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07 January 2025
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Charlotte Jackson Fine Art
Santa Fe
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Robert Sagerman
(
American
, born 1966)
Robert Sagerman
10, 102,
2015
Price on Request
Robert Sagerman
1,094,
2021
Sold
Robert Sagerman
1,111,
2020
Price on Request
Robert Sagerman
1,390,
2020
Sold
Biography
Timeline
Exhibitions
Literature
Timeline
1966
born in Bayside, NY
1984 - 1986
Cadet, United States Military Academy, West Point, ny
1990
Bachelor of Fine Arts, Pratt Institute, New York
1998
Master of Fine Arts in Painting, Pratt Institute, New York
Master of Science in Art History, Pratt Institute, New York
2000
Doctoral Candidate in Hebrew and Judaic Studies, New York University
Master of Arts in Religious Studies, New York University
2008
PHD, Hebrew and Judaic Studies, New York University
Collections
:
Kunstmuseum Hagen
Exhibitions
2012
It’s Time, Margaret Thatcher Projects, New York, NY (solo)
Ermanno Tedeschi Gallery, Tel Aviv, Israel (solo)
Brian Gross Fine Art, San Francisco, CA (solo)
2011
Galerie Renate Bender, Munich, Germany (solo)
Ermanno Tedschi Gallery, Rome, Italy (solo)
2010
The Number Escapes Me, Marcia Wood Gallery, Atlanta, GA (solo)
Workings, Brian Gross Fine Art, San Francisco, CA (solo)
Ermanno Tedeschi Gallery, Rome and Turin, Italy (solo)
2009
On and On: Inquiries into Indeterminacy, Margaret Thatcher Projects, New York, NY (solo)
2008
Never. Ever., Marcia Wood Gallery, Atlanta, GA (solo)
Pathways to Presence, Galerie Renate Bender, Munich, Germany (solo)
Material Color, Hunterdon County Art Museum, Clinton, NJ
This Just In, Marcia Wood Gallery, Atlanta, GA
The Fascination of the Color Red, Galerie Renate Bender, Munich, Germany
Activity, Margaret Thatcher Projects, New York, NY (solo)
dematerializations / interstices / permutations, Brian Gross Fine Art, San Francisco, CA (solo)
Surface Impressions, Islip Art Museum, Islip, NY
Farbe, Galerie Huebner, Hamburg, Germany
…das viereckige rot?, Galerie Albert Baumgarten, Freiburg, Germany
2007
Luxe, Marcia Wood Gallery, Atlanta, GA
2006
Renate Bender Gallery, Munich (solo)
Marcia Wood Gallery, Atlanta (solo)
2005
Brian Gross Gallery, San Francisco (solo)
Margaret Thatcher Projects, New York (solo)
Marking Time, Brian Gross Fine Art, San Francisco, CA
New Paintings, Margaret Thatcher Projects, New York, NY
M% Gallery, Cleveland, OH
2004
Marcia Wood Gallery, Atlanta, GA (solo show)
ArtHouse, Margaret Thatcher Projects, New York, NY
Painting as Process: Re-evaluating Painting, La Salle SIA College of the Arts, Singapore
Group Exhibtion, M% Gallery, Cleveland, OH
Innovate, Marcia Wood Gallery, Atlanta, GA
2003
Margaret Thatcher Projects, New York, NY (solo)
Seeing Red: An International Exhibition of Non-Objective Painting, Part II
, Hunter College/Times Square Gallery, New York, NY
Tickled Pink, Marcia Wood Gallery, Atlanta, GA
2002
Breathing Room
, Margaret Thatcher Projects, New York, NY
Blobs, Wiggles, Dots, Webs and Crustallations
, The Work Space, New York, NY. Curated by Lucio Pozzi.
Group Exhibition
, Roy Boyd Gallery, Chicago, IL
2001
Margaret Thatcher Projects, New York
Items from the Permanent Collection
, Williamsburg Art and Historical Center, Brooklyn, New York
2000
Ducesa Fine Arts, Brooklyn, New York
01.15.00
, GAle GAtes, et al, Brooklyn, New York
1999
Size Matters
, GAle GAtes, et al, Brooklyn, New York
Group Exhibition
, GAle GAtes, et al, Brooklyn, New York
1998
The Calculus of Transfiguration
, Williamsburg Art and Historical Center, Brooklyn, New York
Higher Worlds
, Pelham Art Center, Pelham, New York
1997
Downtowm Arts Annual Group Exhibition
, New York. Juried by Fereshteh Daftari, Martin Eisenberg and Charlotta Kotik.
Symposium Finalist, New York. Work selected by Michael Brenson, critiqued by Janet Koplos, Donald Kuspit, Peter Schjeldahl and Simon Watson
1993
Group Exhibition of Drawings
, Alexander Gallery, New York.
Three Young Future Majors
, Alexander Gallery, New York.
View More
Literature
2004
Cohen, Mark Daniel. "The Intricate Precision of the Field The Kabbalistic Mysticism of Robert Sagerman." NY Arts Magazine, September
Cullum, Jerry. "Review," The Atlanta Journal Constitution, February 1
2003
Fox, Catherine. "Review," The Atlanta Journal Constitution, May 6
Wallach, Amei. "Driven to Abstraction." Art News, November
2002
Lindall, Terrence. "THE EPISTEMOLOGICAL MOVEMENT IN LATE 20TH CENTURY ART: The Williamsburg Circle" NY Arts Magazine, February
1999
Siciliano, Enzo. "Ultimo indirizzo Brooklyn." La Repubblica, June 14
Seeing Red: An International Exhibition of Non-Objective Painting. Exhibtion catalog, The Karl-Ernst Osthaus-Museum, Hagen, Germany