Artworks by Jason Rhoades at David Zwirner on artnet

Jason Rhoades

(American, 1965–2006)

Jason Rhoades

Chandelier 39, 2006

Contact Gallery

Biography

Timeline

1965: Born in Newcastle, CA
1985: California College of Arts and Crafts, Oakland, CA
1986 - 1988: BFA, San Francisco Art Institute, San Francisco, CA
1988: Skowhegan School of Painting and Sculpture
1991 - 1993: MFA, University of California, Los Angeles, CA
2006: Died in Los Angeles CA

Exhibitions

2019: Jason Rhoades Selected Exhibitions in 2019:
Highlights for a Future: De Collectie (1), Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Ghent [collection display]
PHOTO, Parkett Space Zurich, Zurich
2018: Jason Rhoades Selected Exhibitions in 2018:
David Zwirner: 25 Years, David Zwirner, New York
2017: Jason Rhoades Selected Exhibitions in 2017:
Jason Rhoades, The Brant Foundation, Art Study Center, Greenwich, Connecticut (solo exhibition)
Jason Rhoades: Installations, 1994-2006, Hauser Wirth & Schimmel, Los Angeles (solo exhibition)
The Everywhere Studio, Institute of Contemporary Art, Miami
Hope and Hazard: A Comedy of Eros, Hall Art Foundation, Reading, Vermont
Markers, David Zwirner, London
Provocateur: From Picabia to Prince, Edward Ressle, New York
2016: Jason Rhoades Selected Exhibitions in 2016:
Bliss, Nahmad Projects, London
Co-thinkers, Garage Museum of Contemporary Art, Moscow
Defining Sculpture, Albight-Knox Art Gallery, Buffalo, New York
Let There Be More Light, Jessica Silverman Gallery, San Francisco
2015: Jason Rhoades Selected Exhibitions in 2015:
Jason Rhoades: Multiple Deviations, The Rose Art Museum, Brandeis University, Waltham, Massachusetts (solo exhibition)
Collected by Thea Westreich Wagner and Ethan Wagner, Whitney Museum of American Art, New York [itinerary: Centre Georges Pompidou, Paris]
Come As You Are: 25 Art of the 1990s, Montclair Art Museum, Montclair, New Jersey [itinerary: Telfair Museums, Savannah, Georgia; University of Michigan Museum of Art, Ann Arbor, Michigan; and Blanton Museum of Art, The University of Texas at Austin]
Nach dem frühen Tod/After an Early Death, Staatliche Kunsthalle Baden-Baden, Germany
#RAWHIDE, Venus Over Manhattan, New York
Sense Uncertainty: A Private Collection, Kunsthaus Zürich
2014: Jason Rhoades Selected Exhibitions in 2014:
Jason Rhoades: Perfect Process, PARADISE / A Space for Screen Addiction, LECLEREMaison de Ventes, Marseille [part of Oracular/Vernacular] (solo exhibition)
Jason Rhoades: PeaRoeFoam, David Zwirner, New York (solo exhibition)
: Peter Bonde & Jason Rhoades: Half Snowball, Andersens Contemporary, Copenhagen [two person exhibition]
: Inside Installations, Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Ghent
: Jason Rhoades: 1: 12 Perfect World, Hauser & Wirth, London (solo)
: At Home/Not At Home: Works from the Collection of Martin and Rebecca Eisenberg, CCS Bard Hessel Museum of Art, Annandale-on-Hudson, New York [catalogue]
2010: The Artist’s Museum, Museum of Contemporary Art, Los Angeles
: Das Museum als Kraftwerk, Museum am Ostwall, Dortmund, Germany
2009: Beg Borrow and Steal, Rubell Family Collection, Miami [catalogue]
: California Maximalism: Sticking a Spike into the Vein of Memory, Foundation 20 21/Nyehaus, New York
: Compass in Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection, The Museum of Modern Art, New York [catalogue]
