ludlow, New York, NY
1985: New Work, Tower Gallery, New York, NY
1984: Group Show, 148 Church, New York, NY
1981: Corpus Christi State University, Corpus Christi, TX
First Time Out, Ceramics Invitational South Texas Art Mobile, Corpus Christi, TX
1980: Foundation Show, curated by Linda Cathcart, Art Museum of South Texas, Corpus Christi, TX
Underground Artists of the City, Gaslight Theater, Austin, TX

Public Collections

: San Francisco Museum of Modern Art, California
: Solomon R. Guggenheim Museum, New York
: Walker Art Center, Minneapolis, Minnesota
: Whitney Museum of American Art, New York
: Worcester Art Museum, Massachusetts
: Addison Gallery of American Art, Andover, Massachusetts
: Baltimore Museum of Art, Maryland
: The Art Institute of Chicago, Illinois
: Des Moines Art Center, Iowa
: Henry Art Gallery, Seattle
: Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York
: Israel Museum, Jerusalem
: La Colécion Jumex, Mexico City
: Modern Art Museum of Fort Worth, Texas
: Museum of Fine Arts, Houston

Literature

2008: Clarkson, Lamar. “Everyday Eden,” ARTnews, January 2008, pp. 131, illus.
: D’Arcy, David. “Spare Time,” Town and Country Magazine, January 2008, pp. 130-131, illus.
: Sheets, Hilarie M. “Message in a Bottle,” ARTnews, February 2008, pp. 110-113, illus.
: “The RISD Museum of Art Presents Styrofoam,” artdaily.org, 17 March 2008.
: “Tony Feher: Pick,” http://www.artcal.net/event/view/3/6661, 19 March 2008.
2007: Clonts, Lauren. “Extra-Ordinary: The Everyday Object In American Art,” austin360.com, August 2007.
: Maine, Stephen. “Welcome to the Junkyard,” The New York Sun, 19 July 2007.
: Malloy, Nancy. “Tony Feher,” The 181st Annual Exhibition, exhibition catalog, National Academy Museum, New York, illus.
: Thorson, Alice. “Deliberate Deceleration,” The Kansas City Star, January 8, illus.
: “Spectrum,” New Yorker, 23 January 2006.
: Janku, Laura Richard, “Tony Feher,” artUS, March-April 2006.
: Johnson, Ken. “For a Broad Landscape, an Equally Wide Survey,” New York Times, May 31, p. E5.
: Marx, Jonathan, “New Frist exhibit gives visitors a colorful tour through modern world,” Tennessean.com, 10 November 2006.
: “Transitional Objects: Contemporary Still Life,” artdaily.org, 17 October 2006.
: Morain, Michael, “Cleanup in ‘Aisle 5’? Not here,” DesMoinesRegister.com, 29 October 2006.
: Cudlin, Jeffry, “The Last Picture Show,” Washington City Paper, 1 December 2006.
2006: Ferguson, Russell. “Disregarded, Ordinary, and Suspect,” Chinati Foundation Newsletter, Vol 11, pp. 36-43, illus.
: Selby, Mary. “ArtCRUSH,” The Aspen Times, August 26, 2006.
: Bae, James, “Feher Transforms the Ordinary into Compelling Spaces,” The Big Bend Sentinel, October 6, 2005 Vol. 72 No. 27, p. 1-3, illus.
: Chinati Foundation Newsletter, Vol 9, p. 85-86, illus.
: Knode, Marilu. “Adapting Modernity,” Water, Water Everywhere…, exhibition catalog, Scottsdale Museum of Contemporary Art, Scottsdale, AZ
2005: Dunbar, Elizabeth. Decelerate, exhibition catalog, Kemper Museum of Contemporary Art, Kansas City, MO
: Richer, Francesca and Rosenzweig, Matthew. “Tony Feher,” No 1: First Works by 362 Artists, p. 130, illus.
: Millett, Ann. “Review: One Word: Plastic,” Art Papers. March-April, pp. 42-43.
2004: Lentini, Lara Kristin, “New York, New York,” Art Papers, September/October 2004, p. 48.
: Tettero, Siebe. “Tony Feher: The Wart on the Bosom of Mother Nature,” Contemporary, No. 65, p. 69.
: Stern,, Steven, “Tony Feher,” Time Out New York, 24 June -1 July 2004, p. 70.
: Harris, Jane. “Genie in a Bottle: Tony Feher’s Witty, Twisted Readymades,” Village Voice, May 28, 2004.
: Spiher, David. “Glitter in a Magpie’s Eye,” Gay City News, 20-26 May, 2004.
