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Atrium Gallery

Saint Louis

Cameron Martin

(American, born 1970)

under the sun every day comes and goes by cameron martin

Cameron Martin

Under the Sun Every Day Comes and Goes, 2003

Price on Request

balentane by cameron martin

Cameron Martin

Balentane, 2012

2,700 USD

partinem by cameron martin

Cameron Martin

Partinem, 2013

2,200 USD

location tone by cameron martin

Cameron Martin

Location Tone, 2003

2,300 USD

under the sun every day comes and goes by cameron martin

Cameron Martin

Under the Sun Every Day Comes and Goes, 2013

Price on Request

balentane by cameron martin

Cameron Martin

Balentane, 2012

Price on Request

albenast by cameron martin

Cameron Martin

Albenast, 2013

2,200 USD

Biography

Timeline

1994 - 1944
Samuel T. Arnold Fellowship
1994
BA, Semiotics, Brown University, Providence, RI
1996
Whitney Museum Independent Study Program, New York, USA
2000
Pollock-Krasner Foundation Award
2001
Artists at Giverny Fellowship and Residency, France
2005
Freund Teaching Fellowship, Washington University, St. Louis, MO
2006
Steep Rock Arts Residency, Washington, CT
2008
Joan Mitchell Foundation Fellowship
2010
John Simon Guggenheim Memorial Foundation Fellowship

Exhibitions

2015
Cameron Martin Exhibitions in 2015:
“Wintry Mix,” Atrium Gallery, St. Louis, MO
“Summer Rotation,” Atrium Gallery, St. Louis, MO
“Fixing a Hole,” Clinton and Koenig, New York, NY
“Delusion/Illusion,” Galleri Haaken, Oslo, Norway
“Monochromatic,” Triumph and Disaster, Montgomery, AL
2013
Cameron Martin Exhibitions in 2013:
Galerie Nikolaus Ruzicska, Salzburg, Austria (solo)
“White House,” Galerie Clemens Gunzer, Zurich, Switzerland
“Decade One: Highpoint Editions,” Sherman Gallery, Boston University, MA
“How You Gonna Get Back to Jersey?,” Planthouse, New York, NY
“Black Rabbit, White Hole,” Samuel Freeman Gallery, Los Angeles, CA
2012
Cameron Martin Exhibitions in 2012:
“25 Years of Tandem Press,” Chazen Museum, Madison, WI (catalogue)
2011
Cameron Martin Exhibitions in 2011:
Mythos Berg, RLB Kunstbruecke, Innsbruck, Austria
Highpoint Editions – Decade One, Minneapolis Institute of Art, Minneapolis, USA
After Destiny: The Contemporary American Landscape, curated by Greg Lindquist, Flanders Gallery, Raleigh, USA (catalogue)
MAKE Skateboards, organized by Jonathan Lavoie and Scott Ogden, I-20 Gallery, New York, USA
Kate Werble Gallery, New York, USA (catalogue)
Reclaimed: Nature and Place Through Contemporary Eyes, Seattle Art Museum, Seattle, USA
Accrochage, Galerie Nikolaus Ruzicska, Salzburg, Austria
Surveyor, Albright Knox Art Gallery, Buffalo, USA
Greenberg Van Doren Gallery, New York, USA (solo)
2010
Cameron Martin Exhibitions in 2010:
Art on PaperBiennial, Weatherspoon Art Museum, Greensboro, USA (catalogue)
roundabout, City Gallery Wellington, New Zealand (catalogue)
Force of Nature, The Horticultural Society of New York, New York, USA
Swell, Friedrich Petzel Gallery, Nyehaus, New York, USA, Friedrich Petzel Gallery, Nyehaus, New York, USA
Guatavita, Eleven Rivington, New York, USA
Grass Grows by Itself, Marlborough Gallery Chelsea, USA
Greenberg Van Doren Gallery, New York, USA (solo)
2009
Cameron Martin Exhibitions in 2009:
Ski Dubai, The Suburban, Oak Park, USA (solo)
Infinitesimal Eternity, Yale University Sculpture Gallery, New Haven, USA
Uncharted, University Art Museum, University of Albany, Albany, USA
Untitled (A Brink of Infinity), Western Bridge, Seattle, USA
edia Int’l Group, Foundation Barbin, New York, USA
2008
Cameron Martin Exhibitions in 2008:
Water Water, G Fine Art, Washington, D.C.
Gray, Dinter Fine Art, New York, USA
Group Exhibition, Gallery Min Min, Tokyo, Japan
Gallery Min Min, Tokyo, Japan (solo)
Galerie Ruzicska, Salzburg, Austria (solo)
2007
Cameron Martin Exhibitions in 2007:
Eclipse, Greenberg Van Doren Gallery, New York, USA (catalogue) (solo)
Eclipse, Eleven Rivington, New York, USA (solo)
In Monet’s Garden, Columbus Museum of Art, Columbus, USA
Musée Marmottan, Paris, France (catalogue)
Neointegrity, Derek Eller Gallery, New York, USA
Microwave Five, Josée Bienvenu Gallery, New York, USA
Shipworm and Gribble, Secret Project Robot, Brooklyn, USA
Back East, Mandrake, Los Angeles, USA
New Prints 2007/Spring, International Print Center New York, New York, USA
Melvins, Mandrake Los Angeles, USA
Water, Salvatore Ferragamo Gallery, New York, USA
2006
Cameron Martin Exhibitions in 2006:
Ruth Root, Alex Brown, Cameron Martin, Sally Ross, Gallery Min Min, Tokyo, Japan
Tandem Press Highlights 1995 - 2005, Chazen Museum of Art, Madison, USA
Selections from the John Morrissey Collection, Armory Art Center, West Palm Beach, USA (catalogue)
Focus 3: Cameron Martin, Philbrook Museum of Art, Tulsa, USA (solo)
Currents 97: Cameron Martin, St. Louis Art Museum, St. Louis, USA (solo)
2005
Cameron Martin Exhibitions in 2005:
Works on Paper, Greenberg Van Doren Gallery, New York, USA (catalogue) (solo)
Law of Ruins, G Fine Art, Washington D.C. (solo)
Structure, Lucas Schoormans Gallery, New York, USA
No Facsimile, Florescent Gallery, Knoxville, USA
Terra Non Firma, Howard House, Seattle, USA
Short Stories: Contemporary Selections, Henry Art Gallery, Seattle, USA