: United Technologies, Lismore Castle, Lismore, Ireland
: Walking in My Mind, The Hayward Gallery, London [catalogue]
: Meet Me Around the Corner, Astrup Fearnley Museet for Moderne Kunst, Oslo
: Stars and Stripes Forever: Living Archive, Van Abbemuseum, Eindhoven, The Netherlands
: Now’s the Time, Dublin City Gallery, The Hugh Lane, Dublin [catalogue]
: Martian Museum of Terrestrial Art, Mission: to interpret and understand contemporary art, Barbican Art Gallery, London [catalogue Art]
: Thyssen-Bornemisza Art Contemporary: Collection as Aleph, Kunsthaus Graz
: Collecting Collections, Museum of Contemporary Art, Los Angeles [catalogue This is not to be looked at: Highlights from the Permanent Collection of the Museum of Contemporary Art, Los Angeles]
: Ad Absurdum: Energies of the Absurd from Modernism till Today, MARTa Herford, Herford, Germany [catalogue]
2008: 2008 Whitney Biennial, Whitney Museum of American Art, New York [catalogue]
: The Gallery, David Zwirner, New York
: El Sourdog Hex, 'Multiples', Berlin/DE (solo)
: David Zwirner, 'Jason Rhoades. Black Pussy', New York NY (solo)
: UCLA Hammer Museum, 'Eden’s Edge: Fifteen LA Artists', Los Angeles CA
: 10. Triennale Kleinplastik Fellbach, 'Bodycheck', Fellbach/DE
: Biennale di Venezia, 52nd International Art Exhibition, 'Think with the Senses – Feel with the Mind. Art in the Present Tense', Venice/IT
: Hamburger Bahnhof, 'There is never a stop and never a finish - In Memoriam Jason Rhoades', Berlin/DE
: Museum of Contemporary Art, 'Sympathy for the Devil: Art and Rock and Roll Since 1967', Chicago IL
: Galerie Dennis Kimmerich, 'L.A. Desire', Dusseldorf/DE
2007: David Zwirner, 'A Point in Space is a Place for an Argument', New York NY
: San Francisco Institute of Art, 'Work Zones: Three Decades of Contemporary Art from San Francisco Institute of Art, Walter & McBean Galleries, San Francisco CA
: Kunsthaus Bregenz, Bregenz/AT
: Zentrum Paul Klee, Irritation des Gleichgewichts, Berne/CH
: Zwirner & Wirth, Yes Bruce Nauman, New York NY
: Hessel Museum of Art, Bard College, 'Wrestle', New York NY
: Zentrum für Kunst und Medientechnik, FASTER! BIGGER! BETTER! , Karlsruhe/DE
: Rubell Family Collection, Red Eye: Los Angeles Artists from the Rubell Family Collection, Miami FL
2006: CAC Malaga, 'Tijuanatanjierchandelier', Malaga/ES (solo)
: Zwirner & Wirth, Contemporary Sculpture, New York NY
: Fondazione Sandretto Re Rebaudengo, 'Bidibidobidiboo. La Collezione Sandretto Re Rebaudengo per i dieci anni della Fondazione', Torino/IT
: Centre Georges Pompidou, 'Dionysiac', Paris/F
: Galerie Barbara Thumm, 'Echo. Anti Echo', Berlin/D
: Tinguely Museum, 'Bewegliche Teile: Formen des Kinetischen', Basel/CH
: Santa Monica Museum of Arts; 'INCOGNITO 2005', Santa Monica CA
: Thyssen-Bornemisza Art Contemporary, 'Puppets & Heavenly Creatures', Vienna/AT
: Museum der Moderne, 'Les Grands Spectacles – 120 Jahre Kunst und Massenkultur ', Salzburg/AT
: David Zwirner, 'Early Work', New York NY
: Zentrum für Kunst und Medientechnologie Lichtkunst aus Kunstlicht: Licht als Medium der Kunst im 20. Jahrhundert, Karlsruhe/DE
: Contemporary Arts Center, Multiple Strategies, Cincinnati CT
: Galleria d’Arte Moderna, Drive, Bologna/IT
: Silverbridge, Transcontinental Nomadenoase, Paris/FR
: Kunstmusem St. Gallen, Sweet temptations – Sammlung Rolf Ricke, St. Gall/CH
: Hauser & Wirth London, 'The Black Pussy…and the Pagan Idol Workshop', London/GB (solo)
