Used as a raw material, the colour-material is poured, then sanded in  order to accentuate its materiality and give it body. Through their  juxtaposition, their differences in intensity or their reflection, the  coloured planes obtained create new spaces and test our perception.

This  body of work is an extension of Elissa Marchal's plastic research, which revolves around the coexistence of antagonistic elements. This  dialectic between opacity and transparency, surface and depth, visible and invisible takes us beyond painting, towards the intangible,  immateriality, offering a minimalist painting marked by spirituality.