: Johnson, Ken. “Tony Feher: The Wart on the Bosom of Mother Nature,” The New York Times, May 21, 2004, p. E27.
: Cullinan, Nicholas. “Review: State of Play,” Frieze. April, pp. 93-94.
: Falconer, Morgan. “Deep Play,” Art Monthly. March, pp. 7-10.
: Steiner, Rochelle. State of Play. London: Serpentine Gallery. ISBN 1870814126.
: Eleey, Peter. '8th Istanbul Biennial,' Frieze. January-February, p. 97.
: Harwood, Andrew. “Provisional Worlds,” Flash Art, March/April 2003, p. XX.
: Deitcher, David. “Stacked: D’Amelio Terras, through Mar 22,” Time Out New York, March 13-20, 2003, Issue 389, p. 73.
: Janku, Laura Richard. “San Francisco: ‘Aspects of Color,’” Sculpture, Vol. 22, No. 3, April 2003.
: Johnson, Ken. “Art in Review,” The New York Times, Friday, February 28, 2003, p. E45.
: Johnson, Ken. “Art Guide,” The New York Times, Friday March 7, 2003, p. E46.
: Harwood, Andrew. “Art Chicago 2003: The Art Industrial Complex,” C: International Contemporary Art, Summer 2003, p. 48.
2003: Bradley, Jessica. 'Provisional Worlds,' in Provisional Worlds. Toronto: Art Gallery of Ontario.
: Morgan, Robert C. “Whose Justice? Reflections on the Istanbul Biennial,” NY Arts Magazine, November / December 2003, Vol. 8, No. 11/12, p. 43.
: Kleeblatt, Norman. “Istanbul Biennial,” ARTnews. December, Vol. 102, No. 11, p.128.
: Heartney, Eleanor. “Mending the Breach,” Art in America. December, pp. 74-79 and 118, illus.
: Fyfe, Joe. 'Tony Feher at D'Amelio Terras', Art In America, April, p. 145, illus.
: Dixon, Glenn. 'The Pickup Artist,' City Paper, June 14-20, pp. 52-53, illus.
: Altug, Evrim. “Insanligin mavi kader çizgisi,” Radikal, September 22, 2003.
: Baker, Kenneth. “Minimalists under lens in Aspects of Color,” San Francisco Chronicle, Saturday, November 9, 2002.
: Isé, Claudine. “Tony Feher,” Essay printed by the UCLA Hammer Museum to coincide with the exhibition by the artist, 13 November 2001 – 27 January 2002.
: Fyfe, Joe. “Tony Feher at D’Amelio Terras,” Art in America, April 2002
: Dixon, Glenn. “The Pickup Artist,” The Washington City Paper, June 14-20, 2002.
: Shamaly, Erica. “Interstate: Tony Feher, Donald Moffett, Kay Rosen, and Leo Villareal,” Artlies, fall, pp. 64-65.
: Uncredited. “New art from New York,” New Hampshire Sunday News, September 29, E5.
: Dawson, Jessica. “Tony Feher Makes His Point-of-Sale,” The Washington Post, June 20.
: Baker, Kenneth. “Minimalists under lens in ‘Aspects of Color,’” San Francisco Chronicle, November 9, p. D1.
: Bradley, Jessica. “Provisional Worlds,” in Provisional Worlds. Toronto: Art Gallery of Ontario.
: Goddard, Peter. “An art world made up of stuff,” Toronto Star, November 23, p. J8.
: Milroy, Sarah. “Out of the ordinary,” The Globe and Mail, December 3, p. R5.
2002: Van der Voort, Jane. “Future in Plastics,” Toronto Sunday Sun, December 15, p. 26.
: Hullinghorst, Joni. “The Currier goes to New York,” The Keene Sentinel, November 8, p. 13.
2001: The New Yorker, “Tony Feher”, December 10, pp. 16-20
: Eisgrau, Robin “Isn’t that just crate?” offoffoff.com, 29 November 2001.
: Cotter, Holland. “Across the Hudson Highlands, Sculptures Are Sprouting Inside and Out,” The New York Times, Friday, July 20, 2001. p E35.
: LaBelle, Charles. “Lost and Found,” Frieze, February 2001, #56. pp. 88 - 89.
: Mahoney, Robert. 'Tony Feher, Maybe', Time Out New York, December 13-27, p. 85, illus.
: Ise, Claudine. 'Tony Feher', exhibition brochure, UCLA Hammer Museum, Hammer Projects, Los Angeles.
: Cruz, Amada. Tony Feher. Annondale-on-Hudson, NY: Center for Curatorial Studies Museum, Bard College. Essays by Bill Arning,Amada Cruz and John Lindell, interview with the artist by Adam Weinberg.
: Morgan, Robert C. “Tony Feher,” Artpress, May 2000. p. 67.