: Estudio Helga de Alvear, Madrid/ES (solo)
2005: MAGASIN Centre National d'Art Contemporain, 'Jason Rhoades', Grenoble/Fr (solo)
: Sammlung Hauser und Wirth in der Lokremise St.Gallen, 'Jason Rhoades. My Madinah. In pursuit of my ermitage...,' St. Gallen/CH (solo)
: Deichtorhallen, '15 Jahre Deichtor', Hamburg/DE
: Kunsthaus Graz, 'Bewegliche Teile. Formen des Kinetischen', Graz/AT
: Kunsthalle Bielefeld, 'Das grosse Fressen. Von Pop bis heute', Bielefeld/DE
2004: Astrup Fearnley Museet, 'Everything is Connected, he, he ,he', Oslo/NO
: Nationalgalerie im Hamburger Bahnhof, 'Friedrich Christian Flick Collection im Hamburger Bahnhof', Berlin/DE
: Bienal de Valencia, 'micro-Utopias', Valencia/ES
: Stedelijk Museum voor Actuele Kunst Gent, 'Gelijk het leven is', Ghent/BE
: Van Abbemuseum, 'The Secret Life of The Onions', Eindhoven/NL
: The Provider Troubled Teen Mentor Peanut Butter Shop, Los Angeles/US
: Van Abbemuseum , 'Over wij / about we - From Picasso to AnnLee', Eindhoven/NL
: Technopolis, Benaki Museum and Athens School of Fine Arts, 'Outlook', Athen/GR
: Phoenix Kulturstiftung, 'Falkenberg Collection', Hamburg/D (solo)
2003: David Zwirner Gallery, 'Meccatuna', New York/USA (solo)
: Palau de la Virreina, 'Bankett - Metabolismus und Kommunikation', Barcelona/ES [travels to: ZKM, Karlsruhe/DE; Medialab, Madrid/ES; Centro Cultural Conde Duque, Madrid/ES]
: Estudio Helga de Alvear, Madrid/ES (solo)
: David Zwirner Gallery, 'PeaRoeFoam, The Impetuous Process & From The Costner Complex', New York/USA (solo)
: Museum Moderner Kunst Stiftung Ludwig, 'PeaRoeFoam, My Special Purpose', Wien/A (solo)
: Galerie Hauser & Wirth, 'Ten Years Galerie Hauser & Wirth', Zurich
: Seedamm Kulturzentrum, 'Jules Verne, Adolf Wölfli und andere Grenzgänger', Pfäffikon SZ/CH
: Museu Serralves, Collecion Onnasch, Porto/P
: Astrup Fearnley Museum of Modern Art, 'Passenger – The Viewer as Participant', Oslo/N
: NICC, 'Exile on Main Street', Antwerp/B
: Liverpool Biennial, 'PeaRoeFoam, The Liver Pool', Liverpool/UK
: Centro de Arte de Salamanca, 'Comer o no Comer. To Eat or not to Eat, Or, the relations between art and questions of eating', Salamanca/E
: Kunstmuseum Bern, 'Kopfreisen. Jules Verne, Adolf Wölfli und andere Grenzgänger', Bern/CH
: Kunstraum Innsbruck, 'Plus Ultra', Innsbruck/A
: Guggenheim Museum, 'Moving Pictures', New York NY/USA
: Galerie Hauser & Wirth, 'shit plug’ (with Paul McCarthy), Zurich/CH
: Musée d'Art Moderne et Contemporain, 'French Collection', Genf/CH
2002: Kunsthalle Basel, 'Keine Kleinigkeiten', Basel/CH
: K21 Kunstsammlung Nordrhein-Westfalen, 'Startkapital' Düsseldorf/D
: Art Pace San Antonio, San Antonio/USA
: Stedelijk Museum voor Actuele Kunst Gent, 'Y.E.L.L.O.W.', Ghent/BE
: Kunsthalle Baden-Baden, 'Ich bin mein Auto', Baden-Baden/DE
: Yokohama Triennale, Yokohama /Japan
: Museo de Arte Carrillo Gil, 'Do it', San Angel/Mexico
: MACBA, The Onnasch Collection, Barcelona/E
2001: Portikus, 'The Costner Complex Perfect Process', Frankfurt M./D (solo)
: Sammlung Hauser und Wirth in der Lokremise St.Gallen, ‘Wechselstrom ‘, cur. Julian Heynen, St. Gall/CH
: LA MoCA, ‘Public Offerings‘, Los Angeles/USA
2000: Galerie Hauser & Wirth, ‘Jason Rhoades‘, Zurich/CH (solo)
: David Zwirner, ‘of perfect world‘, New York NY (solo)
: Museum Haus Esters, Krefeld/D (solo)
