Look at me like you love me

Look at me like you love me

247 West 29th Street Ground FloorNew York, NY 10001, USA Thursday, November 3, 2022–Saturday, January 7, 2023 Opening Reception: Thursday, December 8, 2022, 6 p.m.–8 p.m.

CLAMP is pleased to present “Look at me like you love me,” an exhibition of photographs from Jess T. Dugan’s 2022 monograph of the same title, published by MACK. 

self-portrait (blue room) by jess t. dugan

Jess T. Dugan

Self-portrait (blue room), 2021

4,600 USD

alix at sunset by jess t. dugan

Jess T. Dugan

Alix at sunset, 2017

4,600 USD

jd and steve by jess t. dugan

Jess T. Dugan

JD and Steve, 2020

4,600 USD

shira and sarah by jess t. dugan

Jess T. Dugan

Shira and Sarah, 2020

4,600 USD

vanessa in the water, provincetown by jess t. dugan

Jess T. Dugan

Vanessa in the water, Provincetown, 2019

4,600 USD

wisteria by jess t. dugan

Jess T. Dugan

Wisteria, 2021

4,600 USD

kalven (looking down) by jess t. dugan

Jess T. Dugan

Kalven (looking down), 2021

4,600 USD

window at sunrise by jess t. dugan

Jess T. Dugan

Window at sunrise, 2021

4,600 USD

mary by jess t. dugan

Jess T. Dugan

Mary, 2021

4,600 USD

andre by jess t. dugan

Jess T. Dugan

Andre, 2019

4,600 USD

early morning light, boston by jess t. dugan

Jess T. Dugan

Early morning light, Boston, 2020

4,600 USD

self-portrait (reaching) by jess t. dugan

Jess T. Dugan

Self-portrait (reaching), 2021

4,600 USD

CLAMP is pleased to present “Look at me like you love me,” an exhibition of photographs from Jess T. Dugan’s 2022 monograph of the same title, published by MACK. 

“Look at me like you love me” includes self-portraits, portraits of individuals and couples, and still lifes that collectively form a poetic representation of contemporary life through Dugan’s eyes.

In the images Dugan aims to explore how relationships and intimacy shape one’s identity. The individuals depicted in Dugan’s images vary in class, race, age, gender identity, and sexual orientation. Some are depicted alone, others with their loved ones, always seen by the photographer with a direct and honest perspective. By capturing individuals in a matter-of-fact way, Dugan creates space for the sitter’s complex internal life, leaving viewers with enough unsaid to encourage contemplation.

Dugan’s inclusion of self-portraits within an already highly personal collection of imagery, serves an explicitly auto-biographical purpose, documenting the artist’s emotional and physical state in various settings at different moments in time.

In addition to portraits and self-portraits, Dugan captures still lifes, which help to set the mood of the project, and punctuate the portraiture with moments of stillness and reflection.