: “Tony Feher,” Storefront for Art and Architecture brochure, January 13 - February 12, 2000.
: Moreno, Gean. “Déja vu,” New Art Examiner, May 2000. p.59.
: “Art & About: Untitled Tony Feher show,” Glue Magazine, March/April 2000. p. 67.
: Miles, Christopher. “Tony Feher. ACME,” Artforum, Summer 2000. p. 189.
: Smith, Roberta. “Tony Feher,” The New York Times, February 4, 2000. p. E33.
2000: Levin, Kim. “Tony Feher,” The Village Voice, February 8, 2000.
: Lindell, John. “Tony Feher,” Purple, Summer 2000. p. 306.
: Wagner, Frank. Aids Worlds - Between Resignation and Hope, catalogue from exhibition at Center for Contemporary Art, Geneva, June 1999.
: Morrow, David. “A Few of My Favorite Feher’s,” C Magazine, No. 62, August 1999. pp. 24 - 29.
: Gilbert, Chris. “Tony Feher: No Simple Matter,” Sculpture Magazine, September 1999. pp. 10 -11.
: Ebony, David. “Tony Feher at D’Amelio Terras,” artnet.com, November 25, 1999.
: “Tony Feher,” The Art Newspaper, December 1999. p. 74.
: Johnson, Ken. “Tony Feher,” The New York Times, December 3, 1999. p. E41.
: “Tony Feher,” The Village Voice, December 7, 1999. p. 105.
: “Tony Feher,” The New Yorker, December 13, 1999. p. 19.
1999: On View,” New York, December 13, 1999. p. 110.
: LaBelle, Charles. “Tony Feher,” World Art, No. 15. p. 74.
: Ise, Claudine. “Recycled Treasures,” The Los Angeles Times, February 6, 1998. p. F20.
: Canning, Sue. Alternative Measures, catalogue from the exhibition at the College of New Rochelle, February 1998.
: Zimmer, William. “Show of Work Resembling Items at Hand,” The New York Times, March 15, 1998. Weekend section, p. 16.
: Heartney, Eleanor: After Eden, catalogue from the exhibition at the Middlebury College Museum of Art. pp. 8 - 9.
: Arning, Bill. “Tony Feher,” Honcho, March 1998, Vol. 21, No. 3. pp. 82 - 84.
: Miles, Christopher. “Tony Feher: Richard Telles Fine Art,” Zingmagazine, Summer 1998. pp. 180 - 181.
: “Tony Feher at Richard Telles,” dART International, April/June 1998. p. 33.
: Arning, Bill. “Beyond Minimalism,” Gallery Koyanagi, September 1998.
: Woznicki, Krystian. “New York Trash and Cosmic Heights,” The Japan Times, Tokyo, September 20, 1998.
1998: Cameron, Dan. “Tony Feher,” Cream, London: Phaidon Press, 1998.
: Felshin, Nina. “Tony Feher,” Siempre Contigo, catalogue from exhibition at Wesleyan University.
: Cotter, Holland. “Art and Aids: The Stuff Life is Made Of...,” Art in America, Vol. 85, No. 4, April 1997. pp. 51 - 55.
: Green, David A. “Object Lesson,” The Village Voice, Vol. XLII, No. 20, May 20, 1997.
: Smith, Roberta. “Tony Feher,” The New York Times, May 23, 1997.
: “Tony Feher,” The New Yorker, May 26, 1997.
: Arning, Bill. “Tony Feher,” Time Out New York, June 5 – 12, 1997.
: Watson, Simon. “Openings,” Simon Says, Issue: Silencio = Muerte, Volume 10, Summer 1997.
: Levin, Kim. “Village Choices: Summer Exhibition,” The Village Voice, Vol. XLII, No. 29, July 22, 1997. p. 18.
: Fineman, Mia. “Tony Feher: Alchemist,” artnet.com, July 1997.
: ASCII Weekly, Tokyo, September 22, 1997. pp. 53 - 53.
: Clifford, Katie. “Tony Feher,” Art Papers, Vol. 21, Issue 5, September/October 1997. p. 57.
: Caniglia, Julie. “Tony Feher,” Artforum, Vol. XXXVI, No. 2, October 1997. pp. 100 - 101.
1997: Atkins, Robert. Art Speak, New York: Abbeville Press, 1997. Second Edition, pp. 164 - 165.
: Greene, David A. “Tony Feher: Sculpture,” newyork.sidewalk.com. June 9, 1997.
: “Soil,” xxx fruit, Issue No. 2, January 1996. pp. 72 - 73.
: Griffin, Tim and Pedersen, Victoria. “Gallery Gazing: Navigating the Constellations of Installations,” Paper, January 1996. p. 98.
: Arts’ Communities - AIDS Communities: Realizing the Archive Project, catalogue from the exhibition at BCA, Boston, Massachusetts. p. 37.