: Sammlung Hauser und Wirth in der Lokremise St.Gallen, ‘Sammlung (1) – The Oldest Possible Memory‘, cur. Eva Meyer-Hermann, St. Gall/CH
: Statens Museum for Kunst, ‘The Snowball‘ with Peter Bonde, Copenhagen/Denmark
: Projektraum/Kunstraum Innsbruck, 'LIFE/BOAT – Hans Weigand/Jason Rhaodes/Raymond Pettibon', Innsbruck/A
: Brooke Alexander Gallery, ‘To Infinity and Beyond: Editions for the Year 2000‘, New York
: 1301PE projects and editions, 'Ranch' [with Jorge Pardo], Santa Monica CA
: XLVIII Esposizione Internazionale d’arte, Biennale di Venezia, ‘dAPERTutto‘ [with Paul McCarthy], cur. Harald Szeemann, Venice/IT
: David Zwirner, 'Propposition' [with Paul McCarthy], New York NY
: XLVIII Esposizione Internazionale d’arte, Biennale di Venezia, Danish Pavilion [with Peter Bonde], Venice/IT
: Thread Waxing Space, 'Conceptual Art as Neurobiological Praxis', New York NY
: Provinciaal Museum voor Fotografie, 'Laboratorium', cur. Barbara Vanderlinden / Hans Ulrich Obrist, Antwerp/BE
: MAK, Schindler House, 'Raymond Pettibon, Jason Rhoades, Hans Weigand: LIFE/BOAT, 1999', Los Angeles CA
: Real Art Ways, 'HORSEplay', Hartford CT
: Kunsthalle Wien, 'Get together', Vienna/AT
: Kunsthalle Bremen, 'Damenwahl' [with Corinne Wasmuth], Bremen/DE
: Kaiser Wilhelm Museum Krefeld, 'am horizont', Krefeld/DE
1999: Deichtorhallen, ‘Perfect World‘, Hamburg/D (solo)
: Kunsthaus Zürich, 'Weltuntergang & Prinzip Hoffnung', Zurich/CH
: David Zwirner, 'Five Years, 1993-1998', New York NY
: Van Abbemuseum, ‘The Purple Penis and the Venus (and Sutter’s Mill) for Eindhoven: A Spiral with Flaps and Two useless Appendages. After the Seven Stomachs of Nuremberg (as Part of ‘The Creation Myth‘), Eindhoven /NL (solo)
: Kunsthalle Nürnberg, ‘The Purple Penis and the Venus‘, Nuremberg/D (solo)
: Galerie Hauser & Wirth & Presenhuber, ‘The Creation Myth‘, Zurich/CH (solo)
: Nordiska Museet, 'Arkipelag', Stockholm/SE
: Kunsthaus Zürich, 'Freie Sicht aufs Mittelmeer – Junge Schweizer Kunst mit Gästen und Gastmahl', cur. Bice Curiger, Zurich/CH
: Galerie Heinz Holtmann, 'Hommage à Diether Roth', Cologne/DE
1998: Secession, '100 Jahre Secession', Vienna/AT
: Henry Art Gallery, 'Deep Storage – Arsenale der Erinnerung', Seattle WA
: Kunstmuseum Düsseldorf im Ehrenhof, 'Deep Storage – Arsenale der Erinnerung', Dusseldorf/DE
: Castello di Rivoli, Museo d’Arte Contemporanea, 'Sunshine & Noir: Art in Los Angeles 1960-1997', Turin/IT
: UCLA at the Armand Hammer Museum of Art and Cultural Center, 'Sunshine & Noir: Art in Los Angeles 1960-1997', Los Angeles CA
: Art & Appenzell, 'Wahlverwandschaften', Appenzell/CH
: Kunsthalle Zürich, 'Auf der Spur. Kunst der 90er Jahre im Spiegel von Schweizer Sammlungen', Zurich/CH
: Kunstmuseum, 'Deep Storage – Arsenale der Erinnerung', Dusseldorf/DE
: Villa Arson, 'La modernité et la Côte d'Azur', Nice/FR (solo)
: Kunstmuseum Wolfsburg, 'Sunshine & Noir: Art in Los Angeles 1960-1997', Wolfsburg/DE
: La Biennale di Venezia, 'XLVII Esposizione Internazionale d’Arte', Venice/IT
: Whitney Museum of American Art, '1997 Whitney Biennial', New York NY
: Biennale d’Art Contemporain de Lyon, Lyon/FR
: Henry Art Gallery, 'Deep Storage – Arsenale der Erinnerung', Seattle WA
: David Zwirner Gallery, 'Deviations in Space, Various Virgins', New York NY (solo)
: Haus der Kunst, 'Deep Storage – Arsenale der Erinnerung', Munich/DE
: P.S. 1 Contemporary Art Center, New York NY