Public Collections

Addison Gallery of American Art, Andover, MA
Cleveland Museum of Art, OH
Henry Art Gallery, Seattle, WA
Philbrook Museum, Tulsa, OK
Seattle Art Museum, WA
University of Wisconsin, Madison, WI
U.S. State Department Art Bank Program, Washington DC
The Whitney Museum of American Art, New York, NY
Albright-Knox Gallery, Buffalo, NY
Minneapolis Institute of Art, Minneapolis, MN

Literature

2013
Wetzler, Rachel, “Cameron Martin’s Nonspecific Landscapes”, Rhizome Journal, April 16
Hirsch, Faye, “Cameron Martin”, Art in Print, Volume 2, Number 5
2012
Rachel Corbett, “Armory 2012,” Artnet Magazine, March 8
2011
Cameron Martin: Bracket, exhibition catalogue, interview with Amy Sillman, Greenberg Van Doren Gallery Chris Bollen, “Mountain Man,” Intervie, March, p. 98
“Cameron Martin,” The New Yorker, April 25
Greg Lindquist, “In Conversation: Cameron Martin with Greg Lindquist,” The Brooklyn Rail, March, p. 26-28
Martha Schendener, “The Badass and the 30 Year Hallucination,” The Village Voice, March 9, p. 29
Roger White, “Immersive Uptown Gallery Experience,” Paper Monument, March
Michael Wilson, “Cameron Martin, ‘Bracket’,” Time Out New York, April 4
Amy White, “New American Landscape at Flanders, “ Independent Weekly, August, p. 25
2010
Can I Come Over to Your House? The First 10 Years of the Suburban, Poor Farm Press Blind Spot, Issue 42, collaborative project with Miranda Lichtenstein, Liz Deschenes, editor
Paul Laster, “Grass Grows by Itself,” Time Out New York, August 19-25
2009
Cameron Martin: analogue, essays by Martha Schwendener and Alexander Dumbadze, GHava{press} Brian Fitchner, “Cameron Martin: Analogue,” coolhunting.com, April 1
Jeffrey Cyphers Wright, “Rapid Transit: Cameron Martin: Analogue,” Brooklyn Rail, April
2008
Eva Komarek, “Cameron Martin—Natur verbunden,” Wirtschafts Blatt Kompact, March 14, p. 18-19
Adam Mendelsohn, “Reviews Marathon—Cameron Martin,” Art Review, February, p. 63
Karen Rosenberg, “Art in Review: Eclipse,” New York Times, January 4, p. E37
2007
Eclipse, exhibition catalogue, essay by Andrea Scott, Greenberg Van Doren Gallery In Monet’s Garden, exhibition catalogue, essays by Joe Houston, M. Melissa Wolfe and James Yood, Scala Dike Blair, “Editor’s Choice: Cameron Martin,” Bomb Magazine, Fall Issue, p. 14
“Cameron Martin: Eclipse,” The New Yorker, December 17
Emily Weiner, “Review—Eclipse,” Time Out New York, December 27-January 2, p. 71
2006
Focus 3: Cameron Martin, exhibition brochure, interview with Catherine Morris, Philbrook Museum
Currents 97: Cameron Martin, exhibition brochure, essay by Robin Clark, Saint Louis Art Museum
Selections from the John Morrissey Collection, catalogue essay by John Morrissey, Armory Art CenterDavis Bonetti, “Best Bets,” Saint Louis Post Dispatch, March 23
Davis Bonetti,” Landscapes Lack People and Power,” Saint Louis Post Dispatch, April 2
James Watts, “Impermanent Illusions,” Tulsa World, June 27, p. D3
2005
Thad Ziokowski. Cameron Martin, Works on Paper. New York: Greenberg Van Doren Gallery
“Cameron Martin: Works on Paper,” The New Yorker, October 31
English (US)

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