GESTURE/COLOR/FORM

GESTURE/COLOR/FORM

248 Utah Street San Francisco, CA 94103, USA Saturday, September 10, 2022–Saturday, November 5, 2022 Opening Reception: Saturday, September 10, 2022, 3 p.m.–6 p.m.


7/7/15 (flo lemon yellow wedge) by peter alexander

Peter Alexander

7/7/15 (Flo Lemon Yellow Wedge), 2015

Price on Request

all american by robert arneson

Robert Arneson

All American, 1992

Price on Request

#12, 1980 by karl stanley benjamin

Karl Stanley Benjamin

#12, 1980, 1980

Price on Request

at some point by tony berlant

Tony Berlant

At Some Point, 2018

Price on Request

mists by freddy chandra

Freddy Chandra

Mists, 2016

Price on Request

essence ii by sue dirksen

Sue Dirksen

Essence II, 2015–2017

Price on Request

succession #3 by michelle fierro

Michelle Fierro

Succession #3, 2002

Price on Request

tumult by linda fleming

Linda Fleming

Tumult, 2022

Price on Request

squeeze box by dana hart-stone

Dana Hart-Stone

Squeeze Box

Price on Request

untitled by robert hudson

Robert Hudson

Untitled, ca. 1985

Price on Request

broken words by robert hudson

Robert Hudson

Broken Words, 2010

Price on Request

sunday, sol’s day, sun god by cheonae kim

Cheonae Kim

Sunday, Sol’s day, sun god, 2020

Price on Request

Brian Gross Fine Art is pleased to announce the opening of GESTURE/COLOR/FORM, on Saturday, September 10th, from 3:00 – 5:30pm. The exhibition explores the power of line, shape, and color, to convey meaning and to create sublime aesthetic experiences. The exhibition includes paintings, sculpture, and photoworks by Peter Alexander, Robert Arneson, Karl Benjamin, Tony Berlant, Marco Casentini, Freddy Chandra, Roy De Forest, Willem de Looper, Sue Dirksen, Donald Feasél, Michelle Fierro, Linda Fleming, Teo González, Dana Hart-Stone, Robert Hudson, Mary Ijichi, Cheonae Kim, Keira Kotler, Mokha Laget, Gary Lang, Pard Morrison, Ed Moses, Sono Osato, Ruth Pastine, Johnnie Winona Ross, Meridel Rubenstein, Robert Sagerman, Paul Sarkisian, Phil Sims, Leo Valledor, Andrea Way, and Rex Yuasa. The works in the exhibition reveal the expansive range of abstract styles and representational forms employed by this wide swath of gallery artists.


Among the works making their gallery exhibition debuts are Leo Valledor’s monumental, multi-part painting Big Chief; Robert Arneson’s All American ceramic mask, which was his last fired work; a glorious polychromed welded steel sculpture by Bay Area legend Robert Hudson; an electric yellow cast urethane wedge sculpture by Peter Alexander; Sono Osato’s intricately painted triptych Diluvia 1; an evocative new stain painting by Donald Feasél; Dana Hart-Stone’s optically charged, digitally collaged tondo Squeeze Box; two luminous drawing assemblages by Mary Ijichi; the vibrantly painted color study Inevitability of Truth 7 by Ruth Pastine; and a seductive group of resin-based works on panel dating from 1998-2005 by the late Paul Sarkisian. Other highlights in the exhibition include the dynamic Photosynthesis Leaf Grid by Meridel Rubenstein; an expansive mythical landscape drawing by Roy De Forest; a large black and white painting by Teo González created using his trademark veil of hundreds of painted dots; and 18,230, a dynamic work comprised of thousands of dollops of oil paint laid in swirling patterns by Robert Sagerman.   


The exhibition will be on view through November 5, 2022.