: Haus der Kunst, 'Deep Storage – Arsenale der Erinnerung', Munich/DE
: Louisiana Museum of Modern Art, 'Sunshine & Noir: Art in Los Angeles 1960-1997', Humlebaek/DK
: Castello di Rivoli, Museo d'Arte Contemporaneo, 'American Art from the Whitney Museum', Turin/IT
: Richard J. Schiffler Collection and Archives, Westen Art Gallery, 'projects.doc.', Cincinnati OH
: Ecole Nationale Supérieure des Beaux-Arts, 'Connexions Implicités', Paris/FR
1997: Moderna Galeria Ljubljana, 'Epicenter Ljubljana', Ljubljana/SI
: Nationalgalerie SMPK, Sonderausstellungshalle am Kulturforum, 'Deep Storage – Arsenale der Erinnerung', Berlin/DE
: Museum of Contemporary Art, 'Defining the Nineties: Consensus-Making in New York, Miami and Los Angeles', Miami FL
: Kunstmuseum Bonn, 'Art at the End of the 20th Century', Bonn/DE
: The Center for Curatorial Studies Museum, 'a/drift: Scenes from the Penetrable Culture', cur. Joshua Dexter, Bard College, Annandale-on-Hudson NY
: Galerie Jürgen Becker, 'Group Show', Hamburg/DE
: Tanya Bonakdar Gallery, 'Multiple Pleasures', New York NY
: Ecole National supérieure des Beaux-Arts, 'L'Art du Plastique Nouvelle matières d'expression' cur. Robert Fleck, Paris/FR
: Kulturreferat München, 'Urban Structures', Munich/DE
: 1301 PE, Peter Strauss Ranch, 'Ranch' [with Jorge Pardo], Malibu CA
: Museu d'Art Contemporani, 'Art at the End of the 20th Century', Barcelona/ES
: National Gallery, Alexandros Soutzos Museum, 'Art at the End of the 20th Century', Athens/GR
: Wanås Foundation, 'Wanås 1996. Outdoor Sculpture Project', Knislinge/SE
: CAPC Musée d’Art Contemporain Entrepôt, 'Traffic', Bordeaux/FR
1996: Kunsthalle Basel, Basel/CH (solo)
: Kunstsammlungen zu Weimar, 'Nach Weimar', Weimar/DE
: Lauren Wittels, 'lo-fi', cur. Michelle Reyes, New York NY
: Grazer Kunstverein, 'Self Made', Graz/AT
: Brooke Alexander Editions, 'Komix', New York NY
: Ludwig Forum für internationale Kunst, Aachen/DE
1995: Watari Museum of Contemporary Art, 'Ripple Across the Water', Tokyo/JP
: Museum van Hedendaagse Kunst, 'Selections of the Permanent Collection', Ghent/BE
: Kunsthalle der Hypo-Kulturstiftung, 'Das Ende der Avant-Garde. Kunst als Dienstleistung', Munich/DE
: The Whitney Museum of American Art, '1995 Whitney Biennial', New York NY
: ___, '26es Rencontres Internationales de la Photographie', Arles/FR
: Rosamund Felsen Gallery, 'Swedish Erotica and Fiero Parts', Los Angeles CA (solo)
: Galerie Froment & Putman, Paris/FR
: Villa Arson, 'Monaco Grand Prix 94', Nice/FR
: Sandra Gering Gallery, 'Paul Bloodgood, Luca Buvoli, Jason Rhoades and Kathleen Schimert', New York NY
: Thread Waxing Space, 'Don't Look Now', cur. Joshua Dexter, New York NY
: Raum Strohal, 'Sammlung West', Vienna/AT
: Museum Van Hedendaagse Kunst, 'This Is the Show and the Show Is Many Things, Extra Muros', Ghent/BE
1994: Deichtorhallen, 'Temporary Translation(s). Sammlung Schürmann – Kunst der Gegenwart und Fotografie', Hamburg/DE
: David Zwirner, 'Summer Group Show', New York NY
: Rosamund Felsen Gallery, 'Going Down Stairs Diagonally', cur. Paul McCarthy, Los Angeles CA
1993: David Zwirner (fair booth), 'The Unfair', Cologne/DE (solo)
: Rosamund Felsen Gallery, 'Going Down Stairs Diagonally', Los Angeles CA (solo)
: David Zwirner Gallery, 'CHERRY Makita – Honest Engine Work', New York NY (solo)
1992: Rosamund Felsen Gallery, 'The Clinic', cur. Ralph Rugoff, Los Angeles CA

