Alden Bryan

(American, 1913–2001)

yellow house, newbury by alden bryan

Alden Bryan

Yellow House, Newbury

8,000 USD

bickford's boat house by alden bryan

Alden Bryan

Bickford's Boat House

2,500 USD

arizona mission by alden bryan

Alden Bryan

Arizona Mission

3,800 USD

stately ships by alden bryan

Alden Bryan

Stately Ships

4,800 USD

winter storage quebec by alden bryan

Alden Bryan

Winter Storage Quebec

10,000 USD

new hampshire autumn by alden bryan

Alden Bryan

New Hampshire Autumn

3,500 USD

spruce peak stowe by alden bryan

Alden Bryan

Spruce Peak Stowe

3,500 USD

bridge over east river by alden bryan

Alden Bryan

Bridge Over East River

9,000 USD

stowe base lodge by alden bryan

Alden Bryan

Stowe Base Lodge

5,000 USD

cambridge by alden bryan

Alden Bryan

Cambridge, 1950

3,000 USD

the chiselville bridge by alden bryan

Alden Bryan

The Chiselville Bridge, 1980

Sold

foot path, bar harbor by alden bryan

Alden Bryan

Foot Path, Bar Harbor

Sold

Biography

Timeline

Alden Bryan (1913 – 2001) Originally from Missouri, Harvard-educated in economics, an avid sailor and tennis player, Alden Bryan married Mary Taylor, a sculpture student, and a year later they sailed into Gloucester Harbor, providing them with their first glimpse of working landscape artists.

Subsequently studying with Emile Gruppe in Gloucester, Bryan went to Vermont in 1939 to study painting with Charles Curtis Allen, N.A.. Shortly thereafter, the Bryans settled on a dairy farm in Jeffersonville, where he introduced pasteurized milk to the area. Establishing a bakery, restaurant and inn, designing the base lodge of Smugglers Notch Resort, building the first indoor tennis center in Vermont, throughout a lifetime of varied achievements, Bryan painted. Every summer the Bryans returned to their studio and art gallery in Rocky Neck, Gloucester where he was the proprietor of the Rudder Restaurant for 25 years.

Bryan painted in more than 25 countries, ranging from Katmandu to Cape Horn, Africa, to the Antarctic, Hong Kong and Indonesia. He held memberships in many art organizations including the American Watercolor Society, the Salmagundi Club, Allied Artists of America, American Artists Professional League, Grand Central Art Association and the North Shore Arts Association.

It was in Vermont, and in the old city of Quebec, and on the Massachusetts seacoast where Bryan’s command of painting produced his most compelling works. Over 1,000 paintings cover the changes in the local farmland of Vermont, and in the waterfront docks, recording the transformation from the age of sail to the age of steam. When Mary Bryan died in 1978, Alden Bryan set out to build a gallery in her memory, giving mortar and design to a spirit the Bryans had nurtured for over 30 years. Inviting the best artists, he knew to exhibit, the non-profit gallery on Main Street in Jeffersonville became a magnet for painters who lived the artistic legacy of Lamoille County, Vermont.

The area’s unfettered vistas and local population welcomed the artists, and then left them alone. Seeking that particular moment of light and characteristic of season, the camaraderie of painters, painting in Vermont has produced master painters in every generation for over one hundred years.

Bryan Memorial Gallery celebrated the 100th birthday of its founder, Alden Bryan with an exhibition of his paintings in 2013, painted in 26 countries over a span of 60 years (early 1940’s until his death in 2001.)

Alden Bryan’s love of the landscape was vivid and instantaneous. Working en plein air (in natural light,) he traveled with canvas boards, paints and brushes, and his approach to discovering a new land was to paint it with immediacy and enthusiasm. His travels took him throughout Europe, North America, the Far East, and Down Under, but even at home in Vermont, he never stopped traveling and painting. Scenes of the local Main Streets and town squares that are now historic records of an era that remains alive on canvas.