: Isreal, Nico. “Tony Feher: Richard Anderson Gallery,” Artforum, Vol. XXXIV, No. 7, March 1996. pp. 102 - 103
1996: Lovelace, Carey. “Saying No Go to SoHo: West Chelsea becomes the hot art gallery spot,” Newsday, Friday, December 20, 1996. p. B21.
: Arning, Bill. “Water,” Time Out New York, No. 48, August 21 – 28, 1996. p. 29.
: Peck, Dale. “no nudes” essay from no show, catalogue from the exhibition at St. Mark”s Church-in-the-Bowery.
: Arning, Bill. “Days with Art,” The Village Voice, December 10, 1996. Vol. XLI, No. 50. p. 95.
: Cash, Stephanie. “Tony Feher at Richard Anderson,” Art in America, Vol. 84, No. 4, April 1996. p. 115.
1995: Levin, Kim. “Choices: Art Short List, Tony Feher,” The Village Voice, November 21, 1995, Vol XL, No. 47. p. 10.
: Mahoney, Robert. “Tony Feher,” Time Out New York, No. 8, November 15 – 22, 1995. p. 24.
: Smith, Roberta. “The Lasting Impact of Some Witty 70’s Ephemera,” The New York Times, November 12, 1995. p. 45.
: Murphy, Tim. “This Generation: Nine Gay Artists...And A Thousand Ways To Define Queer Art,” HX, Vol. 5, #46, November 11, 1995.
: Brea, José Luis. “Reviews - "Threshold’,” Artforum, Vol. XXXIV, No. 3, November 1995. p. 97.
: Threshold: Ten American Sculptors, catalogue from the exhibition at the Serralves Foundation, Porto, Portugal. Essays by Dan Cameron, Fernando Pernes and Joao Fernandes. pp. 40, 41, and supplement.
: Faria, Oscar. “Nos Limites da Escultura,” Público: Zoom (Porto, Portugal), June 2, 1995. p. 16 - 17.
: Faria, Oscar. “Escultura para ver devagar,” Público (Porto, Portugal), June 1, 1995. p. 76.
: In a Different Light, catalogue from the exhibition at University Art Museum, Berkeley, CA. Edited by Nayland Blake, Lawrence Rinder and Amy Scholder.
: Blake, Nayland., Killian, Kevin., and Rinder, Lawrence. “Preview: The Secret Histories,” Artforum, February 1995. pp. 23 -24, 104.
: Katz, Vincent and Victoria Pederson. “Artistic Endeavors,” Paper, January 1995. p. 82.
: Gimelson, Deborah. “Art & Commerce,” The New York Observer, May 16, 1994.
: Cameron, Dan. “Critical Edge,” Art & Auction, January 1994.
1994: Watson, Simon. “kampfen, klagen und auch hoffen,” Art, December 1994. pp. 52 - 55
1993: Levin, Kim. “Voice Choices,” The Village Voice, November 16, 1993.
: Holmquist, Karl. “Oppningar Och Nernissager i Stockholm Och New York,” Material, October 1993.
: Hirsch, David. “Random Elements, Tony Feher at Wooster Gardens,” New York Native, October 11, 1993.
: Harris, William. “Urgent Images, Art and AIDS,” ARTnews, May 1993.
: Scott-Hartland, Bree. PWA Coalition Newsline, May 1993.
: Fujimori, Manami. “New York Art Review,” BT, April 1993.
: Smith, Roberta. “Group Shows in SoHo for a Weekend of Gallery Hopping; Things of Beauty,” The New York Times, January 15, 1993.
1992: Moore, Patrick. The Estate Project for Artists With Aids Report.
: Glueck, Grace. “Gallery Watch,” The New York Observer, November 2, 1992.
: Carson, Julie. The Auto-Erotic Object, catalogue from the exhibition at Hunter College Gallery, New York.
: Levin, Kim. “Choices,” The Village Voice, October 30, 1992.
: Atkins, Robert. “Scene and Heart,” The Village Voice, August 4, 1992.
1991: Schwabsky, Barry. “Mitchell/Feher/Hayes,” Arts Magazine, November 1991.
: Smith, Roberta. “Three Artist Who Favor Chaos,” The New York Times, August 2, 1991.
: Buchuerlag, Damont. Gulliver's Travels, catalogue from the exhibition at Galerie Sophia Ungers, Köln, Germany.
1990: Smith, Roberta. “So Big and So Dressed Up, New Galleries Bloom in SoHo,” The New York Times, May 11, 1990.
: Hirsch, David. “Personal Monuments,” New York Native, February 12, 1990.

Tony Feher

(American, 1956–2016)

Tony Feher

Tony Feher

Tony Feher

Tony Feher

Tony Feher

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