Public Collections

: Albright-Knox Art Gallery, Buffalo, New York
: Van Abbemuseum, Eindhoven, The Netherlands
: Thyssen-Bornemisza Art Contemporary (TBA21), Vienna
: Tate Gallery, London
: Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Ghent
: Stedelijk Museum, Amsterdam
: Staatliche Museen zu Berlin
: Solomon R. Guggenheim Museum, New York
: San Francisco Museum of Modern Art
: Sammlung Falckenberg, Deichtorhallen, Hamburg
: Rubell Family Collection, Miami
: The Rose Art Museum, Brandeis University, Waltham, Massachusetts
: The Museum of Modern Art, New York
: Museum of Contemporary Art, North Miami
: Museum of Contemporary Art, Los Angeles
: Los Angeles County Museum of Art
: Hammer Museum, Los Angeles
: Friedrich Christian Flick Collection, Hamburger Bahnhof - Museum für Gegenwart, Berlin
: Fondazione Sandretto Re Rebaudengo, Turin
: Fondation Louis Vuitton, Paris
: Colección Jumex, Mexico City
: Centro de Artes Visuales Fundación Helga de Alvear, Cáceres, Spain
: Centre Georges Pompidou, Paris
: Astrup Fearnley Museet for Moderne Kunst, Oslo
: Villa Arson Nice, Nice, France
: Whitney Museum of American Art, New York

Literature

2006: Osterwold, Tilman, 'Irritation des Gleichgewichts', Zentrum Paul Klee, Bern, 2006, pp.70 -70,ill. (exh.cat]
2005: Grosenick Uta, Riemschneider Burkhard (ed.), 'ART NOW Vol. 2', Cologne: Taschen, 2005, pp. 428-431, ill.
: Husslein-Arco Agnes (ed.), 'Les Grands Spectacles', Ostfildern-Ruit: Hatje Cantz Verlag, 2005, p. 254, ill.
: Kraus, Chris, Tumlir, Jan & McFadden, Jane (ed.), 'LA Artland', London: Black Dog Publishing, 2005, pp. 148-151, ill.
: Macel, Christine (ed.), 'Dionysiac', Paris: Editions du centre Pompidou, 2005, ill.
: Bidner, Stefan, Feuerstein, Thomas (ed.), 'Plus ultra. Jenseits der Moderne? / Beyond Modernity?', Frankfurt/Main.: Revolver, 2005, pp. 105-111, ill.
2004: La maison rouge - fondation Antoine de Galbert (ed.), 'Central Station. La collection Harald Falckenberg', Paris: La maison rouge, Fage éditions, 2004, pp.62-63, ill.
: Kellein, Thomas, Lampe, Angela (ed.), 'Das grosse Fressen. Von Pop bis heute', Bielefeld: Kunsthalle Bielefeld, pp. 88-89, ill.
2003: Benaki Museum & Athens School of Fine Arts (ed.), 'Outlook', Athens, 2003, ill. (exh. cat.)
: Baumann, Daniel, Brunner, Monika (ed), 'Kopfreisen. Jules Verne, Adolf Wölfli und andere Grenzgänger', Bern: Kunstmuseum Bern, 2002, pp. 123-125, ill, (exh. cat.)
: Beil, Ralf, 'Künstlerküche. Lebensmittel als Kunstmaterial- von Schiele bis Jason Rhoades', Cologne, DuMont, 2002
: Unterdörfer, Michaela (ed), 'The House of Fiction. Sammlung Hauser und Wirth / 3', Nürnberg: Verlag für moderne Kunst, 2002, pp. 36-37, ill, (exh.cat.)
2002: Kunsthalle Wien (ed.), 'Jason Rhoades, PeaRoeFoam. The Impeteous Process, My Special Purpose and The Liver Pool', texts by Jan Avigkos and Achim Hochdörfer, Wien, 2002, ill.
: Grosenick Uta, Riemschneider Burkhard (ed.), 'ART NOW', Cologne: Taschen, 2002, pp. 424-427, ill.
2001: Independent Curators International (ed.), 'Pictures, Patents, Monkeys, and More ... On Collecting' [texts by Ingrid Schaffner, Werner Münsterberger, Fred Wilson], New York, 2001
: Portikus Frankfurt am Main (ed.), 'Jason Rhoades. The Costner Complex (Perfect Process)', Frankfurt am Main, 2001 (exh. cat.)
: Winzen, Matthias, 'Jason Rhoades', in: Bilstein, Johannes, Winzen, Matthias (eds.), Ich bin mein Auto, Cologne: König/Staatliche Kunsthalle Baden-Baden, 2001, p. 141-142, (exh.cat.)
: Avgikos, Jan. “Jason Rhoades at David Zwirner.” Artforum. (February 2001), p. 151
: Baldon, Diana. “Jason Rhoades.” Tema Celeste. (November-December 2001), p.91
: Goddard, Dan R. “Installation pays tribute to car culture.” San Antonio Express-News.(January 5, 2001)
2000: Elms, Anthony. “Reshelved.” New Art Examiner. (April 2000), pp.28-31
: Ferguson, Russell. “Given: 1. The Caprice, 2. The Ferrari.” Parkett, No.58 (2000), pp.122-125
: Johnson, Ken. “Art Guide.” New York Times, (November 3, 2000)
: Felix, Zdenek (ed.), 'Jason Rhoades – Perfect World, Deichtorhallen Hamburg', Cologne: Oktagon, 2000, ill. (exh.cat.)
: IG Art & Appenzell (ed.), 'Art & Appenzell, Wahlverwandtschaften', Appenzell: Art & Appenzell, 1999, pp. 68-73, ill.
: Burrow, David. “Dunkin’ Donuts.” Art Monthly. (March 1999), p.6-10
: Bianchi, Paolo, Pfiffer Damiani, Marion [et al.] (ed.), 'Get together, Kunst als Teamwork', Vienna: Kunsthalle Wien, 1999, pp. 283-285, ill. (exh.cat.)
: Birnbaum, Daniel. “Practice in Theory.” ArtForum. (September 1999), p.154
: Phillips, Lisa, 'The American Century: Art and Culture 1950-2000', New York: The Whitney Museum of American Art, 1999, p. 357, ill. (exh.cat.)
: Fondazione Sandretto Re Rebaudengo per L'Arte (ed.), 'Dreams', Torino, 1999
1999: Øckenholt, Marianne, Sans, Jérôme, 'The Snowball – a collaborative project by Peter Bonde & Jason Rhoades', Hatje Cantz Publishers, 1999, ill. (exh.cat. Danish Pavilion at the Biennial Venice)
: Siemens AG, Kulturprogramm/Kunsthalle Bremen (ed.), 'Damenwahl – Corinne Wasmuth, Jason Rhoades', Cologne: Oktagon Verlag, 1999 ill. (exh.brochure)
1998: Heiser, Jorg. “Untidy Minds.” Frieze. (November/December 1998), p.72-77
: “Jason Rhoades-Train of Thoughts.” Art Spezial. (January 1998), p.16
: Meyer-Hermann, Eva (ed.), 'Jason Rhoades. Volume A Rhoades Referenz', Cologne: Kunsthalle Nürnberg/Stedelijk Van Abbemuseum/Oktagon Verlag, 1998, ill. (exh.cat.)
: Czoppan, Gabi. 'Leben in Ferrari.' Focus, Nr. 46, (November 10, 1997), p.201
: Blase, Christoph. 'Virtually the Best.' Artforum. (October 1997), pp. 94-5
: École Nationale supérieure des Beaux-Arts (ed.), 'Connexions Implicitées' [text by Jean de Loisy, Hans-Ulrich Obrist et al.], Paris, 1997
: Independent Curators Incorporated (ed.), 'do it' [text by Hans-Ulrich Obrist, Bruce Althusser et al.], New York, 1997
: Schaffner Ingrid, Winzen, Matthias (ed.), 'Deep Storage. Arsenale der Erinnerung', Munich/New York: Prestel, 1997 (exh.cat.)
: Phillips, Lisa, Neri, Louise, 1997 'Whitney Biennial Exhibition', New York: The Whitney Museum of American Art, 1997, pp. 92-93, ill. (exh.cat.)
: Moderna Galeria Ljubljana (ed.), 'Epicenter Ljubljana' [text by Harald Szeeman], Ljubljana, (exh.cat.)
: Kunstmuseum Bonn (ed.), 'Multiple Identity: Amerikanische Kunst 1975-1995 aus dem Whitney Museum of American Art' [text by Johanna Drucker, Donald Kuspit], Bonn, 1997, ill. (exh.cat.)
: Hansen, Henning S., 'Sunshine & Noir. Art in L.A. 1960-1997', Humblebaek: Louisiana Museum of Art, 1997, ill. (exh.cat.)
: Obrist, Hans Ulrich, Tortosa, Guy, (ed.), 'Unbuilt Roads', Ostfildern: Cantz Verlag, 1997
1997: Decter, Joshua (ed.), 'a/drift', Annandale-on-Hudson NY: Center for Curatorial Studies, 1997
: Réunion des Musées Nationaux (ed.), '4e Biennale de Lyon' [text by Harald Szeeman, Raymond Barre et al.], Lyon, 1997
: Museum of Contemporary Art (ed.), 'Defining the Nineties: Consensus-making in New York, Miami, and Los Angeles' [text by Bonnie Clearwater, Micheal Duncan et al.], Miami, 1996 (exh.cat.)
: Wanas Foundation (ed.), 'Wanas 1996' [text by Marika Wachtmeister, Kay C.Pallister et al.], Knislinge, 1996 (exh.cat.)
: '26es Rencontres Internationales de la Photographie', Arles, 1996
: CAPC Musée d’Art Contemporain (ed.), 'Traffic ' [text by Nicolas Bourriad], Bordeaux, 1996
: 'Kunstsammlungen zu Weimar. Nach Weimar', Weimar, 1996
1996: Birnbaum, Daniel. 'IKEA at the End of Metaphysics.' Frieze. (November/December1996), pp. 33-36
: Kunsthalle Basel (ed.), 'Jason Rhoades' [text by Robert Fleck], Basel: Schwabe & Co. AG, 1996, ill. (exh.cat.)
1995: Museum van Hedendaagse Kunst (ed.), 'This is the Show and the Show is Many Things' [text by Amy Galland, Ronald Van de Sompel et al.], Ghent, 1995 (exh.cat.)
: Grazer Kunstverein (ed.), 'Self-made' [text by Eva Maria Stadler, Collier Schorr et al.], Graz, 1995
: Hoving, Thomas. 'Art for the Ages.' Cigar Afiocionado. (Summer 1995), pp.214-226
: Thread Waxing Space (ed.), 'Don't Look Now ' [text by Joshua Decter], New York, 1994
1994: Bourriad, Nicolas. 'Jason Rhoades.' Documents, No. 5. (February 1994)
: The Whitney Museum of American Art (ed.), '1995 Whitney Biennial ' [text by Klaus Kertess, John Ashbery et al.], New York, 1994 (exh.cat.)
: Deichtorhallen Hamburg (ed.), 'Temporary translation(s): Sammlung Schürmann' [text by Felix Zdenik], Hamburg, 1994 (exh.cat.)
1993: Adams, Brooks. 'Jason Rhoades at David Zwirner.' Art In America. (November1993)

Jason Rhoades

(American, 1965–2006)

Jason Rhoades

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